罗兰·奥利维拉摄影图像的揭开:银明胶35mm负片展开和压平处理的发展

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY
Joana Silva, Sandra Garrucho, Filipa Carvalho
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引用次数: 0

摘要

体育摄影师罗兰·奥利维拉(Roland Oliveira,1920-2007)的摄影集属于里斯本体育俱乐部(Sport Lisboa e Benfica),估计由40000张用35毫米银明胶底片拍摄的图像组成,这些底片目前正在轧制和加固。这项研究通过问卷调查,努力调查葡萄牙机构目前在保护这类材料方面采取的程序。很明显,需要新的处理方法来使轧制薄膜变平。因此,开发了一种保护处理方法来展开和恢复所研究底片的原始平整度。处理的主要目的是对这些藏品进行适当的处理、数字化和存储。所开发的程序基于一种去收缩过程(带有甘油、丙酮和水蒸气的腔室),该过程改编自电影文献的守恒,并结合了在重量下的压平。本文讨论了所采用的方法,从而取得了积极的成果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Unveiling Roland Oliveira’s photographic images: development of an unrolling and flattening treatment for silver gelatine 35 mm negative films
The photographic collection by the sports photographer Roland Oliveira (1920-2007), belonging to Sport Lisboa e Benfica, is comprised of an estimate of 40000 images captured in 35 mm silver gelatine negative film, which are currently rolled and stiffened. This study has strived to survey the current procedures undertaken by Portuguese institutions concerning the conservation of these type of materials, by conducting a questionnaire. It became evident that new treatments to allow the flattening of rolled films were needed. Therefore, a conservation treatment was developed to unroll and restore the original flatness of the negatives under study. The main purpose of the treatment was to enable proper handling, digitization and storage of this collection. The developed procedure was based on a de-shrinking process (chamber with vapours of glycerol, acetone and water) adapted from the conservation of motion-picture film literature, combined with flattening under weights. This paper discusses the adopted methodology which allowed to achieve positive results.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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