French Cultural Studies最新文献_第10页

The representation of colonials and natives in French colonial cinema from 1918 to 1945 1918年至1945年法国殖民电影中殖民者和本土人的表现

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2022-01-13 DOI: 10.1177/09571558211068238

Frédéric Barthet

引用次数: 0

What if? Epidemic discourse and serial narration in the alternate history series La Révolution (2020) 如果什么?交替历史系列《La r<s:1>革命》(2020)中的流行病话语与连环叙事

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-12-20 DOI: 10.1177/09571558211063334

Anna Isabell Wörsdörfer

{"title":"What if? Epidemic discourse and serial narration in the alternate history series La Révolution (2020)","authors":"Anna Isabell Wörsdörfer","doi":"10.1177/09571558211063334","DOIUrl":"https://doi.org/10.1177/09571558211063334","url":null,"abstract":"The article examines the formal and thematic manifestations of seriality in the Netflix series La Révolution, which justifies the revolutionary outbreak in a counterfactual plot with a viral outbreak that turns the nobles into zombie-like monsters. While, on a macrostructural level, the generic frame of alternate history promotes the serial character through the varying repetition of the historical event, the microstructural level of the narration evokes seriality by exponential contagion and spread of the disease as well as an increasing spiral of violence. First, the focus is on the representation of the aristocrat as a monster in pamphlets and caricatures of the revolutionary era. Subsequent to a contextualization of seriality in the age of streaming platforms, the analysis then discusses the medium-specific implementation of the epidemic discourse based on selected sequences of the series. Finally, it gives a hypothetical outlook on the implied motivations regarding the fictional development of the revolutionary event: through its contrasting exaggeration, the alternate-historical narrative can shed new light on the real historical events.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"179 - 195"},"PeriodicalIF":0.4,"publicationDate":"2021-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42288421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La traduction au prisme du genre et de la pensée islamique 性别与伊斯兰思想的棱镜翻译

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-12-16 DOI: 10.1177/09571558211043233

Wafa Bedjaoui

{"title":"La traduction au prisme du genre et de la pensée islamique","authors":"Wafa Bedjaoui","doi":"10.1177/09571558211043233","DOIUrl":"https://doi.org/10.1177/09571558211043233","url":null,"abstract":"The main objective of this article is to make the female voice heard in an area of the world where women are discriminated against and prejudiced, despite the progress made regarding their status in status in society. The aim is to demonstrate that the translation of the male discourse produced undergoes fundamental transformations that are the result of choices studied by the translator. She intervenes She intervenes and rewrites the text in her own way, even in the way that allows her to represent herself as a full human being in her own right, not relegated to the background. Through the analysis of samples taken from the work of the Algerian thinker Malek Bennabi “Les conditions de la renaissance” as well as the questioning of the first translation by the Egyptian thinker Abdel Sabbour Chahine, considered reductive and ‘religiously oriented’, we are in line with the feminist approach to translation feminist approach to translation, which advocates taking a stand on the dominant discourse. By invoking some of the methodological tools of Giles' IDRC Model and by referring to the notion of subjectivity developed in the framework of feminism of colour, we proceeded to the analysis of the source and target texts. We found that the doubly masculine discourse (the author and her (the author and his translator) was reproduced differently in the target language by taking into consideration elements that are absent from the source text. The invisibility of the woman in the process since she is considered an object, she passes to the status of visibility through the translational choices, the positions taken, and thus the decisions made.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"91 - 102"},"PeriodicalIF":0.4,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41975358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Translating Boris Vian's Vercoquin et le plancton: Does it mean a thing if it ain’t got that swing? 翻译鲍里斯·维安的《Vercoquin et le plancton》：如果没有摇摆，这意味着什么吗？

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-12-08 DOI: 10.1177/09571558211042865

