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ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)最新文献

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Biondi, Carminella (éd.) (2016). 1789: les colonies ont la parole. Anthologie, tt. 1-2. Avec la collaboration de Roger Little. Paris : L’Harmattan, 498 pp. Autrement mêmes Biondi, Carminella(编)(2016)。1789年:殖民地有发言权。文集中,tt。1 - 2。与罗杰·利特尔合作。巴黎:l ' harmattan, 498页。
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/031
E. Fermi
{"title":"Biondi, Carminella (éd.) (2016). 1789: les colonies ont la parole. Anthologie, tt. 1-2. Avec la collaboration de Roger Little. Paris : L’Harmattan, 498 pp. Autrement mêmes","authors":"E. Fermi","doi":"10.30687/TOL/2499-5975/2018/20/031","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/031","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85237844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Parisot, Yolaine (2018). Regards littéraires haïtiens. Cristallisations de la fiction-monde. Paris : Classiques Garnier, 385 pp. Bibliothèques francophones 帕里索，约兰(2018)。海地文学的观点。小说世界的结晶。巴黎:古典加尼埃，385页，法语图书馆
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/021
A. Vignoli
{"title":"Parisot, Yolaine (2018). Regards littéraires haïtiens. Cristallisations de la fiction-monde. Paris : Classiques Garnier, 385 pp. Bibliothèques francophones","authors":"A. Vignoli","doi":"10.30687/TOL/2499-5975/2018/20/021","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/021","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89996552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stanley Péan et l’interculturalité en diaspora
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/012
Fabiana Fianco
{"title":"Stanley Péan et l’interculturalité en diaspora","authors":"Fabiana Fianco","doi":"10.30687/TOL/2499-5975/2018/20/012","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/012","url":null,"abstract":"In spite of being viewed as a young writer until the ’90s, Stanley Péan is now known as one of the most distinctive and established voices in the Haitian-Canadian literary scene. The pivotal moment in his career happened in 1996, when Zombi Blues was published. This novel displays a cultural space in which Haitian traditions and Canadian modernity converge and allow intercultural exchange to take place. Drawing from this perspective, the following article aims to analyse how Péan creates a fictional universe through the blending of cultural elements. Using the collection of myths and beliefs that permeate the Haitian and African cultural panorama as a reference point, we will investigate the ways in which Péan adapted and transposed these traditions to the Haitian diasporic context. Particular attention will be given to the use of jazz and African American music, as well as to the reinterpretation of mythological creatures such as the zombie and the marasa twins. Hence, the article tries to show how Péan’s cultural crossroad contributes to the foundation of a new literary interpretation of Haitianity.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91378654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Puccini, Paola ; Kirouac Massicotte, Isabelle (éds.) (2016). Langue et pouvoir. Bologna : I libri di Emil, 128 pp. 普契尼，保拉;Kirouac Massicotte, Isabelle (ed .)(2016)。语言和权力。博洛尼亚:我是埃米尔图书馆，128页。
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/028
Sara Del Rossi
{"title":"Puccini, Paola ; Kirouac Massicotte, Isabelle (éds.) (2016). Langue et pouvoir. Bologna : I libri di Emil, 128 pp.","authors":"Sara Del Rossi","doi":"10.30687/TOL/2499-5975/2018/20/028","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/028","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76580469","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marty, Anne (2017). La littérature haïtienne dans la modernité. Paris : Éditions Kathala, 273 pp.
