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China from the Ruins of Athens and Rome最新文献

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A Greek Tragedy in China 中国的希腊悲剧
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0006
C. Murray
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引用次数: 0
Coda: ‘All Things Fall and Are Built Again’ 结尾处:“万物皆有重建之日”
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0008
C. Murray
{"title":"Coda: ‘All Things Fall and Are Built Again’","authors":"C. Murray","doi":"10.1093/oso/9780198767015.003.0008","DOIUrl":"https://doi.org/10.1093/oso/9780198767015.003.0008","url":null,"abstract":"Yeats’s ‘Lapis Lazuli’ responds to a Chinese stone etched with a poem attributed to the Qianlong Emperor. Yeats describes the stone in Keatsian ekphrasis. He demonstrates the influence of Daoism, particularly Zhuangzi, as he interprets the stone philosophically. To Yeats the lapis offers consolation amidst upheaval. The object appears prophetic of the fall of the Qing Dynasty, and Yeats finds its optimism pertinent as the Second World War approaches. The stone’s portrayal of sages on mountains prompts Yeats to invoke Daoism to correct the pessimism of Matthew Arnold’s Empedocles on Etna. The lapis expresses a universal wisdom that Yeats finds alike in Lucretius and in his Nietzschean reading of tragedy. As in his enthusiasm for ‘half-Asiatic Greece’—exemplified by the sculptor Callimachus—Yeats urges a fusion of classical and Asian values.","PeriodicalId":115424,"journal":{"name":"China from the Ruins of Athens and Rome","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114121429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘From Those Flames No Light’ “来自那些没有光的火焰”
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0007
C. Murray
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引用次数: 0
A Classical Cathay and a Real China 一个古典的中国和一个真实的中国
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0001
C. Murray
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引用次数: 0
The White Snake, Apollonius of Tyana, and John Keats’s Lamia 《白蛇》、《提亚那的阿波罗尼乌斯》和约翰·济慈的《拉米亚》
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0003
C. Murray
{"title":"The White Snake, Apollonius of Tyana, and John Keats’s Lamia","authors":"C. Murray","doi":"10.1093/oso/9780198767015.003.0003","DOIUrl":"https://doi.org/10.1093/oso/9780198767015.003.0003","url":null,"abstract":"The many details shared by John Keats’s Lamia and Feng Menglong’s treatment of the White Snake legend are evidence of a series of exchanges between Europe and Asia over the course of centuries. Ultimately these originated in Indian folklore which was transmitted to China, where it became Buddhist myth, and to the Hellenistic world in Philostratus’ Life of Apollonius of Tyana. Keats amplified these commonalities by using Philostratus’ serpent tale as a vehicle for considerations of Orientalism. In Apollonius he chose a figure that generated considerable controversy among Anglican theologians, both for the parallels in Philostratus’ hagiography to the life of Christ, and by his associations with Asian philosophy. Feng Menglong’s treatment of the White Snake legend was prominent in eighteenth-century China, and is likely to have been known to European visitors.","PeriodicalId":115424,"journal":{"name":"China from the Ruins of Athens and Rome","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121812357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Charles Lamb, Roast Pork, and Willow Crockery 查尔斯·兰姆，烤猪肉和柳条陶器
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0004
C. Murray
{"title":"Charles Lamb, Roast Pork, and Willow Crockery","authors":"C. Murray","doi":"10.1093/oso/9780198767015.003.0004","DOIUrl":"https://doi.org/10.1093/oso/9780198767015.003.0004","url":null,"abstract":"Charles Lamb’s work communicates both his frustrated wish to study classics and the Orientalist atmosphere of his employment at East India House. ‘A Dissertation upon Roast Pig’ envisions the discovery of cooking in China but—although it has correspondences with Thomas Manning’s travels—the source is Porphyry’s treatise on vegetarianism. ‘Old China’ is an ekphrastic treatment of an imaginary crockery set in the chinoiserie aesthetic, but the primary influence is Keats’s ‘Grecian Urn’. Lamb’s and Joanna Baillie’s responses to chinoiserie chart fluctuations in British opinion on China, and interrogate whether crockery was a gendered interest. Via Mark Lemon, Lamb’s writing on China has had lasting influence on narratives that arose about the Willow pattern popularized by Wedgwood and Spode. The Willow pattern imitated Chinese aesthetics, but the Willow narrative is Ovidian rather than Chinese.","PeriodicalId":115424,"journal":{"name":"China from the Ruins of Athens and Rome","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123943332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Ancestral Voices Prophesying War’ “祖先的声音预言战争”
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0002
C. Murray
{"title":"‘Ancestral Voices Prophesying War’","authors":"C. Murray","doi":"10.1093/oso/9780198767015.003.0002","DOIUrl":"https://doi.org/10.1093/oso/9780198767015.003.0002","url":null,"abstract":"Edward Gibbon and Samuel Taylor Coleridge were uneasy about the prospect of a British Empire, fearing overreach and collapse. Historical precedents such as the Roman Empire and Kublai Khan’s China made imperial expansion appear unwise. To Coleridge these predecessors served as warnings to Britain, but to Macartney they offered evidence that the Qing Dynasty was doomed. The Macartney Embassy attempted to recreate aspects of Marco Polo’s reception at Kublai Khan’s court: Macartney, like Gibbon and Coleridge, felt that histories could be replicated. In light of Britain’s fruitless embassies to China in 1793 and 1816, Coleridge’s ‘Kubla Khan’ draws on Gibbon’s account of the Khans for prophetic effect. Like Macartney’s journal, Coleridge’s poem articulates a perception that war between Britain and China was likely some decades before the First Opium War occurred.","PeriodicalId":115424,"journal":{"name":"China from the Ruins of Athens and Rome","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131283580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Better Fifty Years of Europe than a Cycle of Cathay’ “欧洲的五十年胜过国泰的一个周期”
China from the Ruins of Athens and Rome Pub Date : 2020-08-13 DOI: 10.1093/oso/9780198767015.003.0005
C. Murray
{"title":"‘Better Fifty Years of Europe than a Cycle of Cathay’","authors":"C. Murray","doi":"10.1093/oso/9780198767015.003.0005","DOIUrl":"https://doi.org/10.1093/oso/9780198767015.003.0005","url":null,"abstract":"The classical universe allows Tennyson perspective on China. While ‘Locksley Hall’ appears to endorse British progress and deride China, the metre distances the poet from modernity: Tennyson’s line has probably Persian or ancient Greek origins. Tennyson’s patriotism celebrates ancient values but is suspicious of Victorian progress. ‘Recollections of the Arabian Nights’ considers the paradox that Britain deems Asia both accomplished and stagnant. Britain was culpable for hindering China as the East India Company became increasingly reliant on the illegal opium-trade. In the ‘Lotos-Eaters’ Tennyson responds to the opium crisis in China as well as addiction in his family. Sara Coleridge wrote her own version of the ‘Lotos-Eaters’, intensifying the Chinese analogues by reference to her father’s ‘Kubla Khan’. In ‘The Ancient Sage’ Tennyson finds an alternative to Victorian progress in Laozi’s Dao De Jing, as translated by John Chalmers, although Tennyson interprets the philosopher in Augustinian terms.","PeriodicalId":115424,"journal":{"name":"China from the Ruins of Athens and Rome","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127089676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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