Odessa National University Herald. Series: Philology最新文献

{"title":"THE ART OF BEING THE HUMAN OF PRINCIPLE: REMEMBRANCE OF OLGA VAVILOVA","authors":"V.P. Saienko","doi":"10.18524/2307-8332.2022.1(25).283564","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283564","url":null,"abstract":"The memorial article is in honor to the personality of Olga Ivanivna Vavilova, who was born and grew as a specialist of the highest qualification, the candidate of pedagogical sciences, docent of Pedagogics department, being constantly more than 40 years under the sign of Odesa I .I. Mechnikov National University. And by her devoted working she succeeded and gained authority both in teaching and assisting position and later as the Head of trade union committee of the alma-mater, actively caring of a high ratio of the only one classical university of the South of Ukraine with a 160 years history among countries and foreign higher educational institutions with the administration and rectorate. Being initiative and active person, Olga Vavilova together with the editorial board (M. Podrezova, M. Sherban, N. Jurgelaytys) founded “They are Originally from the University” with the purpose to promote the achievements of Odesa I. I. Mechnikov National University via popularization a wide range of creative interests of its fully talented employees. In an accompanied foreword for the collection (2012–2019) under the title “Ne Hlibom Yedynym...” Olga Vavilova presented the main motto of the edition “There are a lot of employees in the university, whose talent and creative interest is broader than just occupation. Honest word, that gives optimism and spiritual power, will find a grateful feedback in the hearts of all enthusiasts of beauty in our opinion. So that’s this collection have all the chances to become an original, even now modest, contribution to the common heritage of spiritual existence of Ukrainian culture”. And it became true. Unfortunately, the collection withdrew in 2020. Still, the impact of Olga Vavilova in the life of Odesa I. I. Mechnikov National University is modest but remarkable and important.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124619321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KAZAKH CHILDREN’S LITERATURE IN THE FIELD OF INTERMEDIAL STUDIES","authors":"Z. Nurmanova","doi":"10.18524/2307-8332.2022.1(25).283272","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283272","url":null,"abstract":"The article deals with the problems of intermedial interaction of different types of arts – music and literature, painting and literature based on the stories of M. Kabanbaev. The emphasis in the article is on the compositional structure and images of the characters. As a result of the study, the musical repertoire was identified, the correspondence between the musical form and composition of a prose work was determined, verbal music in prose was analyzed, which helps to recreate the specifics of musical experience. The importance of different types of arts in the life and work of Kazakh writers of the twentieth century is emphasized.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126983984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"POSTMODERNIST VISION OF THE RELATIONSHIP BETWEEN THE AUTHOR AND THE HERO AS AN ACT OF TRANSGRESSION","authors":"V. Musii","doi":"10.18524/2307-8332.2022.1(25).283137","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283137","url":null,"abstract":"The focus of the author of the article is the solution of the problem of reality in the literature of postmodernism. We are talking about the subjective nature of the perception of space by the characters of two stories. The author of the first of them, “Podmiot”, is the Polish writer and psychologist Olga Tokarczuk. The author of the second, “The Incredible Story of the «Pocket Oracle»”, is Ukrainian writer and literary critic Oleksandr Mikhed. The key event in each of the stories is the destruction of the boundary between literature and reality, between the author and his hero. In the story by Olga Tokarchuk, the character of the autobiographical novel, like a shadow from H. K. Andersen’s fairy tale, tries to capture the living space of his creator, to replace him. In Alexander Mikhed’s story, the real person – the reader – identified himself so much with the hero of the young writer’s novel that he even went to commit the murder of the author in order to save a fictional character, believing that in this way he can protect his own life from the arbitrariness of the one who invented this character. Various motivations for what happens in the stories are offered. The destruction of the boundary between the fictional and real worlds in both stories may be a result of reflection of how the authors see the process of artistic creation; it may be connected with artistic study of the mental state of the characters; the inclusion of fantastic motifs may be an allusion to the famous works of romantic writers. Mainly the author of the article connects this process in both stories with the actual problem of modern philosophy – transgression. It, in turn, is directly related to many questions that we are trying to find an answer to. In particular, are the boundaries between fiction and reality so strong, and is there really such a different space (dimension) in which literary characters are no less real than ourselves.