Workshop-School of restoration of modern furniture

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY

Conservar Patrimonio Pub Date : 2021-10-14 DOI:10.14568/cp2020027

Frederico Hudson Ferreira, Fernanda Freitas Costa de Torres

引用次数: 0

Abstract

The Workshop-School of Restoration of Modern Furniture is an action of Teaching, Research and Extension of the Federal Institute of Brasilia in the Federal District coordinated by teachers of the Center for Research in Modern Furniture Campus Samambaia (IFB/CSAM) which aims to preserve pieces of modern furniture, created and produced in the 1960s and 1970s, exclusively for the Palaces of Brasilia. It will be described in synthesis the actions that have been developed, followed by a case study: the restoration of a table designed by Anna Maria Niemeyer (1930-2012) for the former President of the Republic of Brazil Juscelino Kubitschek (1902-1976). This restoration is part of a set of actions to preserve part of the collection of the Palaces of the Presidency of the Republic of Brazil under the coordination of the Directorate of Historical Documentation of the Presidency.

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车间-现代家具修复学校

现代家具修复工作室学校是巴西利亚联邦学院在联邦区的教学、研究和推广活动，由萨曼巴亚现代家具研究中心（IFB/CSAM）的教师协调，旨在保存20世纪60年代和70年代创作和生产的现代家具，专为巴西利亚宫殿设计。它将在综合中描述已经制定的行动，然后进行案例研究：修复安娜·玛丽亚·尼迈耶（1930-2012）为巴西共和国前总统朱塞利诺·库比切克（1902-1976）设计的桌子。此次修复是在总统府历史文献局的协调下，为保护巴西共和国总统府部分藏品而采取的一系列行动的一部分。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.