{"title":"Bashkir Verse from the Turkic Perspective","authors":"B. Orekhov","doi":"10.12697/smp.2021.8.2.02","DOIUrl":"https://doi.org/10.12697/smp.2021.8.2.02","url":null,"abstract":"The article discusses the statistically identified properties of Bashkir versification in comparison with the existing descriptions of other Turkic versification systems. The focus is on imparisyllabic forms, predominant meters, and peculiarities of rhyme. The study allows concluding that Bashkir Uzun-Kyuy (a regular alteration of 10- and 9-syllable lines) is unique and its equivalents are not found in other Turkic poetic traditions except the Tartar tradition, with which Bashkir verse has common roots. The frequency of Bashkir 9-syllable verse is also unusual as compared with poetry in other Turkic languages. Octosyllabic lines, which are often used together with 7-syllable verse, are common for various Turkic systems and can also be found in Bashkir poetry, most prominently in Kyska-Kyuy (a regular alteration of 8- and 7-syllable lines). More data is needed to judge to what extent the rhythm of Bashkir verse is comparable with the verse rhythm in other Turkic poetic traditions.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46185222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Alliteration as a Rhythmic Device in Latin Literature: General Clarifications and Proposal for a New Vertical Variant, Alliteration Before or After the Caesura","authors":"Marina Salvador-Gimeno","doi":"10.12697/smp.2021.8.2.05","DOIUrl":"https://doi.org/10.12697/smp.2021.8.2.05","url":null,"abstract":"In this article, two types of alliteration in Latin are analyzed: the one that occurs horizontally in the verse (Saepe Solet Scintilla Suos Se Spargere…, Lucr. 4.606) and the one that develops vertically in successive verses (Aurea … || Asper… || Arboris…, Lucr. 5.32–34 or … Annis || … hAbendo, || … ARatri || … ARuis, Lucr. 1.311–314). We propose a vertical variant that has not been studied to date and that we have called alliteration before or after caesura, insofar as it takes place between terms placed immediately before or after the caesura of two or more contiguous verses (…Manus |… ||… Memores |… ||… Musis |…, Claud. 26.5–7; or … | Palantia… || … | PRaeclara … || … | PRimum …, Lucr. 2.1029–1031); This article shows that both horizontal and vertical alliteration constitutes an element of delimitation and cohesion of contiguous hemistichs or verses.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49124211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Russian Binary Meters. Part Two. Chapters 5–6","authors":"Kiril Taranovsky, Lawrence E. Feinberg","doi":"10.12697/smp.2021.8.2.06","DOIUrl":"https://doi.org/10.12697/smp.2021.8.2.06","url":null,"abstract":"Part I of Russian Binary Meters, the English translation of Kiril Taranovsky’s classic study Ruski dvodelni ritmovi (Taranovsky 1953), appeared in volume 7.2 (2020) of Studia Metrica et Poetica (pp. 110–176). Part I bears the title (inadvertently omitted from our translation) “Theoretical Bases for the Study of Russian Binary Meters”, and consists of the first four of the book’s nineteen sections. Following are the first two sections of Part II (“Historical Development of the Rhythmic Drive of Russian Binary Meters”), devoted, respectively, to the trochaic and iambic tetrameter. The reader should bear in mind that the numbering of sections and footnotes is continuous with the earlier installment, beginning here with Section 5 and footnote 71.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":"1 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42503093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Acoustics and Resonance in Poetry: The Psychological Reality of Rhyme in Baudelaire’s “Les Chats”","authors":"Reuven Tsur","doi":"10.12697/smp.2021.8.1.01","DOIUrl":"https://doi.org/10.12697/smp.2021.8.1.01","url":null,"abstract":"This article uses the term “psychological reality” in this sense: the extent to which the constructs of linguistic theory can be taken to have a basis in the human mind, i.e., to somehow be reflected in human cognitive structures. This article explores the human cognitive structures in which the constructs of phonetic theory may be reflected. The last section is a critique of the psychological reality of sound patterns in Baudelaire’s “Les Chats”, as discussed in three earlier articles. In physical terms, it defines “resonant” as “tending to reinforce or prolong sounds, especially by synchronous vibration”. In phonetic terms it defines “resonant” as “where intense precategorical auditory information lingers in short-term memory”. The effect of rhyme in poetry is carried by similar overtones vibrating in the rhyme fellows, resonating like similar overtones on the piano. In either case, we do not compare overtones item by item, just hear their synchronous vibration. I contrast this conception to three approaches: one that points out similar sounds of “internal rhymes”, irrespective of whether they may be contained within the span of short-term memory (i.e., whether they may have psychological relit); one that claims that syntactic complexity may cancel the psychological reality of “internal rhymes” (whereas I claim that it merely backgrounds rhyme); and one that found through an eye-tracking experiment that readers fixate longer on verse-final rhymes than on other words, assuming regressive eye-movement (I claim that rhyme is an acoustic not visual phenomenon; and that there is a tendency to indicate discontinuation by prolonging the last sounds in ordinary speech and blank verse too, as well as in music — where no rhyme is involved).","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45442676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Russian Verse Studies after Gasparov","authors":"V. Polilova","doi":"10.12697/smp.2021.8.1.05","DOIUrl":"https://doi.org/10.12697/smp.2021.8.1.05","url":null,"abstract":"This article discusses the most important results and materials presented at the Verse Studies section of Gasparov Lectures 2007–2019, an annual conference held in Moscow every April since 2007 in memory of the prominent Russian scholar Mikhail L. Gasparov (1935–2005). It aims to present the current state of affairs in Russian verse studies, to sum up some of their recent achievements, to identify the main controversies that act as their growth points, and to highlight the most promising areas of current research into versification.