与但丁的"神曲"的互文联系在托马斯·利戈蒂的故事"钟声将永远响起"

Hlib Fomin
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引用次数: 0

摘要

本文旨在从互文性的角度对美国当代作家托马斯·利戈蒂的短篇小说进行研究。文章的结论是,这个故事包含了但丁的诗歌《神曲》及其第二部分《炼狱》的典故。因此,研究的主要方法是互文和类型学。这篇文章强调,T. Ligotti的故事与神曲这一部分的共鸣的重要性在于但丁引入了炼狱的形象(正式地说,天主教会在他死后承认了它的存在),作为一个希望和救赎,忏悔和选择的地方的形象,忏悔的灵魂可以在那里进行最终的救赎。这一切都与主人公利戈蒂的故事有关。本文作者的主要注意力集中在作品的具象系统的研究上,即叙述者和叙述者的形象,以及酒店的老板Miss Peak,她的入住对叙述者造成了致命的后果。研究了两部作品中人物的外貌、服装和动作的描述。通过对但丁诗歌中的寓言、隐喻和象征主义的运用,作者不仅有机会揭示赎罪、净化和罪的后果等但丁作品的核心主题,而且还赋予了他作品中的事件和形象一种普遍意义。这篇文章的新奇之处在于这是第一次发现利戈蒂对但丁的吸引力的迹象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
INTERTEXTUAL CONNECTIONS WITH DANTE'S "DIVINE COMEDY" IN THOMAS LIGOTTI'S STORY "THE BELLS WILL SOUND FOREVER"
The purpose of the article is to study the short story by the contemporary American writer Thomas Ligotti in terms of intertextuality. The conclusion is made that the story contains allusions to Dante Alighieri’s poem “The Divine Comedy” and its second part “Purgatory”. Therefore, the main methods of the study were intertextual and typological. The article emphasizes that the importance of the resonance of T. Ligotti’s story with this part of the Divine Comedy lies in the fact that Dante introduced the image of Purgatory (officially, the Catholic Church recognized its existence after his death) as an image of a place of hope and salvation, repentance and choice, where the souls of the repentant can work on their final redemption. All this is relevant to the story of the protagonist Ligotti. The main attention of the author of the article was focused on the study of the figurative system of the work, namely, the images of the narrator and the narrator, as well as Miss Peak, the owner of the hotel, whose stay had fatal consequences for the narrator. The description of the appearance, clothing, and movements of the characters in both works is studied. It is concluded that the use of allegories, metaphors and symbolism from Dante’s poem gave the author of the story the  opportunity not only to reveal the themes of atonement, purification and the consequences of sin, which are central to Dante’s work, but also to give the events and images of his work a universal meaning. The novelty of the article lies in the fact that this is the first experience of identifying signs of Ligotti’s appeal to Dante.
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