Cultura (Iasi, Romania)最新文献_第6页

The Power of (Re)Creation and Social Transformation of Binomial ‘Art-Technology’ in Times of Crisis: Musical Poetic Narrative in Rozalén’s ‘Lyric Video’ “Aves Enjauladas” 危机时代二项式“艺术-技术”的(再)创造力量与社会转型——罗萨尔梅因“抒情录像”《艾夫斯·恩贾拉达斯》的音乐诗意叙事

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.3726/cul022020.0017

María del Mar Rivas-Carmona

{"title":"The Power of (Re)Creation and Social Transformation of Binomial ‘Art-Technology’ in Times of Crisis: Musical Poetic Narrative in Rozalén’s ‘Lyric Video’ “Aves Enjauladas”","authors":"María del Mar Rivas-Carmona","doi":"10.3726/cul022020.0017","DOIUrl":"https://doi.org/10.3726/cul022020.0017","url":null,"abstract":"Abstract: The epidemic outbreak of the coronavirus has meant a sudden, temporary ceasing of activities as we knew them. The health crisis has led to a social and economic crisis, and these circumstances have revealed solidarity on a global scale. In moments of separation,\u0000 when culture has brought us closer together, the global phenomenon of charity songs has emerged, generating financial aid for scientific research and care for the most vulnerable people. This work focuses on a charity song turned into a hymn, a narrative poem in the first person that tells\u0000 everyone's common story, “Aves enjauladas” (‘Caged Birds’) by the Spanish singer-songwriter Rozalén. This paper carries out a linguistic, stylistic and audiovisual analysis of this multimodal event, which has been transmitted through a ‘lyric video’\u0000 and spread in a vertiginous way on digital platforms and social networks, reaching millions of views. Ultimately, the paper analyses the spiritual and material impact, the body and soul of this living poem, taking a still photograph of the artistic recreations and musical, visual, pictorial\u0000 and pedagogical ‘echoicities’ of this work (Balsera & López, 2015), as well as appreciating its material socio-economic repercussions in the real lives of families at risk of exclusion.","PeriodicalId":92192,"journal":{"name":"Cultura (Iasi, Romania)","volume":"47 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77846358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Wayang Kamasan Painting and Its Development in Bali’s Handicrafts Wayang Kamasan绘画及其在巴厘岛手工艺中的发展

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.5840/CULTURA20201719

I. Mudra, A. A. G. R. Remawa, I. K. A. Wirawan

{"title":"Wayang Kamasan Painting and Its Development in Bali’s Handicrafts","authors":"I. Mudra, A. A. G. R. Remawa, I. K. A. Wirawan","doi":"10.5840/CULTURA20201719","DOIUrl":"https://doi.org/10.5840/CULTURA20201719","url":null,"abstract":"Abstract: The puppet arts in Bali can be found in the Wayang Kamasan painting at Kamasan Village, Klungkung Regency. This painting inspired the creation and development of new handicraft in Bali. The objectives this research: 1. To find the Wayang Kamasan painting\u0000 in Klungkung Regency; 2. To find the development of handicraft types in Bali inspired by Wayang Kamasan painting. This research used a qualitative descriptive approach, and data collection by observation, interview, and documentation. The results that Wayang Kamasan painting\u0000 is estimated to have existed since the reign of the ancient Bali kingdom, which was during the reign of King Dalem Waturenggong in Semarapura Klungkung. The Wayang Kamasan painting character painted on a canvas with a light brown base color, stiff, two-dimensional, and the description\u0000 follows the applied standards. The figures depicted taken from Ramayana and Mahabharata story. The Balinese handicrafts inspired by Wayang Kamasan painting include ceramics, wovens such as sokasi/keben (basket made of woven bamboo), keris sheath, dulang (trays),\u0000 bokor (bowls), guitars, beruk (coconut shell containers), and others. The authors expect in the future the Wayang Kamasan painting can survive, and emerges the world's concern for its preservation.","PeriodicalId":92192,"journal":{"name":"Cultura (Iasi, Romania)","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74982787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Analysing the Concept of 概念分析

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.5840/CULTURA20201716

Reena Cheruvalath

引用次数: 1

Renewed Anthropocenic Body Narrative in The Anthropocene 《人类世》中更新的人体叙事

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.5840/CULTURA20201713

Peina Zhuang

引用次数: 0

Girilayu Batik Motifs and their Forms of Symbolic Contemplation 吉里拉玉蜡染图案及其象征沉思的形式

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.3726/cul022020.0016

A. Sachari, A. A. Puspita, D. Nurcahyanti

引用次数: 3

Cultural Race and an Inclusive Nationalism Sun Yat-sen’s (1866-1925) Nationalism during China’s Modernization 中国近代化时期孙中山(1866-1925)的民族主义

