POSTMODERNIST VISION OF THE RELATIONSHIP BETWEEN THE AUTHOR AND THE HERO AS AN ACT OF TRANSGRESSION

V. Musii
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Abstract

The focus of the author of the article is the solution of the problem of reality in the literature of postmodernism. We are talking about the subjective nature of the perception of space by the characters of two stories. The author of the first of them, “Podmiot”, is the Polish writer and psychologist Olga Tokarczuk. The author of the second, “The Incredible Story of the «Pocket Oracle»”, is Ukrainian writer and literary critic Oleksandr Mikhed. The key event in each of the stories is the destruction of the boundary between literature and reality, between the author and his hero. In the story by Olga Tokarchuk, the character of the autobiographical novel, like a shadow from H. K. Andersen’s fairy tale, tries to capture the living space of his creator, to replace him. In Alexander Mikhed’s story, the real person – the reader – identified himself so much with the hero of the young writer’s novel that he even went to commit the murder of the author in order to save a fictional character, believing that in this way he can protect his own life from the arbitrariness of the one who invented this character. Various motivations for what happens in the stories are offered. The destruction of the boundary between the fictional and real worlds in both stories may be a result of reflection of how the authors see the process of artistic creation; it may be connected with artistic study of the mental state of the characters; the inclusion of fantastic motifs may be an allusion to the famous works of romantic writers. Mainly the author of the article connects this process in both stories with the actual problem of modern philosophy – transgression. It, in turn, is directly related to many questions that we are trying to find an answer to. In particular, are the boundaries between fiction and reality so strong, and is there really such a different space (dimension) in which literary characters are no less real than ourselves.
后现代主义视作者与主人公之间的关系为一种越界行为
本文的重点是解决后现代主义文学中的现实问题。我们讨论的是两个故事中人物对空间感知的主观性。第一本书《Podmiot》的作者是波兰作家和心理学家Olga Tokarczuk。第二本书《口袋甲骨文》的作者是乌克兰作家和文学评论家Oleksandr Mikhed。每个故事的关键事件都是文学与现实之间,作者与他的英雄之间界限的破坏。在Olga Tokarchuk的故事中,自传体小说中的人物就像安徒生童话中的影子一样,试图占领创造者的生存空间,取代他。在Alexander Mikhed的故事中,真实的人——读者——将自己与这位年轻作家小说中的英雄如此认同,以至于他甚至为了拯救一个虚构的人物而去谋杀作者,他相信这样他就可以保护自己的生命不受创造这个角色的人的专横的影响。故事中发生的事情有各种各样的动机。这两个故事中虚构世界与现实世界界限的破坏,可能是作者对艺术创作过程的看法的反映;这可能与对人物心理状态的艺术研究有关;梦幻主题的包含可能是对浪漫主义作家著名作品的暗示。本文主要将两个故事中的这一过程与现代哲学的现实问题——越界联系起来。反过来,它又与我们试图寻找答案的许多问题直接相关。特别是,小说和现实之间的界限是否如此强烈,是否真的存在这样一个不同的空间(维度),在这个空间(维度)中,文学人物的真实程度不亚于我们自己。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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