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/022
Fabiana Fianco
{"title":"Marty, Anne (2017). La littérature haïtienne dans la modernité. Paris : Éditions Kathala, 273 pp.","authors":"Fabiana Fianco","doi":"10.30687/TOL/2499-5975/2018/20/022","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/022","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75431403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
James Joyce’s ‘Linguistic Musicality’ 詹姆斯·乔伊斯的“语言音乐性”
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/015
A. Autieri
{"title":"James Joyce’s ‘Linguistic Musicality’","authors":"A. Autieri","doi":"10.30687/TOL/2499-5975/2018/20/015","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/015","url":null,"abstract":"The central aim of this paper is to show the similarities of some stylistic features of A Portrait of the Artist as a Young Man with musical code. A second purpose is to verify how these musical features are echoed in “Sirens”. In order to initially describe the common properties of language and music and to define how their acoustic and rhythmic similarities are relevant in written texts, the paper will draw on the theories of the Science of Rhythm – a non-academic discipline that has influenced many modernist writings, and also studied the common rhythmic features of music and language. After detailing a musical method for the analysis of the linguistic texture of written prose, I focus on the first chapter of A Portrait. Hence, I identify the musical characteristics of the novel’s style through a comparison between some Joycean scholars’ theories on music in A Portrait and the principles of the Science of Rhythm. Finally, a few examples of the musical language in “Sirens” will provide a benchmark for a comparison with A Portrait.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74955584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018 加勒比当代诗人和平面艺术家参加2018年威尼斯建筑双年展
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/016
M. S. Matz
{"title":"Caribbean Contemporary Poets and Graphic Artists Moored at the Venice Biennale of Architecture 2018","authors":"M. S. Matz","doi":"10.30687/TOL/2499-5975/2018/20/016","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/016","url":null,"abstract":"The Teatrino del Mondo of Aldo Rossi, a performance space set on a barge that could be reached by boat (1979-80), became an iconic metaphor for the first Venetian Biennale of Architecture. At the Venetian Biennale of Architecture 2018, this metaphorical representation was engaged by Caribbean contemporary poets Lasana M. Sekou and Charles Matz II and visual artists Cozbi Sanchez Cabrera and Jean-Ulrick Désert. In exploring ties that link the vessels of Caribbean contemporary literature and art to Venice, witness is the audacity of their opera, created while confronting intensifying natural disasters such as earthquakes and hurricanes, and recalling horrifying unnatural conditions of Slavery and war. The artists participated in collateral events in which poetry or visual art intersected marvellously with Venetian idioms.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72747234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Doe Songs: Letting the Landscape Speak Through the Truest Language, Poetry Doe Songs:让风景通过最真实的语言——诗歌来表达
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/019
Anna M. Lim
{"title":"Doe Songs: Letting the Landscape Speak Through the Truest Language, Poetry","authors":"Anna M. Lim","doi":"10.30687/TOL/2499-5975/2018/20/019","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/019","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80119929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Edward Elgar’s Masque The Crown of India 爱德华·埃尔加的《假面》《印度的王冠
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/013
Edvige Pucciarelli
{"title":"Edward Elgar’s Masque The Crown of India","authors":"Edvige Pucciarelli","doi":"10.30687/TOL/2499-5975/2018/20/013","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/013","url":null,"abstract":"The music for The Crown of India was written by Edward Elgar in 1912 to accompany an ‘Imperial Masque’ with a libretto by Henry Hamilton. The impresario Sir Oswald Stoll had commissioned Elgar to compose the Masque music for the lavish celebration of the coronation of King George V as Emperor of India as part of a larger entertainment in the Coliseum Theatre in St. Martin’s Lane. The Masque was part of an ample music-hall programme, involving shows as different as mime, pantomime and music. Elgar’s ‘Imperial Masque’ was meant to be an assertion of the British Empire, bringing to the London stage the crucial political happenings behind all the pageantry of the Delhi Durbar for the crowning of George V as Emperor of India in December 1911. This event had marked the climax of the only royal tour of India undertaken by a reigning King-Emperor and had caused much public excitement in England. The Durbar ceremony itself was an adaptation of a court ritual of the Mogul Empire, an event where the ruling princes used to meet to discuss politics and legislative changes. To listen to works such as Elgar’s The Crown of India (Opus 66), it is necessary to acknowledge that at the beginning of the 20th century the British nation believed in the Empire and in its concept.","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90414553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“I Could Have Been Susanna From Thistlewood’s Plantation Diary” 《我本可以是蓟木种植园日记里的苏珊娜》
ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa) Pub Date : 2018-12-21 DOI: 10.30687/TOL/2499-5975/2018/20/018
Loretta Collins Klobah
{"title":"“I Could Have Been Susanna From Thistlewood’s Plantation Diary”","authors":"Loretta Collins Klobah","doi":"10.30687/TOL/2499-5975/2018/20/018","DOIUrl":"https://doi.org/10.30687/TOL/2499-5975/2018/20/018","url":null,"abstract":"","PeriodicalId":8495,"journal":{"name":"ASETH-18,ACABES-18 & EBHSSS-18 Nov. 19-20 2018 Cape Town (South Africa)","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84444340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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