作为虔诚对象的早期尼德兰绘画:约 1990-2020 年的研究状况

Ingrid Falque
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摘要

本文旨在探讨大约从 20 世纪 80 年代末到 2020 年间有关早期尼德兰绘画作为虔诚物品的争论。在此期间,对这一主题的研究发生了重要转变:宗教图像越来越多地被视为虔诚之物,这是因为人们认为它们是如何被使用的,而不是它们是如何出现的。在过去的几十年中,关于虔诚图像的功能、图像修辞、修辞可能引发的观众反应以及图像与同时代灵性文学的关系等问题,已成为后来专门研究早期尼德兰绘画的学术研究的核心问题。文章的最后一节专门讨论了研究视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Early Netherlandish Paintings as Devotional Objects: State of Research ca. 1990-2020
The aim of this essay is to survey debates about early Netherlandish paintings as devotional objects from roughly the late 1980s to about 2020. During this period, an important shift in the study of this topic occurred: religious images were increasingly considered as devotional objects by virtue of how they were thought to have been used rather than how they appeared. In the last decades, questions about the functions of devotional imagery, about pictorial rhetoric, and about the responses that rhetoric might provoke in viewers, as well as its relationship to contemporaneous spiritual literature, have become core questions for subsequent scholarship dedicated to early Netherlandish painting. The essay concludes with a section devoted to research perspectives.
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