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115513626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERTEXTUAL MEANS IN THE NOVEL “STRONG AND LONELY” BY P. KRALJUK","authors":"A. Chmyr","doi":"10.18524/2307-8332.2022.1(25).283279","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283279","url":null,"abstract":"The article highlights and examines those means of intertextual relationship (allusion, reminiscence, quotation) that are present in the novel «Strong and Lonely» by Petro Kraljuk. Attention was paid to intertextuality, which appears as one of the author’s principles of modeling the past. It has been established that each of the writer’s four historical novels («Six Days, or the Crown of the Ostrozky House» (2010), «Strong and Lonely» (2011), «Danilo Ostrozky: the image that is beated by beads» (2016) and «True Mazepa» (2017)) contains intertextual relations, which indicates the dialogic nature of P. Kraljuk in relation to documents and other literary works. It is emphasized that «Strong and Lonely» compared to the author’s other novels is relatively close to the present in time, which determines its relevance. It is emphasized that the leader of Ukrainian nationalism Stepan Bandera (1909–1959) is the main character of the above-mentioned work of the writer. «Strong and Lonely» contains allusions (hints, references) that have been assigned to different groups (literary, biblical, mythological, personal). In this work of P. Kraljuk, a reminiscence (echo) is singled out, which reminds the reader of the novel «Garden of Gethsemane» (1950) by Ivan Bahrianyi. The last intertextual device in «Strong and Lonely» is a quotation, which is already present at the paratextual level of the work (title and epigraph). In the reader’s response to P. Kraljuk’s novel, the frequency of citations was not overlooked. The article highlighted two large blocks o fcitations in «Strong and Lonely»: literary works and historical documents with monuments.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"234 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116466444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE PARABOLIC STRUCTURE OF GOSPEL PARABLES","authors":"Yevhen Dzhydzhora","doi":"10.18524/2307-8332.2022.1(25).283133","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283133","url":null,"abstract":"The article is devoted to the analysis of the special parabolic structure of the evangelical parables. It is not only about the actual literary understanding of the parabola as a stylistic device, with the help of which foreign language expression is carried out, but also about a mathematical graph – a curved curve, divided at the point of intersection into two symmetrical branches. In the structure of the evangelical parable, these branches can be represented as real-factographic and symbolic interpretive plans, between which there is a direct semantic dependence. All narrative situations that make up the real plan of the parable and are represented by the right branch of the parabola must be interpreted in the same sequence to build a symmetrical left branch. In the article, the parabolic structure of two symmetrical plans is demonstrated on the example of two gospel parables well-known in culture: The Parable of the Prodigal Son [Luk. 15, 11 32] and Proverbs about ten virgins [Matt. 15, 1–11]. Obviously, a similar way of interpretive reading of the Gospel parables can be qualified as a fullfledged hermeneutic technique of analysis of other biblical works.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122012698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LITERARY VIEW OF DISCOURSE ANALYSIS FROM THE STANDPOINT OF FRENCH POSTSTRUCTURALISM","authors":"Svitlana Fokina","doi":"10.18524/2307-8332.2022.1(25).283276","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283276","url":null,"abstract":"When studying discourse from the point of view of literary criticism, taking into account semiotic, culturological and linguistic aspects, it is still necessary to try to distinguish the difference between the literary approach to discourse and the purely linguistic one, taking into account their inevitable interoperability. In this regard, the development of the analysis of discourse in France is significant, where the main body of ideas that influenced the idea of discursivity in a number of other countries, was formed. The convergence of the principles of poetics and discursivity studies emphasizes the prospect of an active appeal of literary thought to the ideas of discursology and the formation of directly literary strategies for the analysis of discourse. Of greater interest is the distinction between the potentials of the study of discourse by linguistics and literary criticism, to one degree or another, shown in the works of M. Pecheux, M. Foucault, J. Jeanette, P. Sériot, R. Robin, J. Kristeva. The positions of R. Barthes, A. J. Greimas and J. Fontanille, J. Guiehaumou and D. Maldidier were also taken into account. The perspective of the study carried out within the framework of this article focused on the wide analytical spectrum within the framework of literary discursology. The appropriateness of the approach to discursivity was understood, which not only touches on the aspects of the identification of the subject and the conceptual atmosphere of the cultural situation, but also interacts them in depth. The idea of M. Foucault became controversial, which made it possible to comprehend the ways of literary study of discourse. With this approach, the object of discourse is correlated with the dogmas of the cultural era, which determines the transformation of discourse in connection with key ideas, ideas and social norms. In this article was revealed The importance of the intertextual potential of discursivity and mutual conditionality by the context. The connection of discourse with the unconscious was also considered, allowing you to focus on the significance of subtext for analyzing discursivity in general and directly when understanding a specific object of discourse.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"105 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132324524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERTEXTUAL CONNECTIONS WITH DANTE'S \"DIVINE COMEDY\" IN THOMAS LIGOTTI'S STORY \"THE BELLS WILL SOUND FOREVER\"","authors":"Hlib Fomin","doi":"10.18524/2307-8332.2022.1(25).283277","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283277","url":null,"abstract":"The purpose of the article is to study the short story by the contemporary American writer Thomas Ligotti in terms of intertextuality. The conclusion is made that the story contains allusions to Dante Alighieri’s poem “The Divine Comedy” and its second part “Purgatory”. Therefore, the main methods of the study were intertextual and typological. The article emphasizes that the importance of the resonance of T. Ligotti’s story with this part of the Divine Comedy lies in the fact that Dante introduced the image of Purgatory (officially, the Catholic Church recognized its existence after his death) as an image of a place of hope and salvation, repentance and choice, where the souls of the repentant can work on their final redemption. All this is relevant to the story of the protagonist Ligotti. The main attention of the author of the article was focused on the study of the figurative system of the work, namely, the images of the narrator and the narrator, as well as Miss Peak, the owner of the hotel, whose stay had fatal consequences for the narrator. The description of the appearance, clothing, and movements of the characters in both works is studied. It is concluded that the use of allegories, metaphors and symbolism from Dante’s poem gave the author of the story the  opportunity not only to reveal the themes of atonement, purification and the consequences of sin, which are central to Dante’s work, but also to give the events and images of his work a universal meaning. The novelty of the article lies in the fact that this is the first experience of identifying signs of Ligotti’s appeal to Dante.