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.5840/CULTURA202017225

G. Son

{"title":"Cultural Race and an Inclusive Nationalism Sun Yat-sen’s (1866-1925) Nationalism during China’s Modernization","authors":"G. Son","doi":"10.5840/CULTURA202017225","DOIUrl":"https://doi.org/10.5840/CULTURA202017225","url":null,"abstract":"Abstract: Sun Yat-Sen was a Chinese philosopher and politician, who served as the provisional first president of the Republic of China, and first leader of the Kuomintang (Nationalist Party of China). He argued that common blood, language, customs, religion and livelihood\u0000 were the five essential elements that constituted a nation. Sun was influenced by social Darwinism in his understanding that sociocultural forces could override the innate characteristics of race. Thus, he employed racially defined nationalism by invoking anti-Manchuism. Although China’s\u0000 modernisation in the first decades of the 20th century was attributed to Sen, this paper shows that his insistence on the consanguine Han race produced inconsistencies, as his racially defined nationalism and republicanism were mutually exclusive, the latter being based on the inclusion of\u0000 all citizens regardless of their ethnic background. Indeed, modern nations are constituted by both naturally inherited and culturally acquired qualities of the people. Since China consists of many ethnic groups, Sen’s emphasis on consanguine Chinese race has produced a racially exclusionary\u0000 nation and has caused racial conflict.","PeriodicalId":92192,"journal":{"name":"Cultura (Iasi, Romania)","volume":"114 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89560385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Scene of a Woman Grabbing a Horse’s Tail in Yeh Pulu Relief, and Its Connection to Panji Narrative: The Basis of Contemporary Painting Creation * 叶普鲁浮雕中女人抓马尾的场景及其与盘记叙事的联系——当代绘画创作的基础*

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.3726/CUL012020.0010

I. Adnyana

{"title":"The Scene of a Woman Grabbing a Horse’s Tail in Yeh Pulu Relief, and Its Connection to Panji Narrative: The Basis of Contemporary Painting Creation *","authors":"I. Adnyana","doi":"10.3726/CUL012020.0010","DOIUrl":"https://doi.org/10.3726/CUL012020.0010","url":null,"abstract":"Abstract: The study of the scene of a woman grabbing the tail of a horse ridden by a male figure in Yeh Pulu relief is the author’s basis of concept in the creation of contemporary painting. Before the concept was discovered, a study was conducted of the scenes in the relief based on Panofsky’s iconological theory and three stages of analysis, namely pre-iconography, iconography, and iconology. The attempt to connect the Panji narrative with the scene of a woman pulling a horse’s tail aims to enrich the analysis of the interpretation. Both the narration and the scene revolve around a love story of two people separated by distance and time. The Panji narrative tells about a love story between Raden Galuh (Rangkesari), a princess of Daha Kingdom and Prince Panji, the crown prince of Kahuripan Kingdom, who have long been separated before they finally reunite at the end of the story. The scenes in the Yeh Pulu relief revolve around everyday heroism (which includes a love story). This connection is framed as a post-iconological interpretation, which results in three concepts of art creation: reframing, recasting, and globalizing.","PeriodicalId":92192,"journal":{"name":"Cultura (Iasi, Romania)","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81609774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Visual Communication in the Politico-Cultural Sphere 政治文化领域的视觉传达

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.3726/CUL012020.0001

Nerijus Stasiulis

引用次数: 0

From Society to Shehui: The Early Configuration of a Basic Concept in Modern China 从社会到社会:近代中国一个基本概念的早期形态

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.3726/cul022020.0002

Gongzhong Li

{"title":"From Society to Shehui: The Early Configuration of a Basic Concept in Modern China","authors":"Gongzhong Li","doi":"10.3726/cul022020.0002","DOIUrl":"https://doi.org/10.3726/cul022020.0002","url":null,"abstract":"Abstract: As a traditional term used in ancient Chinese, shiehwui <graphic href=\"CUL2020k_11_fig0001.jpg\"/><graphic href=\"CUL2020k_11_fig0002.jpg\"/> mainly implied the gatherings and meetings related to folk festivals for the worship of and making offerings\u0000 to shie <graphic href=\"CUL2020k_11_fig0003.jpg\"/>, the gods of soil. The manifestation of shiehwui frequently was the target of condescension or outright condemnation from the government or Confucian elites. During the early dissemination of the western concept of society\u0000 into China, one factor that facilitated its entry was the Christian missionaries’ knowledge of traditional Chinese shie and hwui <graphic href=\"CUL2020k_11_fig0004.jpg\"/>, especially the secret societies, which they applied to their translations from English into\u0000 Chinese. When the modern concept of shakai (written as <graphic href=\"CUL2020k_11_fig0005.jpg\"/><graphic href=\"CUL2020k_11_fig0006.jpg\"/>, the same Chinese characters), formulated in Japan, was imported into Chinese at the turn of the 20th century, it became blended with\u0000 the old word of shiehwui, and found a connection to the daily life experience of the lower classes in traditional China. As a result, the new concept of shehui in modern China possesses two kinds of connotations. On the one hand, it points toward the new direction of historical\u0000 changes. On the other hand, it still retains the associations of condescension, dissatisfaction and anxiety that inform the perspective of the ruling class toward this term.","PeriodicalId":92192,"journal":{"name":"Cultura (Iasi, Romania)","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79669833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Analysing the Concept of “Paradox” in the Liar Paradox Arguments 说谎者悖论论争中的“悖论”概念分析

Cultura (Iasi, Romania) Pub Date : 2020-01-01 DOI: 10.3726/cul012020.0006

Reena Cheruvalath

引用次数: 0