Curator: The Museum Journal最新文献

Holders of battered memories: Exploring suitcases as museum metaphors for travel, exile, and incarceration 被摧残记忆的承载者：探索作为博物馆旅行、流放和监禁隐喻的手提箱

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-07-26 DOI: 10.1111/cura.12642

Elizabeth Carnegie, Jerzy Kociatkiewicz

{"title":"Holders of battered memories: Exploring suitcases as museum metaphors for travel, exile, and incarceration","authors":"Elizabeth Carnegie, Jerzy Kociatkiewicz","doi":"10.1111/cura.12642","DOIUrl":"https://doi.org/10.1111/cura.12642","url":null,"abstract":"In this article we consider suitcases: ubiquitous objects in museum exhibitions used to signify incarceration as well as involuntary or forced migration. Building on fieldwork from museums and public spaces, we consider how suitcases themselves are consigned to the “attic of memory:” As museum displays or as piles of discarded remnants, offered as vestiges, as witnesses to human loss and suffering at death camps such as Auschwitz. We consider suitcases firstly as aspects of the extended self, as described in Russell Belk's work, and subsequently as symbolic object figuring imprisonment and mobility in museum exhibitions. We present three different such instances: a suitcase full of personal belongings presented to a museum, a set of concrete facsimile suitcases symbolizing forced migration, and a display of suitcases representing individual stories of confinement and migration. Although some of the life stories in the latter exhibition are presented with happy endings, by and large the museum displays featuring suitcases tell of forced movement and forced immobility. This tension animates our analysis, as we explore the double signification of suitcases as markers of mobility, but also of immobility and imprisonment, as well as the intrusive gaze of the state or other voyeur (including the museum visitor). A suitcase is, thus, not just an extension of the self but represents the lost body, for which the museum becomes the final, very public resting place. It becomes and remains an important memory device, even as its very ubiquity threatens to banalize its meaning into a one‐dimensional shortcut.","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"18 9","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141801173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Invisible victims: How children's museums are strengthening families through partnerships with correctional facilities 无形的受害者：儿童博物馆如何通过与惩教机构合作巩固家庭关系

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-07-26 DOI: 10.1111/cura.12641

Violet Hott, Adrienne Testa, Leslie Bushara

引用次数: 0

Objects of “imprisonment”: Diasporic museum collections on ethnographic display 囚禁 "之物：展示民族学的散居地博物馆藏品

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-07-26 DOI: 10.1111/cura.12648

Bruno Brulon Soares

{"title":"Objects of “imprisonment”: Diasporic museum collections on ethnographic display","authors":"Bruno Brulon Soares","doi":"10.1111/cura.12648","DOIUrl":"https://doi.org/10.1111/cura.12648","url":null,"abstract":"The article reflects on the place and the narratives in which collections of the Afro‐Brazilian diaspora are inscribed in the context of ethnographic museums in the city of Rio de Janeiro. Presenting a brief sociohistorical analysis of two collections, one in the Civil Police Museum and the other in the Édison Carneiro Folklore Museum, it demonstrates how different regimes of knowledge are used to “imprison” objects of faith as museum objects in the eyes of the police or in those of ethnographers. “Incarcerated” in museums, these collections have been kept by state institutions that frame them either as testimonies of offenses to the public order, or as objects of folklore, religious artifacts disconnected from terreiros. Finally, recurring to a theoretical framework of nonduality to provoke museum's stable categories, the article considers the current transformative role of museums in the “liberation” of a diasporic heritage, by proposing dialogue and collaboration as important elements in the liminal work of musealization. Ultimately, what is at stake in the case of Afro‐Brazilian sacred materials kept in museums is the ability of objects disassociated from their ritual context to transmit the sacred in the museum environment.","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"28 6","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141801796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The W‐ICAD model: Redefining museum access through the Workshop for Inclusive Co‐created Audio Description W-ICAD 模式：通过 "共创共融口述影像工作坊 "重新定义博物馆使用权

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-07-26 DOI: 10.1111/cura.12649

A. Eardley, Vanessa E. Jones, Lindsay Bywood, Hannah Thompson, Deborah Husbands

{"title":"The W‐ICAD model: Redefining museum access through the Workshop for Inclusive Co‐created Audio Description","authors":"A. Eardley, Vanessa E. Jones, Lindsay Bywood, Hannah Thompson, Deborah Husbands","doi":"10.1111/cura.12649","DOIUrl":"https://doi.org/10.1111/cura.12649","url":null,"abstract":"This research describes the development of the Workshop for Inclusive Co‐created Audio Description (W‐ICAD) model. Research from psychology and neuroscience explains why the assumption that vision is necessarily sufficient to be able to engage with collections is problematic, and why inclusive museum audio description (AD) (referred to as visual or verbal description in the United States) might begin to provide a solution to this problem. At the same time, the growing recognition of the need to diversify voices and narratives within the international museum sector demands a re‐imagining of how museum AD is created, and who creates it. Underpinned by the axioms of Blindness Gain and created through an iterative action research process by a joint UK‐US team of researchers and museum professionals, in collaboration with a broader team of co‐creators, the W‐ICAD model provides museums and the cultural sector with a tool for producing co‐created AD, created by blind, partially blind and sighted individuals for use in museums by blind, partially blind or sighted audiences. The applications for this model are discussed.","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"115 2","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141802114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Exploring virtual museums: Pre‐service teachers' experiences of virtual museums in gifted and talented education 探索虚拟博物馆：职前教师对资优教育虚拟博物馆的体验

