{"title":"Constructing National Identity Through Museums in Early Republican Turkey: Historical Narrative, Spatial Transformation, Exhibiting Modernity, and Monumentality","authors":"Duygu Atalay Şimşek","doi":"10.1111/cura.70033","DOIUrl":"https://doi.org/10.1111/cura.70033","url":null,"abstract":"<p>This article examines the role of museums in the construction of national identity during the Early Republican Period in Turkey (1923–1950). Drawing on theoretical approaches that interpret museums as spaces in which collective memory and national identity are materially organized and publicly communicated, the study analyzes museums as key sites through which the ideological foundations of the new nation-state were articulated. The study adopts a qualitative historical approach based on document analysis of representative primary and secondary sources and proposes an analytical interpretation derived from a comparative reading of museum practices and institutional transformations. Its principal original contribution lies in identifying four operational analytical categories: historical narrative, spatial transformation, exhibiting modernity, and monumentality that clarify the structural functions of museums in the nation-building process. Museums are interpreted as spaces through which national identity was constructed along several interconnected dimensions. First, museums functioned as spaces of national memory in which a newly constructed historical narrative was materialized and communicated. Second, the transformation of Ottoman palaces and religious environments into museums symbolized the political and ideological rupture between empire and republic. Third, museums contributed to the dissemination of painting and sculpture as visible expressions of modernization. Finally, museums acquired monumental meanings and functioned as symbolic environments representing the founding leaders and ideals of the Republic. Taken together, these dimensions demonstrate how museums functioned as key cultural spaces through which national identity was structured and communicated in the Early Republican state.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"373-389"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70033","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148522795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Designing the Heart of a Nation: The Blueprint for an Ideal Museum","authors":"Md. Habibur Rahman","doi":"10.1111/cura.70024","DOIUrl":"https://doi.org/10.1111/cura.70024","url":null,"abstract":"<div>\u0000 \u0000 <p>This study explores the key design elements that contribute to creating an ideal museum, emphasizing spatial organization, inclusivity, technological integration, sustainability, and cultural identity. Using a qualitative case study approach, semi-structured interviews were conducted with 21 respondents, including museum professionals, curators, and designers, to gather in-depth insights into their perspectives on effective museum design. The data were analyzed thematically using NVivo software, revealing key themes that highlight the importance of logical spatial layouts, diverse and inclusive exhibits, interactive technological features, eco-friendly design practices, and the role of museums in reflecting cultural identity. The findings suggest that these elements are essential in creating engaging, educational, and sustainable museum experiences that resonate with diverse audiences. While the study provides valuable insights, it acknowledges limitations in sample size and generalizability, suggesting that future research could expand the scope and incorporate mixed methods to further explore the impact of these design principles across different museum contexts.</p>\u0000 </div>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"287-296"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148534511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Producing the Past With the Digital: Virtual Reality as Remediation in History Museum's Presentation Practice","authors":"Ilkka Lähteenmäki, Marjaana Puurtinen","doi":"10.1111/cura.70028","DOIUrl":"https://doi.org/10.1111/cura.70028","url":null,"abstract":"<p>This paper examines contemporary museum practices in light of media and history theory, and understandings of representation. Through a content analysis of in-depth interviews with museum and IT professionals involved in creating a virtual reality (VR) exhibition piece, we demonstrate how theoretical concepts addressing the mediated nature of representations (remediation, immediacy, hypermediation) can be used to unpack cultural-history museum work in today's digital world. The analysis shows that our case example exhibition production process relied more on a division of labor between museum and IT experts, and on technology-driven decision-making than on joint discussions about on what grounds the different production steps are taken. Finally, we saw the urge to support museum visitors' engagement with the content and experience immediacy as one of the main goals for the whole project, and even something that overrides potential problematic issues about creating the representation itself.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"390-401"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148522834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Simply Amazing and Fantastic”: The Maude Abbott Medical Museum Visitor Book, 2018–2023","authors":"Rick Fraser","doi":"10.1111/cura.70025","DOIUrl":"https://doi.org/10.1111/cura.70025","url":null,"abstract":"<p>The Maude Abbott Medical Museum has a collection of human remains which we believe is appropriate to preserve and use for teaching and research. We wondered to what extent our visitors feel the same way. We categorized all entries in our museum visitor book for 5 years into five groups based on specific words or phrases. 