安君舞蹈景点:印尼锡雷邦斯提温君旅游村的陶艺灵感

Turyati Turyati
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引用次数: 0

摘要

本文的目的是描述安军舞吸引的创作过程。“安君舞”的创作灵感来源于印度尼西亚Sitiwinangun Cirebon旅游村里的陶艺匠人的创意。这种舞蹈的创作采用了创造性的方法,并优先考虑与感觉,生活,想象有关的想象力,最终找到一些可以将普通转化为社会非凡创作的本质。四提温君社会在陶器制作上的创造力可以作为行为艺术的理念和创作过程。这个舞蹈表演是一种努力,赋予陶艺工匠权力,并在社区舞蹈领域发展潜力。这一创作的结果说明了安军舞的创作过程,这是辅助四提温郡旅游村过程的一部分。安君舞池图案采用地板图案和动感动作,将四提温君人刻画为陶艺匠人。地板模式开始时,10名舞者拿着一个陶碗进入表演场地,然后跟随许多舞者围绕中间的舞者。这个图案描述了社会作为陶坛生产者的象征。安军舞蹈表演的吸引力,形成了四提温军旅游村的特色景点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Anjun Dance Attraction: Pottery Inspiration of Sitiwinangun Tourism Village Cirebon Indonesia
The purpose of this article is to describe the creative process of Anjun dance attraction. Anjun dance was created based on inspiration from pottery craftsman creativity in the tourism village of Sitiwinangun Cirebon Indonesia. The creation of this dance uses the method of creativity and prioritizes imaginative thoughts related to feeling, living, imagining, and finally finding something essential which could transform an ordinary to a remarkable creation for its society. Creativity of Sitiwinangun society in making pottery product can be used as ideas and creative processes of performance art. This dance performance is an effort to empower the pottery craftsmen and develop potential in the field of community dance. The results of this creation explain the creative process of Anjun Dance, part of the process of assisting the tourism village of Sitiwinangun. The pattern of Anjun dance attraction uses floor pattern and dynamic movement that depict the people of Sitiwinangun as pottery craftsmen. The floor pattern begins with ten dancers entering performance arena by carrying a pottery bowl which is then followed by numbers of dancers circling the middle dancer. This pattern describes the community as pedestal symbol of pottery producer. The attraction of Anjun dance performance results in an attraction which is distinctive for tourism village of Sitiwinangun.
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