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Paintings of Tsushima: A Border Island Reflected in the Eyes of Painters in the Late Joseon Period 朝鲜后期画家眼中的边岛对马岛画
IF 0.5 2区 艺术学
Art History Pub Date : 2023-08-31 DOI: 10.14769/jkaahe.2023.08.46.121
S. Park
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引用次数: 0
The Classification of Bhaisajyaguru (Medicine) Buddha Sculptures and Their Characteristics in the First Half of the Goryeo Period 高丽前半叶药师佛像的分类及其特点
IF 0.5 2区 艺术学
Art History Pub Date : 2023-08-31 DOI: 10.14769/jkaahe.2023.08.46.39
H. Heo
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引用次数: 0
A Study of the Wooden Seated Amitabha Buddha Triad in Boriam Temple 宝莲寺木雕阿弥陀佛三位一体研究
IF 0.5 2区 艺术学
Art History Pub Date : 2023-08-31 DOI: 10.14769/jkaahe.2023.08.46.99
H. Cho
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引用次数: 0
The Spread of Stone Seated Buddha and Its Background from the end of Silla to the beginning of Goryeo 新罗末至高丽初石坐佛的传播及其背景
IF 0.5 2区 艺术学
Art History Pub Date : 2023-08-31 DOI: 10.14769/jkaahe.2023.08.46.7
Hyun Ah Lee
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引用次数: 0
Production System of Ceramic in Early Goryeo Dynasty 高丽前期陶瓷的生产体系
IF 0.5 2区 艺术学
Art History Pub Date : 2023-08-31 DOI: 10.14769/jkaahe.2023.08.46.67
Kwang Hwi Han
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引用次数: 0
‘About the Tangle of the Rose’: Thinking with the Fin-de-Siècle Tendril “关于玫瑰的探戈”：用《温柔的翅膀》思考
IF 0.5 2区 艺术学
Art History Pub Date : 2023-07-30 DOI: 10.1111/1467-8365.12734
Emily Cox
{"title":"‘About the Tangle of the Rose’: Thinking with the Fin-de-Siècle Tendril","authors":"Emily Cox","doi":"10.1111/1467-8365.12734","DOIUrl":"https://doi.org/10.1111/1467-8365.12734","url":null,"abstract":"<p>‘[It] transported me a thousand miles from London, to a thousand years from the age of Mr. Gladstone’, recalled Robert de la Sizeranne of Edward Burne-Jones's <i>Briar Rose</i> series (1884–90). This essay argues, on the contrary, that the paintings were closer to contemporary concerns than Sizeranne allowed. In Burne-Jones's briar, we find a remarkable example of one of the late nineteenth century's most promiscuous and ambiguous motifs: the tendril. Perhaps unexpectedly, this ornamental motif was at the centre of <i>fin-de-siècle</i> debates about time, capitalist expansion, and imperialism. In visual art, philosophy, and art history, the tendril figured anxieties about where Europe was heading. Tracing its movement through Burne-Jones's canvases into texts by Henri Bergson and Alois Riegl, and decorative art by Victor Horta and William Morris, this essay contends that the tendril traverses a shared, but fragile, trans-European imperial landscape at the end of the nineteenth century.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50155801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Thinking with Heraldry on the Eve of the Reformation: A Drawing by Niklaus Manuel Deutsch 宗教改革前夕与纹章的思考——尼克劳斯·曼努埃尔·多伊奇绘画
IF 0.5 2区 艺术学
Art History Pub Date : 2023-07-24 DOI: 10.1111/1467-8365.12733
Frances Rothwell Hughes
{"title":"Thinking with Heraldry on the Eve of the Reformation: A Drawing by Niklaus Manuel Deutsch","authors":"Frances Rothwell Hughes","doi":"10.1111/1467-8365.12733","DOIUrl":"https://doi.org/10.1111/1467-8365.12733","url":null,"abstract":"<p>This essay addresses an understudied drawing of a fictional coat of arms by the Swiss artist Niklaus Manuel, called Deutsch, suggesting that it gently subverts heraldic conventions, reflecting contemporaneous concerns about the instability of earthly <i>insignia</i>. By evoking iconographies of <i>Fortuna</i> and the <i>homo viator</i>, the drawing challenges the security of armorial prestige. Manuel – like Albrecht Dürer and Martin Schongauer before him – used the heraldic framework to probe pictorial conventions and to signal their artistic authority as arbiters of ornamental meaning. Produced on the eve of the Reformation, the drawing prefigures the intensified scrutiny of earthly and spiritual sign systems that would occur just a few years later. Art historians have tended to dismiss heraldry as a distinctly medieval and utilitarian category of image, too rule-governed to nourish the imaginations of Renaissance artists. However, Manuel's drawing unlocks a window onto a world in which the heraldic provided a common point of reference for thinking about signification and identity during a period of transformative cultural change.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50142879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Physics, Psychical Research, and the Self: Evelyn De Morgan's Spiritualist Portraits 物理学、心理学研究与自我：伊夫林·德·摩根的精神主义肖像
IF 0.5 2区 艺术学
Art History Pub Date : 2023-07-10 DOI: 10.1111/1467-8365.12726
Emma Merkling
{"title":"Physics, Psychical Research, and the Self: Evelyn De Morgan's Spiritualist Portraits","authors":"Emma Merkling","doi":"10.1111/1467-8365.12726","DOIUrl":"https://doi.org/10.1111/1467-8365.12726","url":null,"abstract":"<p>This essay examines spiritualist artist Evelyn De Morgan's representation of the self in several paintings <i>c</i>. 1900, including never before discussed portraits. Starting with the portraits' unusual treatment of the face as deflecting psychological legibility, it argues that the ‘self’ that they figure aligns with that described in contemporary scientific writings, notably by experimental psychologist and psychical researcher Frederic W. H. Myers and physicist Oliver Lodge. Writing from perspectives sympathetic to spiritualism, Myers and Lodge described the self as immortal, composite and mutable, invisible yet physical, exceeding the confines of the material body, and related somehow to ether. This essay draws on the entangled fin-de-siècle histories of science and spiritualism (and activates some of Gilles Deleuze's later theories) to argue that De Morgan summoned this self into a form at least contingently visible by exploiting the representational potential of the mutable, imponderable ether and its widely assumed properties: energic, (hyper-)spatial, temporal, and spiritual.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50146876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Portrait of a Collector 收藏家肖像
IF 0.5 2区 艺术学
Art History Pub Date : 2023-06-28 DOI: 10.1111/1467-8365.12723
Christina M. Anderson
{"title":"Portrait of a Collector","authors":"Christina M. Anderson","doi":"10.1111/1467-8365.12723","DOIUrl":"https://doi.org/10.1111/1467-8365.12723","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50123886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Light on Seventeenth-Century Woodcarving: A Resurrection for the Carved Arts 十七世纪木雕新论：雕刻艺术的复活
IF 0.5 2区 艺术学
Art History Pub Date : 2023-06-28 DOI: 10.1111/1467-8365.12721
Charlotte Davis
{"title":"New Light on Seventeenth-Century Woodcarving: A Resurrection for the Carved Arts","authors":"Charlotte Davis","doi":"10.1111/1467-8365.12721","DOIUrl":"https://doi.org/10.1111/1467-8365.12721","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50123890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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