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116642284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A CONTEMPORARY POLISH MOTHER. WOMEN'S SUFFERING AND TRAUMA AFTER THE LOSS OF A CHILD (OBSOLETKI JUSTYNA BARGIELSKA)","authors":"Kateryna Harpula","doi":"10.18524/2307-8332.2022.1(25).283130","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283130","url":null,"abstract":"The author shows “lost motherhood” which has so far been overlooked in the literature, relegated to the margin of privacy. Justyna Bargielska does not run away from everyday life and the problems of the modern world, which cause great suffering in the women’s environment, but in a poetic way, with irony, in the form of short stories, not related chronologically, but the subject of constant fatigue of everyday life, loss of a child through miscarriage, suffering and misunderstanding highlights the perennial problem of women.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125261933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE MOTIVES OF COSMOPOLITANISM IN THE LYRICAL COLLECTION “POET, OKEAN I RYBA” AND IN THE COLLECTION OF ESSAYS “UZDOVZH OKEANU NA ROVERI” BY VASYL MAKHNO","authors":"A.Yu. Hanchenko","doi":"10.18524/2307-8332.2022.1(25).283129","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283129","url":null,"abstract":"In the article the attempt of comprehension the motives of cosmopolitanism in Vasyl Makhno`s work based on the material of the lyrical collection \"Poet, okean i ryba\" and the collection of essays \"Uzdovzh okeanu na roveri\" is made. On the basis of the texts of the collections the principles of author’s identification in the artistic world of lyrical works and essayistic texts are analyzed, based on the ideas of cosmopolitanism as universal human values that prevail over ethnic problems in the artist`s worldview. Furthermore, the origins of the idea of cosmopolitanism in Vasyl Makhno`s work are also substantiated, representing the formation and transformation of the author`s worldview as the Ukrainian author who lives on the American continent. Due to the categories of \"presence\" and \"belonging\" in place, the methods of reconstruction and reproduction of the author`s search for own identity are analyzed. In the article the topoi are examined through the category of “journey”, which are common and different in the artistic worlds of the lyric collection and the collection of essays, representing the author`s reflection through the category of \"location\". It is concluded that, while acting in various guises, among which the guise of \"foreigner\" is important, the author appears to the recipient as a cosmopolitan striving for harmony and the search for own \"self\". In the analyzed collections of lyric poems \"Poet, okean i ryba\" and the essays \"Uzdovzh okeanu na roveri\" by V. Makhno common and distinctive features of the reconstruction of space as a place for author`s and reader`s reflection are revealed.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133187686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GENRE FEATURES OF “DAUGHTER OF THE TALE” BY LYDIA CHARSKAYA","authors":"Chuju Wang","doi":"10.18524/2307-8332.2022.1(25).283280","DOIUrl":"https://doi.org/10.18524/2307-8332.2022.1(25).283280","url":null,"abstract":"An object of the article – a fairy tale of writer of the early twentieth century Lydia Charskoy « Daughter of the Tale». Scientific works about this work while absent. The purpose of the author of the article is to compare author’s and folklore fairy tales, define genre peculiarities of fairy tale by L. Charskaya. Such study must help to reveal the main patterns of development of genre literary fairy tales in the literature of the early twentieth century. Speech is about an era when creativity of neo-romantic and symbolist writers intensifies the author’s tendency to express himself as main goals art. With this is connected process of author’s departing from traditions of folklore fairy tales and amplification in their works to artistry, based on the tendency to individualization of the personage’s characters and of the author (expression of his individual concepts). The main method of research in the article is typological (author compares folklore and literature works, as well as images of the main characters of the work: their portrait, their attitude to those. who around them). Article author comes to the conclusion about the presence in the tale of L. Charskaya signs of her orientation for experience of folklore fairy tales. These are traditional plot motives (appearance of trouble as an incentive to start actions; wedding tests suitors; rivalry women’s characters and desire senior women – stepmothers – get rid of their daughter), a picture of space (forest and garden as isolated topos with their own laws), the presence of miracles. At the same time Charskaya a lot of attention gives to descriptions that _ distinguishes her piece of folklore fairy tales. And that even more importantly, actively refers to the allegory that does her a fairy tale not similar to folklore and brings it closer to such a genre as a parable.","PeriodicalId":113251,"journal":{"name":"Odessa National University Herald. Series: Philology","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129440733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}