邦都沃索地区Totta 'an Dhereh传统甘美兰Glundeng演奏形式研究

Dedy Setyawan, T. Karyono, R. Milyartini, J. Masunah
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引用次数: 1

摘要

Glundeng是一种传统艺术,起源于东爪哇的Bondowoso摄政。当地人称它为木质佳美兰,因为乍一看,这种乐器的形状几乎与爪哇佳美兰Ageng相似。在totta'an deherh的传统中,Glundeng是当地社区举行的一种感谢万能的上帝给予农民丰富财富的形式。本研究的目的是找出格伦登佳美兰演奏形式在邦多沃索的totta'an deherh传统中是如何表现的。研究范式采用定性、描述性分析方法。通过访谈、观察和文件收集的数据。结果表明,格伦登表演是一种以民间艺术表演为娱乐手段的表演形式。格伦登音乐表演每年11月定期举行一次。在演奏格伦登音乐时没有特别的仪式或阅读。格兰登音乐表演曲目为马都拉地区歌曲,如Tanduk Majeng、pajjar laggu、olle ollang、gei’bintang等。格伦登佳美兰使用的节奏(wirama)模式是seheng和seeg。gamelan glundeng的游戏技术是balungan melampah, nyaca rangkep, mbalung, kinthilan和timpalan。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Study of the Form of the Gamelan Glundeng Performance in the Totta’an Dhereh Tradition in Bondowoso
Glundeng is a traditional art originating from Bondowoso Regency, East Java. The local people call it wood Gamelan because at first glance the shape of the instrument is almost like Javanese Gamelan Ageng. Glundeng staging in the totta'an dhereh tradition is held by the local community as a form of gratitude to God Almighty for the abundance of fortune given to the farmers. The purpose of this research is to find out how the form of the Glundeng Gamelan performance in the totta'an dhereh tradition in Bondowoso. The research paradigm uses a qualitative, descriptive analysis method. Data collected through interviews, observations, and documentation. The results showed that Glundeng's performance was a form of folk art performance as a means of entertainment. Glundeng music performances are held routinely once a year in November. In presenting Glundeng music there are no special rituals or readings when going to play Glundeng. The repertoire of songs presented in the Glundeng music performance is Madura regional songs such as Tanduk Majeng, pajjar laggu, olle ollang, gei' bintang and other songs. The rhythm (wirama) pattern used in the glundeng gamelan is sedheng and seseg. While the game techniques in gamelan glundeng are balungan melampah, nyaca rangkep, mbalung, kinthilan, and timpalan.
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