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Journal of Historians of Netherlandish Art最新文献

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Early Netherlandish Paintings as Devotional Objects: State of Research ca. 1990-2020 作为虔诚对象的早期尼德兰绘画：约 1990-2020 年的研究状况
Journal of Historians of Netherlandish Art Pub Date : 2024-02-29 DOI: 10.5092/jhna.2024.16.1.1
Ingrid Falque
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引用次数: 0
Courtly Experiments: Early Portrait Etchings by Lucas van Leyden and Jan Gossart 宫廷实验：卢卡斯-凡-莱登和扬-戈萨尔的早期肖像蚀刻版画
Journal of Historians of Netherlandish Art Pub Date : 2024-02-29 DOI: 10.5092/jhna.2024.16.1.2
Olenka Horbatsch
{"title":"Courtly Experiments: Early Portrait Etchings by Lucas van Leyden and Jan Gossart","authors":"Olenka Horbatsch","doi":"10.5092/jhna.2024.16.1.2","DOIUrl":"https://doi.org/10.5092/jhna.2024.16.1.2","url":null,"abstract":"For a brief moment in the early sixteenth-century Low Countries, etching became a significant technique for elite commissions. I examine the two earliest etchings made in the Low Countries as a case study: the portrait of Maximilian I by Lucas van Leyden and the portrait of Charles V by Jan Gossart, both made for the Hapsburg-Burgundian court in 1520. The etching technique was integral to the success of the two portrait prints, for both artists as well as their patron. This is a localized instance of artistic emulation and competition within the emergence of a new technique and subject: the Netherlandish portrait print.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"12 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140409741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mute Painting: Deafness and Speechlessness in the Theory and Historiography of Dutch Art 哑巴绘画：荷兰艺术理论与史学中的失聪与失语
Journal of Historians of Netherlandish Art Pub Date : 2024-02-29 DOI: 10.5092/jhna.2024.16.1.3
Barbara Kaminska
{"title":"Mute Painting: Deafness and Speechlessness in the Theory and Historiography of Dutch Art","authors":"Barbara Kaminska","doi":"10.5092/jhna.2024.16.1.3","DOIUrl":"https://doi.org/10.5092/jhna.2024.16.1.3","url":null,"abstract":"The lives and careers of deaf and mute painters in the early modern Netherlands challenge the perception of disabled artists as self-taught outsiders and the assumption that a premodern experience of disability must have necessarily resulted in poverty and exclusion. Rather than approaching deafness and speechlessness as marginalizing “defects,” I propose to regard them as categories that allow us to reconsider how painting was understood in the seventeenth century. As part of that discourse, this article also examines the idea of sensory compensation, including its roots and impact on theory and historiography of art.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"21 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140412745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aristotle’s Difference 亚里士多德的差异
Journal of Historians of Netherlandish Art Pub Date : 2024-02-29 DOI: 10.5092/jhna.2024.16.1.4
{"title":"Aristotle’s Difference","authors":"","doi":"10.5092/jhna.2024.16.1.4","DOIUrl":"https://doi.org/10.5092/jhna.2024.16.1.4","url":null,"abstract":"This essay revisits one of the most acclaimed paintings of Rembrandt van Rijn’s later years, Aristotle with the Bust of Homer (1654; The Metropolitan Museum of Art). The painter’s approach to the subject of this work owes much to visual precedents and to the reception of Aristotle among early modern men of letters, including within the intellectual circles of seventeenth-century Holland. The unusual appearance of the philosopher, which has often led to conflicting interpretations, becomes much clearer when considered against the long-standing perception of his cultural “otherness.” The stance and gesture of this Aristotle not only affirm his identity but point to key aspects of his epistemology, focusing on the role of touch as the first step toward knowledge.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"42 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140414585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editors' Greeting 编辑致辞
Journal of Historians of Netherlandish Art Pub Date : 2024-02-29 DOI: 10.5092/jhna.2024.16.1.5
Perry Chapman
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引用次数: 0
Hendrick Goltzius: Painting with Colored Chalk 亨德里克·戈尔兹乌斯:用彩色粉笔绘画
Journal of Historians of Netherlandish Art Pub Date : 2023-09-01 DOI: 10.5092/jhna.2023.15.2.2
Alison Kettering
{"title":"Hendrick Goltzius: Painting with Colored Chalk","authors":"Alison Kettering","doi":"10.5092/jhna.2023.15.2.2","DOIUrl":"https://doi.org/10.5092/jhna.2023.15.2.2","url":null,"abstract":"During the first half of the 1590s, Hendrick Goltzius created several large colored-chalk portraits of his artist friends, as well as two self-portraits. Mid-career, he traveled from Haarlem to Italy, encountering drawings and oil paintings that suggested new possibilities for employing color in portraiture. Already renowned as a graphic artist, Goltzius began to refashion himself as a master of color. I argue that these brilliant drawings provide valuable insight into his transition from linear expression to full-fledged oil painting in 1600. Equally important, they demonstrate an expansion of his technical prowess, using colored chalks (and washes) to evoke the presence and personality of sitters, especially through glowing flesh. Taken as a group, these presentation drawings gain resonance by representing a community of artists, bound by friendship and profession.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"495 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129939915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Economic Histories of Netherlandish Art 荷兰艺术的经济史
