Literary Translation, Reception, and Transfer最新文献_第2页

Frontmatter

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-fm

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Hölderlins Rezeption durch Marina Zwetajewa 别告诉我你在这儿

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-014

Thomas Buffet, Marina Zwetajewa, ihremWerk der Dichter, Bogdan Stepa, nowitsch Tschulowski

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La Réception du symbolisme en Wallonie et la formation de l’esthétique « nordique ». Une analyse de L’Âme des choses d’Hector Chainaye 瓦隆尼亚对象征主义的接受与“北欧”美学的形成。hector Chainaye的《事物的灵魂分析》

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-035

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Translating History into Herstories: Utopian Impulses in the Dystopian Worlds of Christa Wolf and Carmen Boullosa 把历史翻译成她的故事:克里斯塔·沃尔夫和卡门·布洛萨反乌托邦世界中的乌托邦冲动

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-019

Christa Wolf, Carmen Boullosa

{"title":"Translating History into Herstories: Utopian Impulses in the Dystopian Worlds of Christa Wolf and Carmen Boullosa","authors":"Christa Wolf, Carmen Boullosa","doi":"10.1515/9783110641998-019","DOIUrl":"https://doi.org/10.1515/9783110641998-019","url":null,"abstract":"The East German writer Christa Wolf and the Mexican writer Carmen Boullosa translate gendered East–West relations of the past into today’s world by writing imaginary lives for historical and mythological women from countries, cultures, and eras far removed from their own. Wolf’s Cassandra (Kassandra: Erzählung, 1983) and Boullosa’s Cleopatra Dismounts (De un salto descabalga la reina, 2000) construct alternative histories for these two legendary figures in order to critique their heroines’ and their own societies, and to envision alternative models of subjectivity and forms of relating for their readers. Both writers incorporate postmodern literary techniques of self-reflexive narration, intertextual references, and parody to foreground the fictionality of their texts and question literary and historical representation. At the same time, Wolf and Boullosa exhibit a utopian impulse by creating within their texts a feminist space beyond patriarchal culture through which their protagonists imagine possibilities that have not yet been realized in the existing world. This paper explores how two authors from different national, political, and linguistic contexts develop a critical-utopian view of “othered” women in order to address gendered violence, war, and injustice in and beyond their own historical moments.","PeriodicalId":101944,"journal":{"name":"Literary Translation, Reception, and Transfer","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125761612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Übersetzung, Nachdichtung oder Umdichtung? Zur Rezeption der chinesischen Lyrik im deutschsprachigen Raum zu Beginn des 20. Jahrhunderts 翻译要补品还是改编在20世纪初的时候，德语国家宣称中国诗歌的使用。世纪

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-011

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“Let’s Meet Wherever You Are @ Home”: How Utopian Is It to Create a Global Virtual Collaborative Learning Environment for Foreign-Language Students? “无论你在哪里，我们在家里见面”:为外语学生创造一个全球虚拟协作学习环境有多乌托邦?

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-033

Stéphane Pillet

{"title":"“Let’s Meet Wherever You Are @ Home”: How Utopian Is It to Create a Global Virtual Collaborative Learning Environment for Foreign-Language Students?","authors":"Stéphane Pillet","doi":"10.1515/9783110641998-033","DOIUrl":"https://doi.org/10.1515/9783110641998-033","url":null,"abstract":": Acquiring a target language is painfully slow. To really learn a foreign language, it is often agreed that immersion programs are far better than taking a course within the four walls of a classroom. Yet this is not an option that everyone can enjoy. The goal of this article is to encourage colleagues to create with me an interdisciplinary platform offering a virtual collaborative learning environment based on social constructivist approaches, in order to facilitate interaction and co-operation among students and instructors on a global scale. Furthermore, I wish to interrogate the extent to which such a project constitutes a utopian linguistic and cultural translation. The platform would have the objective of facilitating virtual encounters that could be beneficial for everyone: are we creating a virtual “ non-place ” (utopia) that is actually a new form of place? This virtual collaborative environment could also be interdisciplinary and intercultural. Because of its inherent multicultural interactions, finally, a global virtual environment could make learners identify areas of agreement and disagreement in order to seek con-sensus and cross-cultural understanding as both sets of participants are “ translated ” into a virtual topos.","PeriodicalId":101944,"journal":{"name":"Literary Translation, Reception, and Transfer","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125212288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Zola’s Nana and Kasdaglis’s Eleni: Two Female Portraits of the Naturalistic Persona 左拉的娜娜和卡斯达格利斯的埃莱尼:自然主义角色的两幅女性肖像

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-017

Tasos Michailidis, Zola’s Nana

{"title":"Zola’s Nana and Kasdaglis’s Eleni: Two Female Portraits of the Naturalistic Persona","authors":"Tasos Michailidis, Zola’s Nana","doi":"10.1515/9783110641998-017","DOIUrl":"https://doi.org/10.1515/9783110641998-017","url":null,"abstract":"Nikos Kasdaglis is one of the pioneers in the shift of post-war modern Greek prose towards a more realistic and naturalistic form of writing. Kasdaglis, according to literary criticism, revives and redefines “objective” prose by exploiting the doctrines of the naturalist school at the level of both narrative choices and ideological objectives. Therefore, negative characters, social problems, and bleak conditions are dissected and studied in his works, which make reference in the process to Zola’s experimental method. In The Thirst (1970), Kasdaglis studies the sexual extravagance of Eleni, a young nurse who exhibits psychopathological sexual behaviour – following French naturalist patterns that tended to analyse borderline characters – so as to demonstrate the dependence of human nature on sexual instinct and biological origins. Kasdaglis, like Zola in Nana, presents a naturalistic female portrait which is characterized by apathy, cynicism, cravings of the flesh, and lack of emotional love. The composition of the novel models the poetics of naturalism in order to highlight the fact that human nature is predetermined by natural laws and social conventions. Kasdaglis manages to form a contemporary naturalistic portrait which makes direct reference to the French model, and demonstrates the significant impact of the French novel on European and modern Greek prose.","PeriodicalId":101944,"journal":{"name":"Literary Translation, Reception, and Transfer","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124129815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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“Magician” or “Kratki-Baschik”? One Story, Two Translations “魔术师”还是“克拉奇-巴什克”?一个故事，两个翻译

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-005

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Soziale Netzwerke in der literaturwissenschaftlichen Forschung: Neue Perspektive oder „alter Inhalt in neuer Form“? Mit einem Blick auf die webbasierte Germanistik in Italien 文学研究中的社会网络:新观点还是“新形式的老内容”?浏览了意大利网页上的日耳曼语系

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-032

S. Ulrich

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Les voyages de l’immigration et de l’exil entre l’Amérique latine et l’Europe : Griselda Gambaro et Laura Alcoba 拉丁美洲和欧洲之间的移民和流亡之旅:格里塞尔达·甘巴罗和劳拉·阿尔科巴

Literary Translation, Reception, and Transfer Pub Date : 2020-09-21 DOI: 10.1515/9783110641998-024

Laura Alcoba

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