爱德华·埃尔加的《假面》《印度的王冠

Edvige Pucciarelli
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引用次数: 0

摘要

《印度王冠》的音乐是爱德华·埃尔加在1912年为亨利·汉密尔顿的歌剧《帝国假面舞会》创作的。乐队经理奥斯瓦尔德·斯托尔爵士委托埃尔加为乔治五世加冕为印度皇帝的盛大庆祝活动创作《假面》音乐,这是圣马丁巷Coliseum剧院大型娱乐活动的一部分。假面舞会是一个丰富的音乐厅节目的一部分,包括哑剧、哑剧和音乐等不同的表演。埃尔加的《帝国假面》意在彰显大英帝国的地位,将1911年12月乔治五世加冕为印度皇帝的德里杜巴(Delhi Durbar)盛况背后的重大政治事件搬上伦敦舞台。这一事件标志着唯一一次由在位皇帝对印度进行的王室访问达到了高潮,并在英国引起了公众的极大兴奋。杜巴仪式本身是改编自莫卧儿帝国的宫廷仪式,这是一个统治王子聚会讨论政治和立法变化的事件。听埃尔加的《印度王冠》(The Crown of India, 66号作品)这样的作品,有必要承认,在20世纪初,大英民族相信帝国及其概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Edward Elgar’s Masque The Crown of India
The music for The Crown of India was written by Edward Elgar in 1912 to accompany an ‘Imperial Masque’ with a libretto by Henry Hamilton. The impresario Sir Oswald Stoll had commissioned Elgar to compose the Masque music for the lavish celebration of the coronation of King George V as Emperor of India as part of a larger entertainment in the Coliseum Theatre in St. Martin’s Lane. The Masque was part of an ample music-hall programme, involving shows as different as mime, pantomime and music. Elgar’s ‘Imperial Masque’ was meant to be an assertion of the British Empire, bringing to the London stage the crucial political happenings behind all the pageantry of the Delhi Durbar for the crowning of George V as Emperor of India in December 1911. This event had marked the climax of the only royal tour of India undertaken by a reigning King-Emperor and had caused much public excitement in England. The Durbar ceremony itself was an adaptation of a court ritual of the Mogul Empire, an event where the ruling princes used to meet to discuss politics and legislative changes. To listen to works such as Elgar’s The Crown of India (Opus 66), it is necessary to acknowledge that at the beginning of the 20th century the British nation believed in the Empire and in its concept.
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