{"title":"From Dasein to the Posthuman, Or toward a Rhizomatic-Coexistence-in-an-Open-World","authors":"A. Schussler","doi":"10.5325/jpoststud.6.2.0151","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0151","url":null,"abstract":"\u0000 This article presents a brief mapping of Martin Heidegger’s theory of Dasein within the critical posthumanism framework. Adopting a cartographic analysis, it maps some similarities and differences between Heidegger’s fundamental ontology and critical posthumanism. It relies especially on Braidotti’s posthumanist arguments and theories to explain both the relational and transversal features of Dasein (in the posthumanist framework) and the weak anthropocentrist ones (in Heidegger’s fundamental ontology). In this paradigm, the Heideggerian concept of Dasein is situated both beyond and between classical humanism and weak anthropocentrism, given that Heidegger is deconstructing the metaphysical dialectic of binary oppositions (between human and animal), while remaining anchored in some type of weak anthropocentrism. Relying on a posthumanist and post-anthropocentrist methodology, the posthuman convergence twists the existential inquiry of Dasein and opens up a vitalist–materialist and immanent approach to the posthuman. This attracts the conceptual deterritorialization of Dasein (from its existential paradigm) and its reterritorialization in an open materialist process ontology of becoming, toward the posthuman, which is situated on the basis of an immanent, rhizomatic, transversal, and symbiotic movement given by our multiple belongingness to this material world, which relies on relational assemblages with human/non-human others, the environment, the Earth, and so on.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"133 10 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86476669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Is Empathy a Necessary Function for Future Social Robots? A Discussion of Ishiguro’s Klara and the Sun and Police Robots","authors":"Youngjin Kang","doi":"10.5325/jpoststud.6.2.0111","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0111","url":null,"abstract":"\u0000 Drawing inspiration from the recent novel Klara and the Sun by Kazuo Ishiguro, and in the context of the ongoing Black Lives Matter movement against police violence, the benefits and drawbacks of installing an empathy function in robots designed for social use are explored. In the novel, empathic robots are used for the purpose of friendship with children, responding to the emotional needs of humans. To contrast the empathic robots with humans, who at times lose their empathy, a thought experiment assesses the future potential of empathic robots used for law enforcement purposes. The results indicate that empathy is not an important function in police robots and should be suppressed to improve their performance. Further analyses draw on psychological perspectives and sociocultural factors to better understand current police attitudes toward empathy, revealing that empathy is not considered a necessary quality for police officers. Based on those analyses, absence of empathy can be a potential cause of ongoing police brutality in the United States. Last, a posthuman future is envisioned in which all robots can have an empathy function, and the qualities that today define humanity are no longer tied to physical human embodiment.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"18 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89786279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Parasitic Speedrun: Super Mario 64, Noise, and the Cosmic Glitch","authors":"G. Themistokleous","doi":"10.5325/jpoststud.6.2.0186","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0186","url":null,"abstract":"\u0000 This article reconsiders the videogame practice of speedrunning through a posthumanist lens. In “Fully Optimized: The (Post)human Art of Speedrunning” (Journal of Posthuman Studies 4(1) (2020): 5–24), Jonathan Hay identifies a gap in the literature on speedrunning and provides a timely response to the thinking of the gameplay practice. However, what Hay describes is at risk of being misinterpreted as a transhumanist position, due to its association with Nietzsche’s Apollonian notion of art. This article will expand Hay and Scully-Blaker’s definitions of speedrunning by identifying a third type: the parasitic speedrun. Moving beyond consideration of speedrunning that implicate a “mostly” human agency, the idea of the parasitic speedrun suggests that a videogame glitch, produced through cosmic “noise,” offers a space where technical objects and organic matter intersect in unexpected ways. The cosmic noise triggers a cascading effect that extends from the gaming console to the gamer. This event parasites the gamer to the extent that the speedrunning community calls their identity into question. This article proposes that a parasitic speedrun is posthuman, as it extends beyond the determinations of human intentionality and cannot be reduced to the binary logic of human and technology.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"108 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87626725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Digital Salvation as a Gift: A Catholic Understanding of Digital Salvation in Contrast to Kurzweilian Transhumanism","authors":"Matthew Pulis","doi":"10.5325/jpoststud.6.2.0199","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0199","url":null,"abstract":"\u0000 This article proposes three distinct categories of how Christian theologians over the centuries have viewed the transhumanistic endeavor of (self-?) salvation: (a) reversing the effects of the Fall, (b) transformation of creation, and (c) salvation as a gift. These categories are juxtaposed with Ray Kurzweil’s transhumanist attempts at achieving digital salvation (technological salvation in a digital age), outlining three main attempts: human enhancement, the quest for immortality, and salvation from sin. This article argues that despite the human effort, salvation remains a gift. Hence rather than shunning death, the Christian is claimed to be called to embrace it as the “sister death” and thus, as the gateway to theosis.