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Journal of Historians of Netherlandish Art最新文献

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More "Drawings as Intermediary Stages": Dirk Vellert's "History of Abra- ham" 更多“作为中间阶段的绘画”:德克·韦勒特的《亚伯拉罕的历史》
Journal of Historians of Netherlandish Art Pub Date : 2013-07-01 DOI: 10.5092/JHNA.2013.5.2.2
Ellen Konowitz
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引用次数: 0
The Catalyst for Rembrandt's Satire on Art Criticism 伦勃朗讽刺艺术批评的催化剂
Journal of Historians of Netherlandish Art Pub Date : 2013-06-01 DOI: 10.5092/JHNA.2013.5.2.9
P. Crenshaw
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引用次数: 0
Hans Memling's Scenes from the Advent and Triumph of Christ and the Discourse of Revelation 汉斯·梅姆林的《基督降临与胜利的场景》和《启示录》的话语
Journal of Historians of Netherlandish Art Pub Date : 2013-06-01 DOI: 10.5092/JHNA.2013.5.1.1
S. Coleman
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引用次数: 4
Drawings Connoisseurship and the Problem of Multiple Originals 绘画鉴赏与多幅原作问题
Journal of Historians of Netherlandish Art Pub Date : 2013-06-01 DOI: 10.5092/JHNA.2013.5.2.4
Louisa Wood Ruby
{"title":"Drawings Connoisseurship and the Problem of Multiple Originals","authors":"Louisa Wood Ruby","doi":"10.5092/JHNA.2013.5.2.4","DOIUrl":"https://doi.org/10.5092/JHNA.2013.5.2.4","url":null,"abstract":"Recommended Citation: Louisa Wood Ruby, “Drawings Connoisseurship and the Problem of Multiple Originals” JHNA 5:2 (Summer 2013), DOI:10.5092/jhna.2013.5.2.4 Available at http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/204-drawingsconnoisseurship-and-the-problem-of-multiple-originals Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134044767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Paintings in the Three Civic Guard Halls in Amsterdam, Written by G. Schaep, 1653 阿姆斯特丹三个公民警卫大厅的绘画，G. Schaep写，1653年
Journal of Historians of Netherlandish Art Pub Date : 2013-03-01 DOI: 10.5092/JHNA.2013.5.1.7
Gerrit Pietersz Schaep, T. V. D. Molen
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引用次数: 0
Drawing → Underdrawing → Painting: Compositional Evolution in the Working Process of Joachim Beuckelaer 素描→底画→绘画:约阿希姆·贝克莱尔创作过程中的构图演变
Journal of Historians of Netherlandish Art Pub Date : 2012-07-01 DOI: 10.5092/JHNA.2012.4.2.2
M. Wolters
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引用次数: 0
Sebald Beham: Entrepreneur, Printmaker, Painter Sebald Beham:企业家、版画家、画家
Journal of Historians of Netherlandish Art Pub Date : 2012-07-01 DOI: 10.5092/JHNA.2012.4.2.3
Alison G. Stewart
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引用次数: 19
The Amsterdam Guild of Saint Luke in the 17th Century 17世纪的阿姆斯特丹圣卢克公会
Journal of Historians of Netherlandish Art Pub Date : 2012-07-01 DOI: 10.5092/JHNA.2012.4.2.4
I. V. Eeghen
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引用次数: 1
Homo ludens: Pieter Bruegel's Children's Games and the Humanist Educators 《ludens: Pieter Bruegel的儿童游戏与人文主义教育家
Journal of Historians of Netherlandish Art Pub Date : 2012-07-01 DOI: 10.5092/JHNA.2012.4.2.1
A. Orrock
{"title":"Homo ludens: Pieter Bruegel's Children's Games and the Humanist Educators","authors":"A. Orrock","doi":"10.5092/JHNA.2012.4.2.1","DOIUrl":"https://doi.org/10.5092/JHNA.2012.4.2.1","url":null,"abstract":"Recommended Citation: Amy Orrock, “Homo ludens: Pieter Bruegel’s Children’s Games and the Humanist Educators,” JHNA 4:2 (Summer 2012), DOI:10.5092/jhna.2012.4.2.1 Available at http://www.jhna.org/index.php/past-issues/volume-4-issue-2/157-homo-ludens Published by Historians of Netherlandish Art: http://www.hnanews.org/ Terms of Use: http://www.jhna.org/index.php/terms-of-use Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This is a revised PDF that may contain different page numbers from the previous version. Use electronic searching to locate passages. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 Journal of Historians of Netherlandish Art","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117160043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Never to Coincide: the Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics 《永不重合:宗教象征中的荷兰新教徒和荷兰天主教徒的身份》
Journal of Historians of Netherlandish Art Pub Date : 2011-06-01 DOI: 10.5092/JHNA.2011.3.2.1
E. Stronks
{"title":"Never to Coincide: the Identities of Dutch Protestants and Dutch Catholics in Religious Emblematics","authors":"E. Stronks","doi":"10.5092/JHNA.2011.3.2.1","DOIUrl":"https://doi.org/10.5092/JHNA.2011.3.2.1","url":null,"abstract":"This essay presents observations on the distinctiveness of Protestant and Catholic literary practices and identities in the seventeenth-century Dutch Republic. Inspired by Catholic emblematists from the Southern Netherlands, Dutch Catholics as well as Protestants employed the religious emblem as a means of bolstering their faith and shaping their identity – but never at the same time, and never in the same manner. The religious emblem was at first claimed by Protestants such as Jacob Cats. After 1635, it was appropriated by Catholic authors such as Jan Harmensz. Krul and Everard Meyster. As the genre was reappropriated by Protestants such as Jan Luyken in the 1680s, Dutch Catholics moved away from the emblem to express their identity in new and exclusively Catholic genres such as soberly illustrated prayer books. Production of Dutch emblem books occurred in the same social and cultural isolation as clandestine Catholic church art, indicating that no sharing of visual practices and media took place among denominations in the Republic.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130914109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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