764 consecutive entries (approximately 13% of all museum visitors) were categorized as weakly supportive (204, 27%), moderately supportive (253, 33%), strongly supportive (286, 37%) and uncertain (21, 3%); no negative comments were identified. Subjective analysis of longer entries showed many to include positive elaborations related to themes such as learning, appreciation for the displays, and self-reflection. We propose that the unsolicited presence of approximately 540 moderately or highly supportive book entries, many with thoughtful elaborations, is evidence of significant support for the preservation and display of the Museum's collection of human remains.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"297-306"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70025","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148522894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Wider View: Amie Siegel's Panorama and the Role of Contemporary Art in Natural History Museum Critique and Practice","authors":"Deirdre Madeleine Smith","doi":"10.1111/cura.70030","DOIUrl":"https://doi.org/10.1111/cura.70030","url":null,"abstract":"<p>In <i>Panorama</i>, artist Amie Siegel montaged films made by Carnegie Museum of Natural History (CMNH) staff in the 1930s–1970s when documenting their research expeditions and exhibition projects, along with her own footage shot in the museum. Displayed at Carnegie Museum of Art in 2023–2024, the exhibition made visible the often hidden labors of research and fabrication in museums and stirred questions about the representation of the natural world, especially in wildlife dioramas. This reflective analysis, written by a current CMNH staff member, focuses on insights gained among colleagues at CMNH during the installation and their broader relevance to the field. <i>Panorama</i> exemplifies the potential of interdisciplinary, archival projects and artistic interventions for confronting urgent challenges facing natural history museums, especially the need for transparency about the fact that animals are sometimes hunted and euthanized for collection and display and that museum expeditions benefit, directly and indirectly, from histories and legacies of colonialism.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"448-457"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70030","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148522865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Telling Stories, Reconnecting People: National Identity Building and the Case of the War Childhood Museum Ukraine","authors":"Iuliia Skubytska","doi":"10.1111/cura.70029","DOIUrl":"https://doi.org/10.1111/cura.70029","url":null,"abstract":"<div>\u0000 \u0000 <p>The article presents an example of how a small, independent cultural institution can contribute to the construction of national identity during wartime. The author focuses on a less-studied period of the Russo-Ukrainian War, which lasted from 2014 to 2022. During that time, around 1.5 million people were displaced. While trying to integrate into new communities, they were often met with distrust and even stigmatization. In this situation, it was of utmost importance to facilitate dialogue between people directly and indirectly affected by the war to ensure that Ukrainians gained a better understanding of each other's experiences. The author argues that the Ukrainian office of the War Childhood Museum made a difference in this situation. While Ukrainian museums mostly reflected on the war by focusing on the military, the War Childhood Museum centered its work on civilians. The exhibition was grounded in objects donated by children and young people, as well as interviews recorded with them. This way, the museum team created a space in which civilians directly affected by war felt seen, heard, and respected. Visitors who did not experience the war directly could immerse themselves in a mosaic of stories that genuinely portrayed the war experience from a child's perspective. This helped foster greater coherence and mutual understanding within Ukrainian society.</p>\u0000 </div>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"350-358"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148534325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Brenna L. Decker, Molly B. Cannon, Brookelle Peterson, Megan Wilson
{"title":"How a Traveling Exhibition on Wasps Altered Public Perceptions","authors":"Brenna L. Decker, Molly B. Cannon, Brookelle Peterson, Megan Wilson","doi":"10.1111/cura.70026","DOIUrl":"https://doi.org/10.1111/cura.70026","url":null,"abstract":"<p>Media portrays a caricature of the “evil” wasp (a flying insect), perpetuating fears developed at a young age or from individual negative experiences. Because wasps are critically important to nature and our agriculture, it is important to provide some form of education to lessen this fear. A traveling exhibit titled “Wasps of Utah” was created to test whether a small, passive exhibition with art, information, and specimens could positively alter people's perspectives on wasps. Qualitative research was conducted at the exhibitions through observations and voluntary survey participation. With 57% of nature center visitors interacting with the exhibit, there was a significant decline in dislike for wasps coupled with high respect for wasps' place in our environment. Not only were exhibit visitor participation influential in perception of wasps, but also perceptions changed for those who were involved with the creation of the exhibit. This, along with the effects of exhibit layout and the addition of crafting activities, should be investigated to understand visitor interactions with exhibits covering broad topics. This project is an example of the power of small educational and artistic experiences to promote positive change in relation to a broadly misunderstood organism.