基于时间的媒体作品的轨迹和展览《逃离支持的女孩》（2014），安娜·维埃拉（1940-2016）

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY

Conservar Patrimonio Pub Date : 2021-05-22 DOI:10.14568/CP2020062

Sofia Gomes, R. Macedo

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引用次数: 0

摘要

Ana Vieira(1940-2016)留下了一套装置，没有系统的文档或指导方针。为了保护她的遗产，她的继承人推动了展览，作为一种记录这些复杂作品的有形和无形特征的方式。2017年，有人试图重新安装格拉帕拉·莫莱当代艺术中心的视频装置，这幅画是女孩从她的支持下逃跑的画面，但没有成功。然而，在2019年，它在艺术、建筑和技术博物馆重新安装的必要条件得到了满足。通过这个案例研究，并基于拉图尔的行动者网络理论，展示了展览是工作轨迹的关键时刻，也是对人类和非人类代理人网络分析的关键时刻，产生了对未来决策至关重要的文件。

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Trajectory and exhibition of a time-based media work. ‘The drawing of the girl running away from her support’ (2014), by Ana Vieira (1940-2016)

Ana Vieira (1940-2016) left a set of installations without systematised documentation or set guidelines. In an attempt to preserve her legacy, heirs have promoted exhibitions as a way to document the tangible and intangible characteristics of these complex works. In 2017, there was an attempt to reinstall the video installation The drawing of the girl running away from her support at the Graça Morais Contemporary Art Centre, but without success. However, in 2019, the necessary conditions were met for its reinstallation at the Museum of Art, Architecture and Technology. Through this case study and based on Latour's Actor-Network-Theory, it was demonstrated that the exhibition is a crucial moment in the trajectory of the work and in the analysis of a network of agents, human and non-human, giving rise to documentation that is essential to inform future decision-making.

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来源期刊

Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.80

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.