Studia Metrica et Poetica最新文献_第2页

Alliteration and Rhyme in the Traditional Kakataibo Chants of Emilio Estrella 埃斯特雷拉传统Kakataibo圣歌中的头韵

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Studia Metrica et Poetica Pub Date : 2022-12-31 DOI: 10.12697/smp.2022.9.2.03

Alejandro Augusto Prieto Mendoza

引用次数: 0

A Byzantine Poetic Form in a Ninth-Century Bulgarian Poem 九世纪保加利亚诗歌中的拜占庭诗歌形式

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Studia Metrica et Poetica Pub Date : 2022-12-31 DOI: 10.12697/smp.2022.9.2.02

E. Dikova

{"title":"A Byzantine Poetic Form in a Ninth-Century Bulgarian Poem","authors":"E. Dikova","doi":"10.12697/smp.2022.9.2.02","DOIUrl":"https://doi.org/10.12697/smp.2022.9.2.02","url":null,"abstract":"The paper measures the extent to which the most characteristic features related to the so-called Byzantine dodecasyllable are applied in one of the earliest Old-Bulgarian poems – Azbuchna molitva (‘Alphabetic Prayer’) noted to be written in dodecasyllabic verses. This alphabetic acrostic is dated back to the very end of the ninth century and is attributed to Constantine of Preslav. In this article its text is given after its earliest copy, MS Syn. 262, as it is the only representative of the version closest to the Glagolitic archetype, now lost. The piece is studied in comparison with St Gregory the Theologian’s alphabetic acrostic (as published in PG 37) which Constantine of Preslav quotes just after the end of his poem and which is considered its rhythmical model. The main conclusions are that the Alphabetic Prayer is an early replica of the Byzantine dodecasyllable, follows its rhythmical peculiarities to an extent similar to St Gregory’s alphabetic acrostic, all the previously supposed deviations are motivated by genre peculiarities and rhetorical requirements, which reveals Byzantine schooling of the Old-Bulgarian writer. Nevertheless, the content and intention of the poem indubitably target the neophyte Slavonic audience.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42607885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Versification and Poetics through the Lens of the Tartu-Moscow School of Semiotics (“Juri Lotman 100”: A Report from Poetry and Poetics Panels) 塔尔图-莫斯科符号学学派视角下的诗化与诗学(“Juri Lotman 100”:诗歌与诗学小组报告)

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Studia Metrica et Poetica Pub Date : 2022-09-01 DOI: 10.12697/smp.2022.9.1.06

Maria-Kristiina Lotman, I. Pilshchikov

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Ad fontes: Borys Jakubs’kyj’s Nauka virshuvannia and Formation of the Ukrainian Science of Verse 附注:Borys Jakubs 'kyj的Nauka virshuvannia和乌克兰诗歌科学的形成

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Studia Metrica et Poetica Pub Date : 2022-09-01 DOI: 10.12697/smp.2022.9.1.05

A. Ustinov, Galina Babak

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Metre and Semantics in the Poetry of Czech Post-Symbolists Accessed via LDA Topic Modelling 从LDA主题建模看捷克后象征主义诗歌中的韵律与语义

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Studia Metrica et Poetica Pub Date : 2022-09-01 DOI: 10.12697/smp.2022.9.1.01

P. Plecháč, R. Kolár

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Latin Accentual Clausula as Exemplified in 14th-Century Prose Texts by Dante and Boccaccio 14世纪但丁和薄伽丘散文中的拉丁重音从句

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Studia Metrica et Poetica Pub Date : 2022-09-01 DOI: 10.12697/smp.2022.9.1.04

Annika Mikkel

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Rhythm, Syntax, Punctuation: A Distant Analysis of the European Sonnet 节奏、句法、标点:欧洲十四行诗的远观分析

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Studia Metrica et Poetica Pub Date : 2022-09-01 DOI: 10.12697/smp.2022.9.1.03

A. Belousova, Juan Sebastián Páramo Rueda, Paula Ruiz Charris

{"title":"Rhythm, Syntax, Punctuation: A Distant Analysis of the European Sonnet","authors":"A. Belousova, Juan Sebastián Páramo Rueda, Paula Ruiz Charris","doi":"10.12697/smp.2022.9.1.03","DOIUrl":"https://doi.org/10.12697/smp.2022.9.1.03","url":null,"abstract":"Elaborating on an analysis of a corpus of more than 1200 sonnets by Italian, French, Spanish, English and Russian authors, this article describes the general rhythmic-syntactic arrangement of thirteenth- and fourteenth-century Italian sonnets, European Petrarchist sonnets, and several experiments with this form in the nineteenth and twentieth centuries. It presents results obtained with the help of a computer program developed for the automated analysis of strophic syntax. The program was created using Boris Tomashevsky’s method based on analyzing the punctuation at the end of poetic lines (the strength of the syntactic pause is evaluated depending on the absence or presence of a punctuation sign: i.e., a comma, a dash, a semicolon, or a full stop / question mark / exclamation mark). We supplemented this with two more indices also based on punctuation. The first characterizes the length of sentences (the percentage of sentences in one line, two lines, three lines, etc.), and the second characterizes the number of sentences that end with a full stop, which comes in the middle of a line followed by the beginning of the next sentence in the same line (or, which is the same, the number of such lines). This study demonstrates that both the number of lines with a strong pause in the middle and the number of short sentences have increased over time.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46234099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Shakespeare’s Macbeth and Shelley’s The Cenci: Versification 莎士比亚的《麦克白》和雪莱的《仙契》:诗化