Journal of Historians of Netherlandish Art Pub Date : 2023-09-01 DOI: 10.5092/jhna.2023.15.2.4
Elizabeth Honig, Jessica Stevenson Stewart, Yanzhang (Tony) Cui
{"title":"Economic Histories of Netherlandish Art","authors":"Elizabeth Honig, Jessica Stevenson Stewart, Yanzhang (Tony) Cui","doi":"10.5092/jhna.2023.15.2.4","DOIUrl":"https://doi.org/10.5092/jhna.2023.15.2.4","url":null,"abstract":"This state-of-the-field article surveys the economic histories of Netherlandish art. Tracing major contributions by scholars following in the footsteps of Michael Montias, we present the developments of art historical econometrics and consider the evolving ways in which economic analyses address topics such as supply, demand, price, labor, and form. We show the various applications of economic methods and pay particular attention to the interrelations between quantitative research and other modes of inquiry: archival, technical, biographical, stylistic, digital, regional, global, and so forth.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128690150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crusading in a Lisbon Convent: The Making and Meaning of The Passion of Christ in Jerusalem (Lisbon, ca. 1500) 在里斯本修道院的十字军东征:耶路撒冷基督受难的制作和意义(里斯本，约1500年)
Journal of Historians of Netherlandish Art Pub Date : 2023-09-01 DOI: 10.5092/jhna.2023.15.2.1
Sylvia Alvares-Correa
{"title":"Crusading in a Lisbon Convent: The Making and Meaning of The Passion of Christ in Jerusalem (Lisbon, ca. 1500)","authors":"Sylvia Alvares-Correa","doi":"10.5092/jhna.2023.15.2.1","DOIUrl":"https://doi.org/10.5092/jhna.2023.15.2.1","url":null,"abstract":"The Passion of Christ in Jerusalem (ca. 1500; Museu Nacional do Azulejo) weaves an episodic account of Christ’s Passion through a unified Jerusalem cityscape. Previous scholars have classified it as a northern import, a work by a Netherlandish artist commissioned as a gift for Queen Dona Leonor of Portugal by Emperor Maximilian I. Material evidence, however, suggests that it was produced in Portugal and that the artist modified and assimilated Netherlandish iconographies, combining them with Portuguese cultural references, to create a unique work shaped by and for the audience it served: the Poor Clare nuns of the Madre de Deus convent outside of Lisbon. The Lisbon Passion is a hybrid work that synthesizes a range of visual inspirations and adds to the hybridization of the convent itself, bridging Lisbon and Jerusalem.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133706477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editors' Greeting 编辑的问候
Journal of Historians of Netherlandish Art Pub Date : 2023-09-01 DOI: 10.5092/jhna.2023.15.2.5
H. Chapman, Bret Rothstein, Jacquelyn N. Coutré, Joanna Woodall, Alison Kettering
{"title":"Editors' Greeting","authors":"H. Chapman, Bret Rothstein, Jacquelyn N. Coutré, Joanna Woodall, Alison Kettering","doi":"10.5092/jhna.2023.15.2.5","DOIUrl":"https://doi.org/10.5092/jhna.2023.15.2.5","url":null,"abstract":"","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121843706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gender, Sexuality, and the Future of Agency Studies in Northern Art, 1400–1600 北方艺术中的性别、性与代理研究的未来，1400-1600
Journal of Historians of Netherlandish Art Pub Date : 2023-09-01 DOI: 10.5092/jhna.2023.15.2.3
Andrea Pearson
{"title":"Gender, Sexuality, and the Future of Agency Studies in Northern Art, 1400–1600","authors":"Andrea Pearson","doi":"10.5092/jhna.2023.15.2.3","DOIUrl":"https://doi.org/10.5092/jhna.2023.15.2.3","url":null,"abstract":"Specialists in the study of gender and sexuality in early modern northern art are clarifying—and resolving—problems of evidence and method to transform the field. This essay assesses contributions that bear on visual culture in the fifteenth and sixteenth centuries, primarily in the Netherlands, with attention to gender, intersectionality, queering, and trans theory. Of particular importance is the concept of “female agency,” which assesses the exercise and limits of women’s power under patriarchy. I break from convention by proposing a more flexible and inclusive model, termed “situational agency,” which allows for greater variety and change in human experience and for variability in gender and power. Importantly, it resolves problems of context and periodization that have limited our understanding of early modern northern art.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130387540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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