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"29 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74738895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Indifference: An Imperative of Posthuman Life","authors":"Dongshin Yi","doi":"10.5325/jpoststud.6.2.0135","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0135","url":null,"abstract":"\u0000 Asking “what is wrong with animal rights?” Kelly Oliver argues that “ethics must go beyond rights” and proposes “a sustainable ethics,” in which our “ethical responsibility” is to remain “responsive and nourishing.” While supportive of this ethical turn in human–animal relations, this article questions whether response, respect, and care are the ideal guidelines for human–animal relations for the following reasons: (1) given the sheer number of animals, our resources and capacities for response, respect, and care are limited, requiring us constantly to relocate our efforts; (2) the need for response, respect, and care comes from anthropocentric human–animal relations, which means that it may not be sustained when the relations become nonanthropocentric. In response to the two reasons that question the emphasis on response, respect, and care, this article aims to supplement the current ethical turn by suggesting an ethics of indifference, according to which indifferent relations between human and nonhuman beings are “the default policy” while response, respect, and care are acts of exigency. Drawing upon Alphonso Lingis’s work, the article translates this policy into an ethics of indifference that stipulates the imperative of posthuman life.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"41 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90761378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Philosophy of Posthuman Art, by Stefan Lorenz Sorgner","authors":"P. Wolf","doi":"10.5325/jpoststud.6.2.0220","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0220","url":null,"abstract":"","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"18 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87154662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Toward Posthumanism: Stigmatization of Artificial Intelligence in American Science Fiction","authors":"Zenab Jehangir","doi":"10.5325/jpoststud.6.2.0168","DOIUrl":"https://doi.org/10.5325/jpoststud.6.2.0168","url":null,"abstract":"\u0000 Posthumanism has become an important theme in science fiction (SF), and American SF is a significant popularizer of this genre in the modern world. The advocacy of a dystopian future in American SF has led to the stigmatization of artificial intelligence (AI). It has presented AI as a threat to humanity and has reduced it to a mere enemy of humanity in a posthuman future. The cyberpunk culture of SF plays a vital role in ostracizing AI, with many stories centered around an AI takeover where humans face the dilemma of extinction in the face of a technologically advanced world. This article deals with Philip K. Dick’s dystopian novel Do Androids Dream of Electric Sheep? in the light of Goffman’s theory of stigmatization as the theoretical basis, using Link and Phelan’s stigmatization model to build the argument. The article focuses on the possible stigmatization of AI in American SF and its ethical and societal impacts. It is part of the continuum of knowledge production in SF, Cyberpunk, and techno-optimistic science fiction.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"86 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89099785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing","authors":"S. Lindop","doi":"10.5325/jpoststud.6.1.0073","DOIUrl":"https://doi.org/10.5325/jpoststud.6.1.0073","url":null,"abstract":"\u0000 As computational technology becomes unobtrusive and ubiquitous, interconnections between humans and software are increasingly seamless, challenging clear demarcations between organic and synthetic, material and immaterial. Central to these innovations are theories of posthumanism and scrutiny of the self in relation to technology. Posthumanism signifies a continuum of human existence that involves shaping and being shaped by the environment and innovations. This article examines the use of high-fidelity holographic technologies to facilitate human–software interrelationships. Drawing on fictional representation of human–hologram intimacy in Blade Runner 2049 and real-life creations Azuma Hikari and Hatsune Miku (who sometimes appears in holographic form), it argues that hybridized spaces created by ubiquitous computing coupled with holography promote and naturalize intimate posthuman fantasies. Partial disembodiment of humans in technologically mediated spheres, coupled with partial embodiment of software using holographic interfaces, generates liminal counter sites existing between the real and imaginary-other spaces that align with Michel Foucault’s concept of heterotopias; holograms, as visceral interfaces, produce simultaneously mythic and tangible contestations of the space in which we live. High-fidelity holography has the potential to radically transform human–machine interconnections now and in the future.","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"12 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83233789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How to Think about the Climate Crisis: A Philosophical Guide to Saner Ways of Living, by Graham Parkes","authors":"Yunus Tuncel","doi":"10.5325/jpoststud.6.1.0100","DOIUrl":"https://doi.org/10.5325/jpoststud.6.1.0100","url":null,"abstract":"","PeriodicalId":55935,"journal":{"name":"Journal of Posthuman Studies-Philosophy Technology Media","volume":"18 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87865936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}