Schulz/Forum最新文献

{"title":"Ciało / części ciała / wydzieliny. Indeks do „Sklepów cynamonowych”","authors":"Jakub Orzeszek","doi":"10.26881/sf.2019.13.13","DOIUrl":"https://doi.org/10.26881/sf.2019.13.13","url":null,"abstract":"A literary index of body, body parts and exrcetions in Schulz's Cinnamon Shops.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122059287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Między wyobraźnią romantyczną a literacką moderną. Georg Groddeck w lustrze psychoanalizy","authors":"Agnieszka Więckiewicz","doi":"10.26881/sf.2019.13.11","DOIUrl":"https://doi.org/10.26881/sf.2019.13.11","url":null,"abstract":"The aim of the present paper is to introduce the theory of a German physician and so-called “wild psychoanalyst” Georg Groddeck. During World War I, after contacting Sigmund Freud, Groddeck has started to develop his own psychoanalytic theory in his scientific as well as literary writings. In 1923 he published a novel entitled The Book of the It (Das Buch vom Es), in which he discussed and reinterpreted Freud’s theory. By introducing the category of the “It” (das Es), Groddeck aimed to elaborate on Freud’s concept of the unconscious, which he considered too restricted and reduced to what the Viennese psychoanalyst defined as the conscious and the preconscious. The author points out to the importance of the discussion between Freud and Groddeck, which began as early as in 1917 in their letters. The publication of The Book of the It coincide with Freud’s treatise The Ego and the Id (Das Ich und das Es) written the same year. The author analyzes the similarities as well as the differences between Freud’s and Groddeck’s concepts of the It (das Es). Groddeck’s theory is presented in the light of German philosophical and literary tradition. The paper addresses the problem of Groddeck modernist writing strategies, such as combining psychoanalysis with literature and with different life-writing genres which are seen as his way to create a new language in the scientific discourse of his time. The author emphasizes the importance of two main categories in Groddeck’s writings, which have animated his entire theory. One is imagination, deeply rooted in romanticism, the other is self-analysis related to the modernist understanding of autobiography. While imagination represents Groddeck’s general doubt in the objectivity of science, especially in a linear progress in medicine, self-analysis is linked to his conviction that every discourse – not only literary, but also philosophical or psychoanalytic, has an autobiographical, hence also intimate dimension.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129723617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Schulz, duchy i meblościanka","authors":"M. Romanowski","doi":"10.26881/sf.2019.13.06","DOIUrl":"https://doi.org/10.26881/sf.2019.13.06","url":null,"abstract":"The paper presents an analysis of the “Schulzoid” novel by Dominika Słowik, Atlas: Döppelganger, which addressed the topic of passing from adolescence to adulthood during the Polish systemic transformation. The author’s starting point is the famous interpretation of Schulz’s fiction by Artur Sandauer in his essay “The Degraded Reality” [Rzeczywistość zdegradowana], based on a claim that Schulz represented in his own way the experience of the decomposition of the known world as a result of the capitalist expansion in the early 20th century. The analysis focuses on the figure of the grandfather and the transformation itself. The former is the central character in the narrator’s mythology of childhood: he keeps telling fascinating stories about life at sea, on the other hand being a fantasist who tries to alleviate his sense of exclusion from the new reality. The systemic transformation has been represented in Słowik’s novel by a series of antinomies as well. The nostalgic and sublime descriptions of the material conditions at the turning point have been combined with the pictures of degradation and trash. Then the novel is placed against the background of the literature of the 1990s, summed up by Olga Drenda’s essay, Duchologia polska. Słowik remembers the material conditions of the period of the systemic transformation and the trashy, though also sentimental, aesthetics of the historical moment when she and other authors of her generation were children. This makes the author of the paper compare their writing with Schulz’s postulate of the return to childhood. Yet in Schulz’s fiction childhood is the source of a private mythology – the images that constitute the writer’s imagination. The writers of the 1990s make a turn toward the reminiscences of childhood to revise critically the myths of the historical turning moment and to articulate their own and their generation’s experience of the transformation.