{"title":"Między wyobraźnią romantyczną a literacką moderną. Georg Groddeck w lustrze psychoanalizy","authors":"Agnieszka Więckiewicz","doi":"10.26881/sf.2019.13.11","DOIUrl":null,"url":null,"abstract":"The aim of the present paper is to introduce the theory of a German physician and so-called “wild psychoanalyst” Georg Groddeck. During World War I, after contacting Sigmund Freud, Groddeck has started to develop his own psychoanalytic theory in his scientific as well as literary writings. In 1923 he published a novel entitled The Book of the It (Das Buch vom Es), in which he discussed and reinterpreted Freud’s theory. By introducing the category of the “It” (das Es), Groddeck aimed to elaborate on Freud’s concept of the unconscious, which he considered too restricted and reduced to what the Viennese psychoanalyst defined as the conscious and the preconscious. The author points out to the importance of the discussion between Freud and Groddeck, which began as early as in 1917 in their letters. The publication of The Book of the It coincide with Freud’s treatise The Ego and the Id (Das Ich und das Es) written the same year. The author analyzes the similarities as well as the differences between Freud’s and Groddeck’s concepts of the It (das Es). Groddeck’s theory is presented in the light of German philosophical and literary tradition. The paper addresses the problem of Groddeck modernist writing strategies, such as combining psychoanalysis with literature and with different life-writing genres which are seen as his way to create a new language in the scientific discourse of his time. The author emphasizes the importance of two main categories in Groddeck’s writings, which have animated his entire theory. One is imagination, deeply rooted in romanticism, the other is self-analysis related to the modernist understanding of autobiography. While imagination represents Groddeck’s general doubt in the objectivity of science, especially in a linear progress in medicine, self-analysis is linked to his conviction that every discourse – not only literary, but also philosophical or psychoanalytic, has an autobiographical, hence also intimate dimension.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Schulz/Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26881/sf.2019.13.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
The aim of the present paper is to introduce the theory of a German physician and so-called “wild psychoanalyst” Georg Groddeck. During World War I, after contacting Sigmund Freud, Groddeck has started to develop his own psychoanalytic theory in his scientific as well as literary writings. In 1923 he published a novel entitled The Book of the It (Das Buch vom Es), in which he discussed and reinterpreted Freud’s theory. By introducing the category of the “It” (das Es), Groddeck aimed to elaborate on Freud’s concept of the unconscious, which he considered too restricted and reduced to what the Viennese psychoanalyst defined as the conscious and the preconscious. The author points out to the importance of the discussion between Freud and Groddeck, which began as early as in 1917 in their letters. The publication of The Book of the It coincide with Freud’s treatise The Ego and the Id (Das Ich und das Es) written the same year. The author analyzes the similarities as well as the differences between Freud’s and Groddeck’s concepts of the It (das Es). Groddeck’s theory is presented in the light of German philosophical and literary tradition. The paper addresses the problem of Groddeck modernist writing strategies, such as combining psychoanalysis with literature and with different life-writing genres which are seen as his way to create a new language in the scientific discourse of his time. The author emphasizes the importance of two main categories in Groddeck’s writings, which have animated his entire theory. One is imagination, deeply rooted in romanticism, the other is self-analysis related to the modernist understanding of autobiography. While imagination represents Groddeck’s general doubt in the objectivity of science, especially in a linear progress in medicine, self-analysis is linked to his conviction that every discourse – not only literary, but also philosophical or psychoanalytic, has an autobiographical, hence also intimate dimension.
本论文的目的是介绍德国医生和所谓的“野生精神分析学家”格奥尔格·格罗德克的理论。第一次世界大战期间,在与西格蒙德·弗洛伊德接触后,格罗德克开始在他的科学和文学作品中发展自己的精神分析理论。1923年,他出版了一本名为《It之书》(Das Buch vom Es)的小说,在书中他讨论并重新解释了弗洛伊德的理论。通过引入“它”(das Es)的范畴,格罗德克旨在详细阐述弗洛伊德的无意识概念,他认为弗洛伊德的无意识概念过于局限,被简化为维也纳精神分析学家所定义的意识和前意识。作者指出弗洛伊德和格罗德克之间的讨论的重要性,这种讨论早在1917年就开始了。这本书的出版恰逢弗洛伊德的论文《自我与本我》(Das Ich und Das Es)于同年出版。作者分析了弗洛伊德和格罗德克在“它”概念上的异同。格罗德克的理论是根据德国哲学和文学传统提出的。本文探讨了格罗德克现代主义写作策略的问题,如将精神分析与文学和不同的生活写作类型相结合,这被视为他在他那个时代的科学话语中创造新语言的方式。作者强调了格罗德克作品中两个主要类别的重要性,这两个类别使他的整个理论充满活力。一种是深深植根于浪漫主义的想象,另一种是与现代主义对自传的理解有关的自我分析。虽然想象代表了格罗德克对科学客观性的普遍怀疑,尤其是在医学的线性发展中,自我分析与他的信念有关,即每一种话语-不仅是文学,而且是哲学或精神分析,都有自传性,因此也有亲密的维度。