The representation of colonials and natives in French colonial cinema from 1918 to 1945

IF 0.4 4区 社会学 Q3 CULTURAL STUDIES
Frédéric Barthet
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引用次数: 0

Abstract

In spite of having an empire that was second only to Britain's by 1914, the French people remained mostly unconvinced by and mistrustful of the colonial idea. There is no better proof of this than the French colonial films between 1918 and 1945 which depicted the empire in a particularly unattractive way while seemingly advocating the colonial cause. The paradox is all the more surprising given that the negative image that emerges from the films made in France around the colonial theme was not the manifestation of an anti-colonialism subtly disguised to avoid governmental censorship, but the mere expression of the general feeling of the French about their colonies. The lack of Gallic enthusiasm for the empire translated on screen into an intrinsic mistrust for what was regarded as the epitome of danger and despair.
1918年至1945年法国殖民电影中殖民者和本土人的表现
尽管到1914年,法国的帝国规模仅次于英国,但大多数法国人仍然不相信殖民思想,也不信任殖民思想。没有比1918年至1945年间的法国殖民电影更能证明这一点的了,这些电影以一种特别不吸引人的方式描绘了帝国,同时似乎在鼓吹殖民事业。考虑到法国围绕殖民主题拍摄的电影中出现的负面形象,并不是为了躲避政府审查而巧妙伪装的反殖民主义的表现,而仅仅是法国人对殖民地的普遍感受的表达,这一悖论就更加令人惊讶了。高卢人对帝国缺乏热情,在银幕上表现为对被视为危险和绝望的象征的内在不信任。
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
20
期刊介绍: French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth and Twentieth Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate. French Cultural Studies is designed to respond to the important changes that have affected the study of French culture, language and society in all sections of the education system. The journal encourages and provides a forum for the full range of work being done on all aspects of modern French culture.
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