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134116286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ucieleśnione sytuacje komunikacyjne w prozie Brunona Schulza","authors":"Paweł Tomczok","doi":"10.26881/sf.2019.13.04","DOIUrl":"https://doi.org/10.26881/sf.2019.13.04","url":null,"abstract":"The topic of the paper is the problem of the embodiment of communication in Bruno Schulz’s fiction. According to a number of critics, such as Wojciech Wyskiel, Krzysztof Kłosiński, Włodzimierz Bolecki, and Andrzej Sulikowski, in Schulz’s short stories communication by dialog is hardly present. The author proposes a different approach to the problem, based on a key role of the corporeal conditions of communication. Reading Schulz, one must identify the point of view from which individual texts are written, usually unspecified by some named character (most often the “Father”), but depending on the body which performs various actions or perceives the world in a definite way. Thus, to understand Schulz’s fiction it does not make sense to focus on dialogs, but instead the reader should recognize and analyze a bodily perspective, both sensual and affective, i.e. its strata that are particularly well rooted in the basic cognitive abilities. Next to those sensual and affective perspectives, the narration is also determined by higher cognitive skills, such as memory and the ability to pass value judgments. Still, they do not contribute to one coherent perspective, but rather reveal that the narrational subject of the story has been “patched” or made of various perspectives – the child’s body sees and feels, while the subject that remembers and speaks is definitely an adult. This refers in particular to the “Father” figure, behind which the writer concealed in many passages the experience and behavior of the child. A context for such an interpretation can be found in the works of Jean Piaget from the 1920s, analyzing the child’s animism and polemical against the Cartesian concept of the subject, as well as today’s proposals referring to Graham Harman’s speculative realism and childhood studies. However, the Schulzean model of the child’s metaphysics has little to do with utopia – it is rather an insight in some kind of universal suffering of the matter, as in the case of the panopticon figures which turn out to be embodied cases of misunderstanding. The child’s retreat from the communication with adults also implies many problems. That troubled communication seems to be a condition of deep reception.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130830225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Schulz niesceniczny?","authors":"Balbina Hoppe","doi":"10.26881/sf.2019.13.07","DOIUrl":"https://doi.org/10.26881/sf.2019.13.07","url":null,"abstract":"Many theater reviewers consider Cinnamon Shops and the Sanatorium under the Sign of the Hourglass to be unspecific, impossible to translate into the language of the theater. Paradoxically, Schulz's theater reception is still growing, new performances, happenings and performances are created. The question arises whether today, in the era of post-dramatic theater, there is still a category such as “indecency” or should literary works be divided into those that can be shown in the theater and those that are not suitable for it. The article confronts the embarrassing concept of “indecency” on the example of Bruno Schulz's prose. It juxtaposes the harmful voices of critics with the rich theatrical reception of his work. It is an attempt to cleanse Schulz's work of accusations of indecency as a category now obsolete, anachronistic.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131053919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ciało mitu. Piłsudski Brunona Schulza","authors":"Eliza Kącka","doi":"10.26881/sf.2019.13.03","DOIUrl":"https://doi.org/10.26881/sf.2019.13.03","url":null,"abstract":"The present paper focuses above all on a variant of the legend of Józef Piłsudski presented by Bruno Schulz in his literary works. It is definitely not the best known literary incarnation of the myth of Polish First Marshall, neither is it the most quoted one, like excerpts from  General Barcz by Józef Kaden-Bandrowski or from Jan Lechoń’s book of poetry Silver and Black [Srebrne i czarne]. Still, Schulz gives us a very interesting analysis of the formation of this legend, and we can find in it Schulz’s own approach and style. His views on the formation of this legend are in fact ahistorical, free of the specific context. When he writes