瓦扬塔维人的信仰与社会批判

Aditya Aditama Putri Hikmatyar, Nanang Ganda Prawira
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引用次数: 1

摘要

本研究旨在揭示拉瓦衍那戏剧中通过《Wayang Tavip》所传达的信息和社会批判。Wayang Tavip是来自万隆的当代Wayang,根据Sujewo Tejo的小说改编了Rahvayana的故事。Wayang Tavip的出现始于创作者担心年轻人对印尼当地智慧缺乏兴趣。塑料垃圾等环境问题也不容忽视。所使用的方法是描述定性的。运用查尔斯S.皮尔斯的符号学理论,通过图标、索引和符号来分析视觉意义。结果表明,每个艺术家都有创作的勇气,这种勇气来源于他所处的环境和他的心境。学院派艺术家的心境在其创新中可以提出社会政治问题作为社会批判的一部分。腐败案件和当代社会的行为越来越偏离伊斯兰教和东方规范是Rahvayana戏剧中通过主要人物讨论的常见话题,例如Sinta。这种方法被认为是非常有效的教育,宣传的媒介,以及有趣的娱乐,为年轻一代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sinta and Social Criticism of the Wayang Tavip
This study aims to uncover the messages and social criticisms conveyed through the Wayang Tavip in Rahvayana's play. Wayang Tavip is a contemporary wayang from Bandung that presents Rahvayana's story based on Rahvayana's novel by Sujewo Tejo. The appearance of the Wayang Tavip began when the creators experienced concerns about the lack of youthful interest in Indonesian local wisdom. Environmental issues such as plastic waste did not escape observation. The method used is descriptive-qualitative. The visual meaning is analyzed using Charles S. Peirce's semiotic theory through icons, indexes, and symbols. The results revealed that Every artist has a creative courage that it is sourced from his environment and his frame of mind. The frame of mind of academic artists can raise sociopolitical issues as part of social criticism in their innovations. Cases of corruption and the behavior of a contemporary society that is increasingly deviating from Islam and eastern norms are common topics discussed in Rahvayana's play through the main figures, for example, is Sinta. This method is considered quite effective as a medium of education, propaganda, as well as interesting entertainment for the younger generation.
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