{"title":"‘Du Crésoxipropanédiol en capsule’. Jean Yanne's musical satire: ‘Interdit d’interdire’ or ‘chanter juste et penser faux’?","authors":"Hugh Dauncey","doi":"10.1177/09571558221143491","DOIUrl":"https://doi.org/10.1177/09571558221143491","url":null,"abstract":"The satirical songs of Jean Yanne (1933–2003) are a little-studied aspect of the work of this French singer-songwriter, comedian, actor and film director. Composed and performed in the late-1950s and mid-1960s Yanne's satirical music, like his radio and television comedy sketches, spoke to tensions in French politics and society during a period of rapid socioeconomic and sociocultural modernisation. Yanne's idiosyncratically derisive humour was controversial, dividing audiences and critics into those who saw the comedy and others suspecting him of right-wing anarchist nihilism. Analysis of his songs’ themes, lyrics and music shows how Yanne's musical satire continued and developed existing trends in humour and musical comedy, and discussion of how he was critiqued as ‘poujadist’ enables fuller understanding of the complexity of his oeuvre and its reception. Criticism of Yanne as poujadist aims to invalidate his satire, but ‘getting the joke’ equates, ultimately, to seeing his humour as freedom of speech.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"411 - 430"},"PeriodicalIF":0.4,"publicationDate":"2023-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41417448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dany Laferrière as a Japanese writer: Fantasy and despair","authors":"P. Mcquade","doi":"10.1177/09571558231152994","DOIUrl":"https://doi.org/10.1177/09571558231152994","url":null,"abstract":"Dany Laferrière has demonstrated a continuous engagement with Japan, beginning with the novel Éroshima in 1987 and continuing to his most recent publication in 2021, Sur la route avec Bashō. The aim of this article is to understand what role Japan plays within Laferrière's writing and how it helps us understand the complex network of sex, power, and race in his work. Between the cosmopolitanism of the network of nation-states and the despair of identity politics, I situate Laferrière's use of Japan as a fantasy that empowers the writer beyond the impasse of a white-black racial imaginary. Reading Laferrière this way allows us to understand how his writing uses the fantasy of the Orient, often to the detriment of Asian women. As such it contributes to comparative work between Asian and French literatures, debates in Francophonie, and critical understandings of race in the Francophone sphere of the Americas.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46579880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"'Ici et par toute la terre': Paris, British universities and the French study abroad in the inter-war","authors":"Wendy Michallat","doi":"10.1177/09571558221150702","DOIUrl":"https://doi.org/10.1177/09571558221150702","url":null,"abstract":"This article begins with the recommendations of the Leathes Report of 1916 in connection with the internationalisation of language study and the reasons why the ideal of transnational mobility was slow to take root in language departments in the UK. It examines how the provision of safe, secure and affordable accommodation for women students was an effective counter to alarmist stay-at-home tales. And it looks at how feminist educators campaigned to promote international learning and teaching opportunities for women scholars. It argues that the Leathes concept of an ‘immersion’ experience conflicted with the University of Paris's interpretation of the ‘internationalisation’ of study. The Cité universitaire (CU) project, launched in the 1920s, offered the possibility for the easy placement of a growing number of students from the British red-brick universities in particular. But the conviction of British academics that the proposed Collège Franco-Britannique should house both French and British students was at odds with the University of Paris's concept of a campus of representative national houses in which only students of that country were permitted to live. It concludes that the mobilisation of the profession into subject bodies was a key factor in the evolution of study abroad programs and more broadly in the consolidation of ‘modern studies’ in the new civic and red-brick universities across Britain.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"34 - 48"},"PeriodicalIF":0.4,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48177125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pourquoi terroir? Reflections on French influences on Australian winemakers’ senses of place","authors":"J. Dutton","doi":"10.1177/09571558221150700","DOIUrl":"https://doi.org/10.1177/09571558221150700","url":null,"abstract":"Terroir is an untranslatable, unstable, and often undefinable French term frequently used in the global wine industry. This article focuses on the transnational potentialities and cultural transferability of terroir in reflecting on French influences on Australian winemakers’ senses of place. After outlining the evolution of terroir in France to demonstrate how and why it appears to have become a floating signifier, I examine the use of terroir in the Australian winemaking context. I thereby provide an example of how this French concept has travelled and been translated by Australian proponents of the term at the other end of the New World of wine. Finally, I present conclusions drawn from the particular case of French-Australian cultural transfers to demonstrate key features of the current state of terroir's globalisation.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"9 - 20"},"PeriodicalIF":0.4,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48444900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Vagabonde assise – space, place and the meaning of home in Colette and other women writers","authors":"D. Holmes","doi":"10.1177/09571558221144368","DOIUrl":"https://doi.org/10.1177/09571558221144368","url":null,"abstract":"Nick Hewitt wrote wonderfully well about the significance of different places in French history and culture, and in our lives. Colette was a chronicler of places, from the famous childhood house and garden in Burgundy, to Brittany, Provence and of course Paris. But as her writing moves across regions and houses, home recurs as a crucial place in the emotional landscape of a human life. Nick was also always attentive to the relationship between canonical and ‘minor’ authors, and to the interplay between socio-political moment and cultural production. In this article home is examined as a vital and recurring theme not only in the work of Colette but also in that of her lesser-known female contemporaries – for home as a place has particular practical and emotional meanings for women.