传递接力棒

IF 1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
John Fraser
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This foundation underscored the academic significance of museum studies across both the humanities and sciences. However, much of the initial content reflected a distinctly American perspective, often favoring a descriptive, “show-and-tell” approach.</p><p>By the late 1990s, the journal transitioned under new leadership to the California Academy of Sciences, where my predecessor, Dr. Zahava Doering, assumed the Editorship. During this period, I joined as an Associate Editor, tasked with identifying a new publisher and shaping a more global vision for the journal. This journey led to Wiley, initially as our publisher and, since 2015, as the journal's commercial owner. Together, we have evolved into a platform for global scholarship in museum studies.</p><p>Since joining the Wiley family, the journal has expanded its reach, developed a global editorial board reflective of its diverse readership, and embraced innovation in accessibility. 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引用次数: 0

摘要

怀着极大的热情,我很高兴地宣布,Wiley已经任命了两位杰出的博物馆学者作为我的继任者,担任本刊的主编。伦敦大学学院的Theano Moussouri博士和Drexel大学的Laura-Edythe Coleman博士都担任了多年的副编辑,他们将接任这一职位。穆萨里博士于21世纪初加入该杂志,担任图书编辑,并在为支持我们的读者而做出的许多变化中一直坚定地存在。他们的经验共同确保了《华尔街日报》在未来十年应对挑战时的连续性。我邀请大家热烈欢迎他们进入新的角色。期刊的身份不仅取决于其编辑领导,还取决于其作者是否愿意接受建设性的批评。编辑为批评提供了一个富有同情心的框架,指导作者加强他们的工作并经受住外部审查。Drs。穆萨里和科尔曼具备这些品质,我相信在我的接力棒交接过程中,他们有能力维护《华尔街日报》的标准。在结束总编任期之际,我回顾了《华尔街日报》在前任扎哈瓦·多林(2000年至2010年)和萨姆·泰勒(1990年至2000年)的影响下的辉煌历史。该杂志于20世纪50年代由美国自然历史博物馆的策展人创立,旨在满足一项关键需求:为博物馆研究建立一份学术出版物,使其能够与博物馆研究人员发表艺术、人类学和自然历史学科工作的期刊相媲美。它的早期发展轨迹反映了战后美国的乐观主义,当时美国的博物馆领域正在迅速扩张,而欧洲的博物馆仍在恢复和重建中。这个基金会强调了博物馆研究在人文和科学领域的学术意义。然而,最初的许多内容反映了一种明显的美国观点,往往倾向于描述性的“展示-说明”方法。到20世纪90年代末,该杂志在新的领导下移交给加州科学院,我的前任扎哈瓦·多林博士担任主编。在此期间,我以副主编的身份加入,负责寻找新的出版商,并为该期刊塑造更全球化的视野。这段旅程造就了Wiley,他最初是我们的出版商,自2015年以来,他成为了杂志的商业所有者。我们已经共同发展成为博物馆研究领域的全球学术平台。自从加入威利家族以来,该杂志扩大了其影响范围,建立了一个反映其多样化读者的全球编辑委员会,并在可访问性方面进行了创新。值得注意的成就包括采用可用于屏幕阅读器的替代文本(AltText),为新作者提供奖学金资助计划的实验,以及发起一项支持非英语研究的翻译倡议。我们还率先推出了一些特别节目,处理具有开创性和争议性的话题。其中包括《象牙和象牙禁运》、《非洲现代遗产》(MoHoA)、《人类世现代遗产》(MoHoA2)、关注博物馆声音环境的《Sonic》特刊,以及关于有争议的历史文物的发人深省的《Notorious》特刊。最近,我们的特刊《监禁》由即将上任的总编辑Moussouri博士与世界各地的编辑委员会成员合作客座编辑。在我任职期间,Wiley一直在寻找新的方法来创新其出版组合。去年7月,他们推出了一个新的评审平台,旨在简化编辑流程,加强作者和审稿人之间的沟通。一旦完全实现,这个更干净、更直观的界面有望随着用户的熟悉而提高效率。最后,我要向编辑团队、编辑委员会和所有审稿人致以最深切的感谢,他们的努力不断提高了期刊的质量。多年来,我们的指数排名持续增长25%,这是一项共同的成就,这是审稿人、作者、董事会成员和工作人员共同努力的结果。担任主编是我的荣幸,我热切地期待着《华尔街日报》在Laura-Edythe和Theano的领导下继续发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Passing the Baton

