Art HistoryPub Date : 2023-10-04DOI: 10.1111/1467-8365.12745
Edwin Coomasaru
{"title":"Queer Ecologies and Anti-Colonial Abundance in Lionel Wendt's Ceylon","authors":"Edwin Coomasaru","doi":"10.1111/1467-8365.12745","DOIUrl":"10.1111/1467-8365.12745","url":null,"abstract":"<p>Published posthumously in 1950, queer Sri Lankan photographer Lionel Wendt's photobook <i>Ceylon</i> crafted an aesthetic of queer environmental abundance. His photographs, ranging from documentary-style to surrealist-inspired images, were taken between 1933 and 1944, shaped by and contributing to rising waves of national consciousness and anti-colonial movements ahead of the island's independence in 1948. British rule since 1815 had destroyed common land and outlawed homosexuality for being ‘against the order of nature’. Wendt sought to confront and challenge colonial control over both ecology and sexuality, imagining alternative possibilities through both experimental and social realist photography. Other queer representations of the island (by Bevis Bawa, Ernst Haeckel and Edward Carpenter) are considered alongside the photographer's collaboration with queer, anti-imperialist filmmaker Basil Wright. Drawing on a queer ecological methodology and decolonial theory, this essay argues that <i>Ceylon</i> celebrated a queer environmental aesthetic of abundance by picturing Sri Lankan sexuality and landscapes as unbounded by colonial rule.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"750-776"},"PeriodicalIF":0.5,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/1467-8365.12745","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135645551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Art HistoryPub Date : 2023-09-20DOI: 10.1111/1467-8365.12740
Tom Day
{"title":"A Totalising, Political Environment: How Art History Understands Media","authors":"Tom Day","doi":"10.1111/1467-8365.12740","DOIUrl":"https://doi.org/10.1111/1467-8365.12740","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 3","pages":"625-632"},"PeriodicalIF":0.5,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50121690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Art HistoryPub Date : 2023-09-20DOI: 10.1111/1467-8365.12735
Susannah Thompson
{"title":"A Script, A Poem, An Invocation","authors":"Susannah Thompson","doi":"10.1111/1467-8365.12735","DOIUrl":"https://doi.org/10.1111/1467-8365.12735","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 3","pages":"598-602"},"PeriodicalIF":0.5,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50139307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Art HistoryPub Date : 2023-09-20DOI: 10.1111/1467-8365.12739
Isabelle Gapp
{"title":"Polar Art and Aesthetics: Past and Present","authors":"Isabelle Gapp","doi":"10.1111/1467-8365.12739","DOIUrl":"https://doi.org/10.1111/1467-8365.12739","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 3","pages":"619-625"},"PeriodicalIF":0.5,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"50139311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Art HistoryPub Date : 2023-09-01DOI: 10.1111/1467-8365.12744
Ivan Knapp
{"title":"That Monster Over There: Silvia Kolbowski, Trump, and Allegory","authors":"Ivan Knapp","doi":"10.1111/1467-8365.12744","DOIUrl":"10.1111/1467-8365.12744","url":null,"abstract":"<p>This essay considers the ways in which Silvia Kolbowski's 2018 video <i>That Monster: An Allegory</i> addresses the psychical and political basis of Donald J. Trump's appeal in the 2016 US election. The video is crafted out of a collection of fragments from James Whale's 1935 <i>The Bride of Frankenstein</i>, which Kolbowski plays first with a score by Philip Glass and then in silence. This article asks how such a format might illuminate resonances between certain psychoanalytic concepts and the postmodernist discourse of allegory as exemplified in the work of Paul de Man and Craig Owens. I argue that these theoretical frameworks help us to retain an open reading of Kolbowski's allegory which shifts an interpretive focus from questions of identity to problems of repetition, refusal, and erasure.</p>","PeriodicalId":8456,"journal":{"name":"Art History","volume":"46 4","pages":"698-713"},"PeriodicalIF":0.5,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82618280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Art HistoryPub Date : 2023-08-31DOI: 10.14769/jkaahe.2023.08.46.121
S. Park
{"title":"Paintings of Tsushima: A Border Island Reflected in the Eyes of Painters in the Late Joseon Period","authors":"S. Park","doi":"10.14769/jkaahe.2023.08.46.121","DOIUrl":"https://doi.org/10.14769/jkaahe.2023.08.46.121","url":null,"abstract":"","PeriodicalId":8456,"journal":{"name":"Art History","volume":"7 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91117838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}