IF 0.6

Studia Metrica et Poetica Pub Date : 2021-12-31 DOI: 10.12697/smp.2021.8.2.01

M. Tarlinskaja

引用次数: 0

On the Character of Georgian Verse 论格鲁吉亚诗歌的特点

IF 0.6

Studia Metrica et Poetica Pub Date : 2021-12-31 DOI: 10.12697/smp.2021.8.2.03

T. Lomidze

{"title":"On the Character of Georgian Verse","authors":"T. Lomidze","doi":"10.12697/smp.2021.8.2.03","DOIUrl":"https://doi.org/10.12697/smp.2021.8.2.03","url":null,"abstract":"Research on the character of Georgian verse started in 1731. Since that time, some researchers have described Georgian verse as syllabic, while others have said that it is syllabotonic. The dispute about the character of Georgian verse became particularly acute in the 20th century. The main text the participants in the dispute analysed was a prominent piece of Georgian poetry of the 12th century – The Knight in the Panther’s Skin by Shota Rustaveli. It consists of 16-syllable monorhymical quatrains that have a special name in Georgian – shairi. There are two varieties of shairi – the so-called high shairi (4 4 4 4) and low shairi (5 3 5 3). The high shairi was the main issue of the dispute. The researchers who regarded Georgian verse as belonging to the syllabotonic system divided high shairi into trochaic feet, while the supporters of the syllabic theory denied the presence of metric trochaic stress in high shairi, believing that the penultimate syllables can be stressed only in two-syllable words but not in words with multiple syllables (due to the dactylic accentuation typical in the modern Georgian language). \u0000Since natural dactylic stress (found in low shairi) reflects the accentuation norms of the language of the later period (including those of modern Georgian), we assume that metric stress in high shairi, which is no longer found in modern Georgian speech, could be a reflection of the natural accentuation of the comparatively earlier period in the development of the Georgian language. Checking this hypothesis by relying on relevant linguistic literature, we reconstructed the archaic movable and phonologically relevant stress in the rhymed words in The Knight in the Panther’s Skin. We found that metric stresses of both high and low shairi in this epic poem are actually archaic linguistic stresses. This conclusion differs from the views expressed in concepts developed earlier. It enables us to take a fresh look at the metrics and rhymes of The Knight in the Panther’s Skin as well as the main principles and specific features of Georgian verse in general.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45576767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Semiotics of New Era Poetry: Estonian Instagram and Rap Poetry 新时代诗歌的符号学：爱沙尼亚Instagram和说唱诗

IF 0.6

Studia Metrica et Poetica Pub Date : 2021-12-31 DOI: 10.12697/smp.2021.8.2.04

Rebekka Lotman

{"title":"The Semiotics of New Era Poetry: Estonian Instagram and Rap Poetry","authors":"Rebekka Lotman","doi":"10.12697/smp.2021.8.2.04","DOIUrl":"https://doi.org/10.12697/smp.2021.8.2.04","url":null,"abstract":"Mikhail Gasparov concludes his monograph “A History of European Versification” with the recognition that in the development of particular verse forms in each tradition of poetry, there is a permanent interaction between two types of poetry: those of oral popular and bookish culture. The forms engendered by popular culture are assimilated by bookish culture, while those engendered by literary culture descend into popular culture (Gasparov 1996: 295). Here, folk poetry represents oral popular poetry, and literary poetry represents poetry published in books. Over the last decade, and especially during the last five years, the importance of lyrical poetry as an art form in Western culture has grown precisely due to the widespread distribution of both types of poetry – oral and written. Yet oral poetry is no longer marked by folklore, and the primary medium of the written poetry is no longer books – we can see that rap poetry and digital poetry, especially Instapoetry (Instagram poetry), are increasingly occupying a central position. However, bookish poetry is also rising, thanks to the latter. The growing popularity of both subgenres of poetry is associated with the emergence of new media: the platform of the first is audio and visual media (SoundCloud, Spotify, YouTube) and of the second is textual and visual media (at first Tumblr, now primarily Twitter, Instagram, and Facebook). \u0000This article examines attitudes and issues related to the emergence of this new era poetry and outlines its poetics from a semiotic perspective. The analysis focuses on Estonian Instagram poetry and rap, studying how these subtypes of poetry, which originate from English-speaking cultures, have emerged after a time gap in smaller literature and have changed the audience, the authors, and the meaning-making of poetry.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44087360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2