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Challenges in the conservation and restoration of processional banners – a case study 保护和修复游行横幅的挑战-个案研究
IF 0.3
Conservar Patrimonio Pub Date : 2021-10-31 DOI: 10.14568/cp2020034
A. Dias, A. Bidarra, P. Antunes
{"title":"Challenges in the conservation and restoration of processional banners – a case study","authors":"A. Dias, A. Bidarra, P. Antunes","doi":"10.14568/cp2020034","DOIUrl":"https://doi.org/10.14568/cp2020034","url":null,"abstract":"Processional banners are one of the most recurrent symbols used in processions and religious festivities, incorporating them since the Middle Age. As these pieces are composed of different materials and subjected to constant handling, they often exhibit severe degradation, posing as a challenge for its conservation and restoration. This case study is focused on a processional banner, presumably from the 18th century, depicting, on one side, Saint Michael Archangel and, on the other, Our Lady of the Rosary. The intervention was supported by several analytical techniques such as textile fibres analysis, optical microscopy (OM), scanning electron microscopy with energy dispersive spectroscopy (SEM-EDS), X-ray fluorescence spectroscopy (XRF), and Fourier transform infrared spectroscopy (FTIR). The results provided a better insight on the technological features of the object.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42182294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
5th Portuguese-Brazilian Conference on Conservation and Restoration – an introductory note 第五届葡萄牙-巴西保护和恢复会议——介绍性说明
IF 0.3
Conservar Patrimonio Pub Date : 2021-10-31 DOI: 10.14568/cp38fm2
Marian Aguiar, Gonçalo Vasconcelos e Sousa, Joana Teixeira, Maria Luísa Soares
{"title":"5th Portuguese-Brazilian Conference on Conservation and Restoration – an introductory note","authors":"Marian Aguiar, Gonçalo Vasconcelos e Sousa, Joana Teixeira, Maria Luísa Soares","doi":"10.14568/cp38fm2","DOIUrl":"https://doi.org/10.14568/cp38fm2","url":null,"abstract":"At the end of 2019, the 5th edition of the Portuguese-Brazilian Conference on Conservation and Restoration took place, and was organized by CITAR (Catholic University of Portugal) in collaboration with the Federal University of Rio de Janeiro. During the 9th and 10th of December topics were discussed related to recent events, such as the tragic fire in the National Museum of Rio de Janeiro, which occurred just over a year earlier; to the challenges posed by the conservation of new media art, contemporary art and scientific collections, as well as to the preservation of so-called more \"traditional\" cultural assets; without neglecting the necessary joint reflections about training on conservation and restoration on both sides of the Atlantic.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48056991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analytical characterization of academic nude paintings from the Faculty of Fine Arts of the University of Lisbon 里斯本大学美术学院学术裸体画的分析表征
IF 0.3
Conservar Patrimonio Pub Date : 2021-10-14 DOI: 10.14568/CP2021006
A. M. Cardeira, A. Cardoso, C. Tavares, F.A.Baptista Pereira, A. Candeias
{"title":"Analytical characterization of academic nude paintings from the Faculty of Fine Arts of the University of Lisbon","authors":"A. M. Cardeira, A. Cardoso, C. Tavares, F.A.Baptista Pereira, A. Candeias","doi":"10.14568/CP2021006","DOIUrl":"https://doi.org/10.14568/CP2021006","url":null,"abstract":"This study illustrates the analytical characterization of 20 academic nude paintings from the collection of the Faculty of Fine Arts of the University of Lisbon, made between 1899 and 1918. The study was performed by combining in situ non-invasive methods (infrared reflectography, radiography, and EDXRF) and laboratory microanalytical techniques (micro-Raman, micro-FTIR, and SEM-EDS). Infrared reflectography revealed underdrawings, underpaintings, painting style, and execution methods. Analytical techniques allowed the identification of painting materials, such as gypsum, lead white, barium white, zinc white, yellow ochre, chrome yellow, zinc yellow, red ochre, vermilion, ultramarine blue, hematite, Mars red, and lamp black. This study provides valuable information on the academic nude paintings’ palette and its artistic production technique. Finally, it intends to continue a systematic analytical study of the Faculty of Fine Arts’ collection, allowing the characterization of Master painters, their students, and other authors.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49644394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Workshop-School of restoration of modern furniture 车间-现代家具修复学校
IF 0.3
Conservar Patrimonio Pub Date : 2021-10-14 DOI: 10.14568/cp2020027
Frederico Hudson Ferreira, Fernanda Freitas Costa de Torres