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"342-349"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70026","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148534508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring the Digital Transformation Dilemma of Chinese Museums: A Comparative Study","authors":"Mengning Han","doi":"10.1111/cura.70027","DOIUrl":"https://doi.org/10.1111/cura.70027","url":null,"abstract":"<p>This paper aims to explore the key challenges encountered by Chinese museums during digital transformation. Based on in-depth interviews with 16 experts, this paper employs a comparative thematic approach. The findings highlight the differences between provincial, municipal, and county museums in terms of policy, finance, equipment, and staff. Recommendations are made for ensuring the sustainability of digital development. This study reveals that provincial-level Chinese museums are actively engaging in digital transformation initiatives. Although Chinese museums operate within a hierarchical policy framework, collaboration across institutions and a deeper understanding of policy remain limited. Financially, museums face insufficient funding and application problems. In terms of staff, museum personnel lack the talent and enthusiasm needed to implement digital transformation. To promote sustainable digital transformation, this study recommends clearer policy guidance with standardized frameworks, diversified financial strategies through IP and cultural products, the prioritization of appropriate advanced equipment with cross-museum sharing, and the recruitment of cross-disciplinary professionals.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"332-341"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148533559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mark Liebenrood, Andrea Ballatore, Fiona Candlin, Jamie Larkin, Alexandra Poulovassilis, Peter T. Wood
{"title":"Unrealized Fears: Monitoring Museum Closure and Reopening in the United Kingdom During the COVID-19 Pandemic","authors":"Mark Liebenrood, Andrea Ballatore, Fiona Candlin, Jamie Larkin, Alexandra Poulovassilis, Peter T. Wood","doi":"10.1111/cura.70034","DOIUrl":"https://doi.org/10.1111/cura.70034","url":null,"abstract":"<p>Fears of widespread permanent closures of museums expressed at the start of the COVID-19 pandemic prompted our research to monitor closures and other museum behavior in 2021–2022. We wanted to understand how the UK sector changed in this period. Which museums closed, and what factors were at work in their closure? Did museums that closed have anything in common? Were there trends or patterns across the sector? To monitor as widely as possible we conducted an experimental analysis of the sector using website scraping and machine learning to perform large-scale data collection and analysis. We found that museums did not close in the numbers expected; on the contrary, during the pandemic fewer museums closed than in previous years and we reflect on the likely reasons for this. Although the pandemic functioned as our case study, our methods are potentially applicable to other situations requiring whole-sector monitoring of museums' behavior.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"413-424"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70034","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148533650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Curating the Unexpected: Stéphane Thidet's “Weeping Stones” Transformed During COVID-19","authors":"Tamar Mayer, Sefy Hendler, Asaf Ben-David, Darya Aloufy","doi":"10.1111/cura.70032","DOIUrl":"https://doi.org/10.1111/cura.70032","url":null,"abstract":"<p>A monumental work by French artist Stéphane Thidet became the nexus for an unexpected interaction between an art installation and wildlife. “Weeping Stones,” which presents a desert-like world, devoid of greenery, was featured in an exhibition we co-curated at the Genia Schreiber University Gallery, Tel Aviv, Israel, in January 2020. During a year of recurring lockdowns, we decided to keep the installation running—even though our gallery was emptied of visitors. After a few months, with the help of a zoologist, we discovered that living creatures—insects and reptiles—had left their traces on the artwork. Instead of removing these uninvited interventions, we chose to welcome them as a means of turning “Weeping Stones” into a space that highlights human inability to control nature. Consequently, the relationships created in the gallery—between the piece, its creator, the curators, and the public—changed dramatically, teaching us important lessons about slow museology, curatorial reflection, and the power of resisting intervention.</p>","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"69 3","pages":"437-447"},"PeriodicalIF":0.8,"publicationDate":"2026-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/cura.70032","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"148522785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}