克拉鲁克的小说《坚强与孤独》中互文的含义

A. Chmyr
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引用次数: 0

摘要

本文强调并考察了彼得罗·克拉朱克的小说《坚强与孤独》中存在的互文关系(典故、回忆、引用)。对互文性的关注是作者塑造过去的原则之一。作者的四部历史小说(《六天,或奥斯特罗茨基之家的王冠》(2010)、《坚强与孤独》(2011)、《达尼洛·奥斯特罗茨基:被珠打的形象》(2016)和《真正的马泽帕》(2017))都包含互文关系,这表明了P.克拉尔朱克与文献和其他文学作品的对话性质。要强调的是,《坚强与孤独》相较于作者的其他小说,在时间上比较接近当下,这决定了它的相关性。强调乌克兰民族主义领袖斯捷潘·班德拉(1909-1959)是作家上述作品的主要人物。《坚强与孤独》包含了被分配给不同群体(文学、圣经、神话、个人)的典故(暗示、参考)。在P. Kraljuk的这部作品中,一个回忆(回声)被挑出来,这让读者想起了Ivan Bahrianyi的小说《客西马尼花园》(1950)。《坚强与孤独》的最后一个互文装置是引文,它已经出现在作品的双文本层面(标题和题词)。在读者对P. Kraljuk小说的回应中,引用的频率并没有被忽视。这篇文章强调了《坚强与孤独》中的两大块引文:文学作品和带有纪念碑的历史文献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
INTERTEXTUAL MEANS IN THE NOVEL “STRONG AND LONELY” BY P. KRALJUK
The article highlights and examines those means of intertextual relationship (allusion, reminiscence, quotation) that are present in the novel «Strong and Lonely» by Petro Kraljuk. Attention was paid to intertextuality, which appears as one of the author’s principles of modeling the past. It has been established that each of the writer’s four historical novels («Six Days, or the Crown of the Ostrozky House» (2010), «Strong and Lonely» (2011), «Danilo Ostrozky: the image that is beated by beads» (2016) and «True Mazepa» (2017)) contains intertextual relations, which indicates the dialogic nature of P. Kraljuk in relation to documents and other literary works. It is emphasized that «Strong and Lonely» compared to the author’s other novels is relatively close to the present in time, which determines its relevance. It is emphasized that the leader of Ukrainian nationalism Stepan Bandera (1909–1959) is the main character of the above-mentioned work of the writer. «Strong and Lonely» contains allusions (hints, references) that have been assigned to different groups (literary, biblical, mythological, personal). In this work of P. Kraljuk, a reminiscence (echo) is singled out, which reminds the reader of the novel «Garden of Gethsemane» (1950) by Ivan Bahrianyi. The last intertextual device in «Strong and Lonely» is a quotation, which is already present at the paratextual level of the work (title and epigraph). In the reader’s response to P. Kraljuk’s novel, the frequency of citations was not overlooked. The article highlighted two large blocks o fcitations in «Strong and Lonely»: literary works and historical documents with monuments.
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