{"title":"Workshop-School of restoration of modern furniture","authors":"Frederico Hudson Ferreira, Fernanda Freitas Costa de Torres","doi":"10.14568/cp2020027","DOIUrl":"https://doi.org/10.14568/cp2020027","url":null,"abstract":"The Workshop-School of Restoration of Modern Furniture is an action of Teaching, Research and Extension of the Federal Institute of Brasilia in the Federal District coordinated by teachers of the Center for Research in Modern Furniture Campus Samambaia (IFB/CSAM) which aims to preserve pieces of modern furniture, created and produced in the 1960s and 1970s, exclusively for the Palaces of Brasilia. It will be described in synthesis the actions that have been developed, followed by a case study: the restoration of a table designed by Anna Maria Niemeyer (1930-2012) for the former President of the Republic of Brazil Juscelino Kubitschek (1902-1976). This restoration is part of a set of actions to preserve part of the collection of the Palaces of the Presidency of the Republic of Brazil under the coordination of the Directorate of Historical Documentation of the Presidency.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47394340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A survey of acrylic sheet in Portuguese art collections 葡萄牙艺术收藏中的丙烯片材综述
IF 0.3
Conservar Patrimonio Pub Date : 2021-07-20 DOI: 10.14568/CP2020075
Sara Babo, Joana Lia Ferreira
{"title":"A survey of acrylic sheet in Portuguese art collections","authors":"Sara Babo, Joana Lia Ferreira","doi":"10.14568/CP2020075","DOIUrl":"https://doi.org/10.14568/CP2020075","url":null,"abstract":"Acrylic sheet, also known by the commercial names Plexiglas or Perspex, consists of poly(methyl methacrylate) (PMMA). Attractive to artists since its development in the 1930s, it became especially popular during the 1960s. In Portugal, knowledge about its use by artists and its condition is scarce. In this work, the main Portuguese art collections were surveyed with the goal of gaining an overview of the use of acrylic sheet in the Portuguese art context and its current condition. The paper describes the methodology used and the results obtained regarding 137 artworks by 69 different artists registered as containing acrylic. Results show that this material is being used by Portuguese artists at least since the 1960s. It has been used in several artistic forms, from painting and sculpture to photography, installation, objects/reliefs, and artist books. Most of the artworks were in good or fair condition. The main problems observed were dust and dirt deposits, abrasion, and scratches.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42622629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Unveiling Roland Oliveira’s photographic images: development of an unrolling and flattening treatment for silver gelatine 35 mm negative films 罗兰·奥利维拉摄影图像的揭开：银明胶35mm负片展开和压平处理的发展
IF 0.3
Conservar Patrimonio Pub Date : 2021-07-20 DOI: 10.14568/CP2020072
Joana Silva, Sandra Garrucho, Filipa Carvalho
{"title":"Unveiling Roland Oliveira’s photographic images: development of an unrolling and flattening treatment for silver gelatine 35 mm negative films","authors":"Joana Silva, Sandra Garrucho, Filipa Carvalho","doi":"10.14568/CP2020072","DOIUrl":"https://doi.org/10.14568/CP2020072","url":null,"abstract":"The photographic collection by the sports photographer Roland Oliveira (1920-2007), belonging to Sport Lisboa e Benfica, is comprised of an estimate of 40000 images captured in 35 mm silver gelatine negative film, which are currently rolled and stiffened.\u0000\u0000This study has strived to survey the current procedures undertaken by Portuguese institutions concerning the conservation of these type of materials, by conducting a questionnaire. It became evident that new treatments to allow the flattening of rolled films were needed. Therefore, a conservation treatment was developed to unroll and restore the original flatness of the negatives under study. The main purpose of the treatment was to enable proper handling, digitization and storage of this collection. The developed procedure was based on a de-shrinking process (chamber with vapours of glycerol, acetone and water) adapted from the conservation of motion-picture film literature, combined with flattening under weights. This paper discusses the adopted methodology which allowed to achieve positive results.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49424970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Case study of a tile facade intervention – Aveiro, Portugal 瓷砖立面干预的案例研究-葡萄牙阿威罗
IF 0.3
Conservar Patrimonio Pub Date : 2021-06-23 DOI: 10.14568/cp2020068
S. Moutinho, A. Velosa
