Gender, Sexuality, and the Future of Agency Studies in Northern Art, 1400–1600

Abstract

Specialists in the study of gender and sexuality in early modern northern art are clarifying—and resolving—problems of evidence and method to transform the field. This essay assesses contributions that bear on visual culture in the fifteenth and sixteenth centuries, primarily in the Netherlands, with attention to gender, intersectionality, queering, and trans theory. Of particular importance is the concept of “female agency,” which assesses the exercise and limits of women’s power under patriarchy. I break from convention by proposing a more flexible and inclusive model, termed “situational agency,” which allows for greater variety and change in human experience and for variability in gender and power. Importantly, it resolves problems of context and periodization that have limited our understanding of early modern northern art.