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-07-25 DOI: 10.1111/cura.12647

Nihat Gürel Kahveci

引用次数: 0

Other museums: The disruptive potency of curatorship for the emergence of other modes of power, knowing, and being 其他博物馆：策展人对其他权力、认知和存在模式出现的破坏力

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-06-18 DOI: 10.1111/cura.12639

Elisa Noronha, Michelle Dona

引用次数: 0

Evaluating museum exhibits: Quantifying visitor experience and museum impact with user experience methodologies 评估博物馆展品：利用用户体验方法量化游客体验和博物馆影响

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-06-13 DOI: 10.1111/cura.12637

Ellie King, M. P. Smith, Paul F. Wilson, Janet Stott, M. A. Williams

{"title":"Evaluating museum exhibits: Quantifying visitor experience and museum impact with user experience methodologies","authors":"Ellie King, M. P. Smith, Paul F. Wilson, Janet Stott, M. A. Williams","doi":"10.1111/cura.12637","DOIUrl":"https://doi.org/10.1111/cura.12637","url":null,"abstract":"Underpinned by the Model for Museum Exhibit User Experience (MEUX; King et al., Visitor Studies, 2023, 26, 59), this paper develops and presents an evaluation methodology for museum exhibits that utilizes existing methodologies from the user experience sector adapted for the museum and cultural heritage sectors. Two studies are presented: an in‐depth evaluation of the Meat the Future exhibition at Oxford University Museum of Natural History and then a comparative study between this exhibition and two other permanent exhibits at the museum. Quantitative and qualitative data provide a nuanced picture of each exhibit from the visitor perspective and showcase the benefits of the MEUX methods of evaluation. Results show how three different exhibits are constructed in different ways, providing different visitor experiences and outcomes. They are directly compared with identify statistical differences, but do not impose a judgment as to whether any exhibit is better than another. With detailed, nuanced and rigorous data capturing visitor experiences of engaging with exhibits, the MEUX evaluation methodology allows for more sophisticated, standardized and efficient evaluation practices within the sector, with results that directly support further development of exhibits and exhibitions.","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"61 14","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141349499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Identifying indicators, empathy, and anthropomorphism in zoo visitors' perceptions of animal wellbeing through qualitative interviews 通过定性访谈确定动物园游客对动物福祉看法中的指标、移情和拟人化特征

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-06-12 DOI: 10.1111/cura.12635

Wilson C. Sherman, Ashley J. A. Terry, Alison W. Bowers

引用次数: 0

Two‐eyed tinkering with museum practice 两眼一抹黑的博物馆实践

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-06-06 DOI: 10.1111/cura.12638

John Fraser

引用次数: 0

Safeguarding and inheriting intangible cultural heritage music in the Chongqing Three Gorges Reservoir area: A case study on Lore 重庆三峡库区非物质文化遗产音乐的保护与传承：罗尔》个案研究

IF 1 4区社会学

Curator: The Museum Journal Pub Date : 2024-06-06 DOI: 10.1111/cura.12636

Su Yang

{"title":"Safeguarding and inheriting intangible cultural heritage music in the Chongqing Three Gorges Reservoir area: A case study on Lore","authors":"Su Yang","doi":"10.1111/cura.12636","DOIUrl":"https://doi.org/10.1111/cura.12636","url":null,"abstract":"Safeguarding and inheriting a society's intangible cultural heritage (ICH) music is essential for preserving cultural identity and fostering cultural diversity. A primary motivation for the formation and continuous activities of the heritage preservation community is the concern over losing valuable cultural assets. Incomplete histories, missing documents, and limited access to both tangible and intangible resources are all repercussions of lost heritage, affecting both the public and scholarly sectors. Given the inherent fragility of intangible cultural forms such as dance, language, and music, archives tasked with preserving these records face unique challenges. These forms can easily vanish without proper documentation and preservation, reinforcing the vital role of the relevant organizations. So, this study explores the unique musical traditions of the Chongqing Three Gorges Reservoir area (CTGRA), along with the various methods for protecting and promoting this ICH. In‐depth information on regional musical traditions, as well as the challenges and possibilities related to conserving and transmitting these practices, was gathered via participant observation, interviews, and field study. The major ways of preserving and transmitting ICH music are storytelling and oral practices that connect communities and musical histories and promote their identity. This study reveals several practices of preserving and transmitting ICH music, such as raising awareness of people, encouraging local artists, and using digital media and advanced technology. This study argues that the rich cultural heritage of the CTGRA is preserved and inherited to future generations by implementing strategies that leverage the power of narrative and support the continuation of these musical practices.","PeriodicalId":10791,"journal":{"name":"Curator: The Museum Journal","volume":"107 7","pages":""},"PeriodicalIF":1.0,"publicationDate":"2024-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141377854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0