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"62 - 72"},"PeriodicalIF":0.4,"publicationDate":"2023-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47864650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Placing lost intersectional plots in Houellebecq's Anéantir (2022): Race, climate and scandalous textual necropolitics","authors":"R. Cruickshank","doi":"10.1177/09571558221145188","DOIUrl":"https://doi.org/10.1177/09571558221145188","url":null,"abstract":"Placed in the context of scandals surrounding Houellebecq's earlier novels, Anéantir (2022) is described as strategically losing its political and other plots to focus on the death of its protagonist. This narrative choice cannot, however, dispense with questions raised by representations of race (universalism, colourism, racialization, Islamophobia); of colonial and postcolonial exploitation (including the Françafrique); and of ‘green-bashing’, anthropocentrism and the elision of differential impacts of climate catastrophe. These questions are considered in terms of necropolitical power over who lives or dies, and precarious lives experienced as ‘slow death’. Fiction is established as always already a form of necropolitics–of textual decisions of life and death. Whilst climate catastrophe is not foregrounded in this predominantly anthropocentric narrative, the ultimate question is whether Houellebecq intends any kind of self-reflexive ‘ecocritique’, or whether the gravest global scandal—of human contributions to climate crisis—is ignored.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"92 - 105"},"PeriodicalIF":0.4,"publicationDate":"2023-01-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46560866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Behind the mask: An introduction to the fiction of Anne-Claire Decorvet","authors":"J. Flower","doi":"10.1177/09571558221150701","DOIUrl":"https://doi.org/10.1177/09571558221150701","url":null,"abstract":"Recognized in Switzerland by numerous prizes, Anne-Claire Decorvet's fiction has yet to make its mark abroad. With the exception of her biographical novel, Un lieu sans raison, inspired by the life of Marguerite Sirvins, it is set predominantly in and around Geneva, explores family and social instability, insanity and psychiatric care in the twentieth century. This article explores some of the distinctive and characteristic features of her writing with a view towards introducing her work to new readers.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"83 - 91"},"PeriodicalIF":0.4,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46819958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The ‘Islamo-gauchiste threat’ as political nudge","authors":"P. Marlière","doi":"10.1177/09571558231152992","DOIUrl":"https://doi.org/10.1177/09571558231152992","url":null,"abstract":"What is ‘islamo-gauchisme’? The word sparked heated debates in French academia and in public conversations in 2020–2021. This article endeavors to shed light on the origin of the notion, to look at its uses within and outside academia, and to reflect on the political ramifications of the controversy. Islamo-gauchisme is an unsubstantial notion which operates as political nudge in the public debate: it sounds sufficiently threatening and self-explanatory to be taken seriously. This study shows that the controversy on islamo-gauchisme has helped mainstream illiberal and right-wing policies, to make them plainly acceptable to the public.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"234 - 249"},"PeriodicalIF":0.4,"publicationDate":"2023-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42947160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Breaking the Republican mold: French independent schools and agonistic pluralism amidst Franco-conformity*","authors":"Carol Ferrara","doi":"10.1177/09571558221151001","DOIUrl":"https://doi.org/10.1177/09571558221151001","url":null,"abstract":"The modern French school system was established in the late nineteenth century upon an acculturating, assimilationist, and secular ideology of making “French people French” and emphasizing unity over cultural diversity. Thus, most scholarship on the French education system aptly highlights the system's French Republican “mold” characteristics—hyper-centralization, Franco-conformity, and “Republican sanctuary”—even if adherence to the mold is not always achieved. However, French hors contrat or independent schools are afforded significant freedoms in terms of curriculum, pedagogy, admittance criteria, and the incorporation of religion. These independent schools represent a veritable rainbow of ethical and educational perspectives that break from the French Republican schooling mold. Drawing upon seven months of ethnographic research in a variety of French independent schools, I suggest that these schools’ existence illustrate flexibility and plasticity within the otherwise monolithic French education system, collectively pointing to a surprising form of agonistic pluralism on the margins of French Republicanism.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2023-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46919728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Margins, flows and crossing points: France's liquid territory","authors":"E. Welch","doi":"10.1177/09571558221150699","DOIUrl":"https://doi.org/10.1177/09571558221150699","url":null,"abstract":"In his accounts of Montmartre and Marseille, Nicholas Hewitt shows how places on margins and frontiers channel flows of different sorts running across city, nation and world. In doing so, they open up suggestive perspectives on the nature of French territory, how it is conceived, and how it can be imagined. In particular, they foreground the productive tension of the marginal place as edge and opening, and interrogate the bounded and regulated space implied by the geometrical trope of the French ‘hexagon’. What emerges instead is a curiously liquid sense of French space-in-time as shifting, shimmering and mercurial, caught up in and contributing to the ebb and flow of global circulation. This article explores how movement, flow and liquidity have featured in recent explorations of French territory and topography, drawing on work by Jean Rolin, Agnès Varda and the photography project France(s) territoire liquide, whose title spells out its assumption about the nature of contemporary French space. At the same time, the article situates those accounts in relation to conceptions of French territory which informed the work of post-war spatial planners, whose substantial material and infrastructural legacies reflected their own sense of territory as flux, flow and liquid force.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"34 1","pages":"21 - 33"},"PeriodicalIF":0.4,"publicationDate":"2023-01-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42309957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}