{"title":"Case study of a tile facade intervention – Aveiro, Portugal","authors":"S. Moutinho, A. Velosa","doi":"10.14568/cp2020068","DOIUrl":"https://doi.org/10.14568/cp2020068","url":null,"abstract":"Tiles are found on numerous Portuguese facades. The exposure to external agents causes degradation and, in some cases, detachment of these tiles. In the coastal area of Aveiro city (Portugal), the building's facades, exposed to adverse atmospheric conditions are in constant contact with aggressive agents, which cause the detachment of a significant amount of facade tiles. Within the scope of the SOS Azulejo Project, and in partnership with the University of Aveiro, Fábrica Centro Ciência Viva de Aveiro, the Prison of Aveiro and DDL Arg, this study encompasses the conservation of a tile facade, after degradation and detachment of the ceramic body.\u0000\u0000Several replicas of the tiles were made in the specific context of a training action that took place at the Aveiro Prison. The technical study was carried out to analyse the compatibility and reversibility of the mortars and ceramic tiles used. The mortars were tested in their fresh and hard state for consistency through spreading, flexural tensile strength, compressive strength, water absorption, and pull-off adhesion tests on bricks surfaces. The results were satisfactory and the replicated tiles were applied on a building’s facade on the National Tile Day, as part of an awareness campaign.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66721057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conservar Património, a consolidation process 保守Património，一个整合过程
IF 0.3
Conservar Patrimonio Pub Date : 2021-05-31 DOI: 10.14568/CP37FM2
Elin Figueiredo, T. Ferreira, A. Miller, Sílvia O. Sequeira, A. Claro
{"title":"Conservar Património, a consolidation process","authors":"Elin Figueiredo, T. Ferreira, A. Miller, Sílvia O. Sequeira, A. Claro","doi":"10.14568/CP37FM2","DOIUrl":"https://doi.org/10.14568/CP37FM2","url":null,"abstract":"","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":"1 1","pages":"8-9"},"PeriodicalIF":0.3,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41323588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trajectory and exhibition of a time-based media work. ‘The drawing of the girl running away from her support’ (2014), by Ana Vieira (1940-2016) 基于时间的媒体作品的轨迹和展览《逃离支持的女孩》（2014），安娜·维埃拉（1940-2016）
IF 0.3
Conservar Patrimonio Pub Date : 2021-05-22 DOI: 10.14568/CP2020062
Sofia Gomes, R. Macedo
{"title":"Trajectory and exhibition of a time-based media work. ‘The drawing of the girl running away from her support’ (2014), by Ana Vieira (1940-2016)","authors":"Sofia Gomes, R. Macedo","doi":"10.14568/CP2020062","DOIUrl":"https://doi.org/10.14568/CP2020062","url":null,"abstract":"Ana Vieira (1940-2016) left a set of installations without systematised documentation or set guidelines. In an attempt to preserve her legacy, heirs have promoted exhibitions as a way to document the tangible and intangible characteristics of these complex works. In 2017, there was an attempt to reinstall the video installation The drawing of the girl running away from her support at the Graça Morais Contemporary Art Centre, but without success. However, in 2019, the necessary conditions were met for its reinstallation at the Museum of Art, Architecture and Technology. Through this case study and based on Latour's Actor-Network-Theory, it was demonstrated that the exhibition is a crucial moment in the trajectory of the work and in the analysis of a network of agents, human and non-human, giving rise to documentation that is essential to inform future decision-making.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47738609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche 干预礼仪主义者代表圣塞巴斯蒂安和圣露西的木画，由贝尔基奥尔·德·马托斯创作，他是佩尼切杰拉尔德斯小教堂的一幅双联画的组成部分
IF 0.3
Conservar Patrimonio Pub Date : 2021-05-22 DOI: 10.14568/CP2020051
Elisabete Ferreira, António João Cruz, C. Rego
{"title":"Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche","authors":"Elisabete Ferreira, António João Cruz, C. Rego","doi":"10.14568/CP2020051","DOIUrl":"https://doi.org/10.14568/CP2020051","url":null,"abstract":"The panels of Martyrdom of Saint Sebastian and Saint Lucy, executed after 1610 by the Portuguese mannerist painter Belchior de Matos for the main altarpiece of the chapel of Saint Sebastian and Saint Lucy of Geraldes, Peniche, were subject to an intervention of conservation and restoration which aimed, in the first place, to restore the dignity indispensable to their adoption by the community and to their return to a place of worship. The works had several damages, but the most serious were the structural problems that jeopardized their stability and compromised the aesthetic value of the paintings. Therefore, it was necessary to reassemble the boards using a synthetic adhesive (PVA) with sawdust and phenolic resin microspheres. The frames, with significant lack of wood, were reconstituted with wood in the joints and with a filler paste (Araldite SV427) over a bamboo dowels structure in the grooves where the supports are inserted.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47841057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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