that “unbelievable historic maturity was incarnated in this man,” he is closer to heroic narration rather than sociological analysis. It is not a coincidence then that Schulz’s sense of historic moment is intertwined with his understanding of myth and his literary mythology. The author of The Street of Crocodiles worked on his essay “How Legends Come Into Being” [Jak powstają legendy] when he was finishing “Spring,” which brings the two texts closer and gives a historical incentive for a parallel reading of both, which is also justified by their content. Schulz puts Piłsudski in his own symbolic domain and makes him an agent/actor of his own narration. The problem of his individual importance or eminence is confronted with the views of Thomas Carlyle and Edmund Burke. The aim of the paper’s author is not just a close reading of Schulz’s text, but juxtaposing it with a few other analyses of the phenomena of birth, rise, and death of the legend. Karol Irzykowski was one of the most clear-headed analysts of those processes and that is why his views are quoted in the fragments devoted to a “socio-cultural process” which he treated not as an esoteric phenomenon but as a conscious strategy of influencing people. A short analysis of the quotation from Piłsudski about the role of legends and the oppressiveness of the legendary discourse in Polish culture is also important. Piłsudski, who understood the vampirical character of legends, became a prisoner of Schulz’s creative imagination in his essay.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134263205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dwa sanatoria / dwa uniwersytety","authors":"J. Olejniczak","doi":"10.26881/sf.2018.12.03","DOIUrl":"https://doi.org/10.26881/sf.2018.12.03","url":null,"abstract":"The starting point of the paper is Jacques Derrida’a reflection on the university today presented in his lecture on the „Unconditional University.” Then the author analyzes some passages from Thomas Mann’s Magic Mountain to demonstrate that the novel has been based on the picture of the university during the anti-positivist reaction. In Mann’s novel, the Sanatorium is an allegory of the University, while the protagonist, Hans Castorp, is a student seeking Mentors and the Truth. Schulz’s story, “Sanatorium under the Sign of the Hourglass,” has been interpreted as inspired by The Magic Mountain, since arguably it includes some traces of the „sanatorium – university” parallel. The paper refers also to Paweł Huelle’s novel Castorp, which tells a story of Mann’s character during a period of his studies in Gdańsk, anticipating the events described in The Magic Mountain. All the three texts – by Mann, Schulz, and Huelle – are connected by the debates characteristic of the humanities before the Great War (Mann, Huelle) and before World War II and the Holocaust (Schulz).","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"38 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114032867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rośnij, rośnij!","authors":"Ewa Graczyk","doi":"10.26881/sf.2018.12.08","DOIUrl":"https://doi.org/10.26881/sf.2018.12.08","url":null,"abstract":"The present essay is a personal, literary record of reading experience. The author does not pay much attention to the scholarly context of Schulz studies in favor of the emotional aura of his stories. In her opinion, the most important components of Schulz’s fiction are its epiphanic character, the need for togetherness, and openness to the Other.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121881113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Panorama Drohobycza z 1907 roku i inne ujęcia miasta. Ze zbiorów Zbigniewa Milczarka","authors":"Zbigniew Milczarek","doi":"10.26881/SF.2018.11.07","DOIUrl":"https://doi.org/10.26881/SF.2018.11.07","url":null,"abstract":"Panorama of Drogobych 1907 and other images from the Zbigniew Milczarek's postcard collection.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133519901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pożegnanie z mistrzem","authors":"W. Bojarski","doi":"10.26881/SF.2018.11.12","DOIUrl":"https://doi.org/10.26881/SF.2018.11.12","url":null,"abstract":"A fragment of Wacław Bojarski’s short story “Pożegnanie z mistrzem” [Farewell to the Master], published under the penname of “Jan Marzec” in the underground periodical Sztuka i Naród (1943, nos 9–10). The story, which is an attempt to imitate Schulz’s style, is an interesting trace of his reception in the Polish patriotic-nationalist discourse.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124470169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}