Terry J Bradford

{"title":"Translating Boris Vian's Vercoquin et le plancton: Does it mean a thing if it ain’t got that swing?","authors":"Terry J Bradford","doi":"10.1177/09571558211042865","DOIUrl":"https://doi.org/10.1177/09571558211042865","url":null,"abstract":"This article is the result of research and reflection undertaken in the process of translating Vercoquin et le plancton. Focusing on music-related references in Boris Vian's first published novel, this article will discuss different layers of meaning and a variety of techniques that can be discerned in Vian's punning and wordplay. The complexity and compactness of his writing make for an exceptional case study. Whilst much of the wordplay may justifiably be classed as ‘juvenile’, its many facets also reflect life in Occupied France, document the Zazou movement, voice a manifesto for jazz, and stage playfulness that can be viewed as ranging from the very silly to a form of resistance. Such sophistication – largely overlooked, hitherto – justifies re-evaluation of Vian's early work. Analysis of a number of challenges to translation gives rise to discussion of possible solutions, based on different considerations – genre, function and audience – and using different ‘tools’. This article seeks not to justify my own choices in translation. Rather, it should illustrate the point that research is essential, and that interpretation and creativity are necessary if one's strategy in literary translation is to try to provide a new audience with similar opportunities for their own readings as a Francophone audience might have.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"74 - 90"},"PeriodicalIF":0.4,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42275377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Alain Ehrenberg: Autonomy and empowerment 阿兰·埃伦伯格：自主与赋权

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-12-03 DOI: 10.1177/09571558211063336

J. Marks

引用次数: 0

Le regard décolonial d’Alfred Alexandre: Les villes assassines () 阿尔弗雷德·亚历山大的非殖民化观点：谋杀城市（）

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-11-11 DOI: 10.1177/09571558211058848

Silvia Hueso

引用次数: 0

Unpacking Rachel Félix's “constructed” and “self-constructed” Jewishness 拆解Rachel fasslix的“被建构的”和“自我建构的”犹太人身份

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-11-03 DOI: 10.1177/09571558211045052

Irina Rabinovich

{"title":"Unpacking Rachel Félix's “constructed” and “self-constructed” Jewishness","authors":"Irina Rabinovich","doi":"10.1177/09571558211045052","DOIUrl":"https://doi.org/10.1177/09571558211045052","url":null,"abstract":"This paper aims at unpacking the cultural, historical and political significance behind the representations (including pictures, caricatures, journalistic articles, etc.) and self-representations of Rachel Félix (1821–1858), the first prominent Jewish performer on the French and British and American stage, as a prism which may afford a broader discussion about the literary formations of the figure the Jewish female artist Félix, renowned for her exquisite beauty and daring sensuality, serves as an excellent paradigm of how Jewish artists used and, at times, manipulated their “biblical\"/\"oriental\"/ “sensual” beauty with the aim of promoting their artistic career. My discussion, adopting a New Historicist outlook, also aims at explaining the correlation between such literary formations and their political implications with regards to the representation of Jewish artists. Since the identity of an actress is so obviously “constructed,” and because of the intricate relationship between the Jewishness, artistic vocation and femininity, the figure of Félix provides a direct engagement with a particular set of cultural and political assumptions about Jewish female artists. Looking at Félix's literary and artistic representations by her contemporaries and at her own self-representation as reflected on the stage and in her letters leads us to a better understanding of the relationship between the cultural, political and artistic constructs of Jewish female artists.","PeriodicalId":12398,"journal":{"name":"French Cultural Studies","volume":"33 1","pages":"19 - 39"},"PeriodicalIF":0.4,"publicationDate":"2021-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42439925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Entre « nonne » et « monstre » : images « du professeur femme » dans la France de la Belle Époque 在“修女”和“怪物”之间：法国BelleÉpoque的“女教授”图像

IF 0.4 4区社会学

French Cultural Studies Pub Date : 2021-11-01 DOI: 10.1177/09571558211022008

Loukia Efthymiou