With great enthusiasm, I am pleased to announce that Wiley has appointed two distinguished museum scholars as my successors in the role of Editors-in-Chief of this journal. Dr. Theano Moussouri of University College London and Dr. Laura-Edythe Coleman of Drexel University, both of whom have served as Associate Editors for many years, will be stepping into this role. Dr. Moussouri joined the journal as Books Editor in the early 2000s and has been a steadfast presence through many of the changes made to support our readers. Together, their experience ensures continuity as the journal navigates the challenges of the coming decade. I invite everyone to warmly welcome them into their new roles.

A journal's identity is shaped not solely by its editorial leadership but by its authors' willingness to engage with constructive critique. Editors provide a compassionate framework for criticism, guiding authors to strengthen their work and withstand external scrutiny. Drs. Moussouri and Coleman possess these qualities, and I am confident in their ability to uphold the journal's standards as I pass the baton.

As I conclude my tenure as Editor-in-Chief, I reflect on the journal's storied past, shaped by my immediate predecessors Zahava Doering (2000s–2010s) and Sam Taylor (1990s–2000s). Founded in the 1950s by curators at the American Museum of Natural History, the journal was created to meet a critical need: establishing a scholarly publication for museum studies that could match the rigor of journals where museum researchers published their disciplinary work in art, anthropology, and natural history. Its early trajectory mirrored the post-war optimism of the United States, where the museum field was expanding rapidly, in contrast to Europe, where museums were still recovering and rebuilding. This foundation underscored the academic significance of museum studies across both the humanities and sciences. However, much of the initial content reflected a distinctly American perspective, often favoring a descriptive, “show-and-tell” approach.

By the late 1990s, the journal transitioned under new leadership to the California Academy of Sciences, where my predecessor, Dr. Zahava Doering, assumed the Editorship. During this period, I joined as an Associate Editor, tasked with identifying a new publisher and shaping a more global vision for the journal. This journey led to Wiley, initially as our publisher and, since 2015, as the journal's commercial owner. Together, we have evolved into a platform for global scholarship in museum studies.

Since joining the Wiley family, the journal has expanded its reach, developed a global editorial board reflective of its diverse readership, and embraced innovation in accessibility. Notable achievements include the adoption of screen reader-ready Alternative Text (AltText), the experiments with fellowship grant programs for new authors, and the launch of a translations initiative to support non-English research.

We've also spearheaded special issues tackling groundbreaking and contentious topics. These include Ivory and the Ivory Embargo, Modern Heritage of Africa (MoHoA), Modern Heritage of the Anthropocene (MoHoA2), a special issue called Sonic that focused on the sound environment in museums, and the thought-provoking Notorious issue on controversial historical artifacts. Most recently, the special issue Incarceration was guest-edited by our incoming Editor-in-Chief, Dr. Moussouri, in collaboration with editorial board members worldwide.

During my tenure, Wiley has sought new ways to innovate across its publishing portfolio. Last July, they launched a new review platform designed to streamline editorial processes and enhance communication for authors and reviewers. Once fully implemented, this cleaner, more intuitive interface promises to improve efficiency as users become familiar with it.

Finally, I extend my deepest thanks to the Editorial Team, the Editorial Board, and all reviewers whose efforts have continually elevated the journal's quality. The consistent 25% growth in our index ranking over the years is a shared achievement, made possible by the dedication of reviewers, authors, board members, and staff alike. It has been a privilege to serve as Editor-in-Chief, and I eagerly anticipate the journal's continued growth under the capable leadership of Laura-Edythe and Theano.

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来源期刊
Curator: The Museum Journal
Curator: The Museum Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.70
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10.00%
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