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48067127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Comparative Description of Meters in Thai and Burmese Poetries","authors":"I. Sarkisov","doi":"10.12697/smp.2022.9.1.02","DOIUrl":"https://doi.org/10.12697/smp.2022.9.1.02","url":null,"abstract":"The article analyzes and classifies the meters used in Thai and Burmese poetry. Though both poetic traditions have a rich literary heritage and an advanced repertoire of poetic meters, their structural properties have not received significant scholarly attention. Along with summarizing preexisting scholarly research on the subject, the article provides description of meters used in traditional Thai poetry and their typological classification. The analysis of meters in Burmese poetry is based on the 18th century long drama “Maniket” by Padethayaza as well as on a collection of short Burmese classical poems. The article describes and classifies the five meters of Thai classical poetry (klon, chan, khlong, kap and rai). Burmese traditional poetry used one or two syllabic meters as well as other meters, which have not yet been classified in the scholarly literature. The article concludes with a comparative analysis of rhyme in Thai and Burmese poetry.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":" ","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49495111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Meter in Traditional Kakataibo Chants","authors":"Alejandro Augusto Prieto Mendoza","doi":"10.12697/smp.2021.8.1.04","DOIUrl":"https://doi.org/10.12697/smp.2021.8.1.04","url":null,"abstract":"This paper studies the principal aspects of meter of three traditional Kakataibo chants (a Panoan group of Peruvian Amazonia). Regarding meter, Kakataibo chants exhibit patterns relevant for the cross-linguistic study of line and meter typology. I describe the Kakataibo system of versification as a quantitative meter that counts an exact number of moras and regulates the distribution of these by imposing grouping restrictions; also, it establishes weight differences between light, heavy and superheavy syllables, and vowel lengthening plays an important role for meter purposes. In addition, the average duration of lines tends to last less than three seconds and decreases progressively during performance.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":"261 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66673751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The Trout Breaks the Ice” by Mikhail Kuzmin: Verse and Grammar","authors":"A. Marina","doi":"10.12697/smp.2021.8.1.03","DOIUrl":"https://doi.org/10.12697/smp.2021.8.1.03","url":null,"abstract":"The author explores various compositional levels of the Russian modernist author Mikhail Kuzmin’s long poem “The Trout Breaks the Ice”. The levels are: (1) the grammatical tenses vs. the astronomical time (non-finite verb forms (imperative) are also assumed to indicate time); (2) the meters of this polymetric poem; (3) realistic vs. symbolic and (4) static vs. dynamic narrative modes. The analysis is done by the chapter, and the data are summarized in five tables. It turned out that certain features regularly co-occur, thus supporting the complex composition of the poem. In particular, the present tense and time regularly mark the realistic and static chapters written in various meters, whereas the past tense and time are specific to the realistic and dynamic chapters written in iambic pentameter. The article sheds new light on the compositional structure of Kuzmin’s poem and the general principles of poetic composition.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":"1 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66673680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Metrics of Seto Choral Laments in the Context of Runosong Metrics","authors":"J. Oras, Žanna Pärtlas, M. Sarv, Andreas Kalkun","doi":"10.12697/smp.2021.8.1.02","DOIUrl":"https://doi.org/10.12697/smp.2021.8.1.02","url":null,"abstract":"The aim of this paper is to get an overview of the lament metrics in Seto oral song tradition, which belongs to the southern border area of the Finnic song tradition, and the placement and historical development of lament metrics in the framework of the whole Seto oral song tradition. In the paper the metrical structures of two main genres of Seto choral laments – choral bridal laments and death laments – are analysed that share common features with solo laments and are similar to the structures of Seto runosongs. Metrical structures of the laments are detected based on sound recordings, taking into account the linguistic structure of the lines and the varied realization of it in a musical performance rhythm. The analysis showed that laments’ metrics where 5-unit end structures play an important role, differs the most from the main body of runosongs and is structurally more similar to a group of runosongs with refrains and varying line length. Outlining the development patterns of the metrical system of Seto songs, the influences of local unique musical tradition with varied rhythmic structures atypical of the most runosong area, specific functions of ritual song genres, historical changes in language, as well as possible external connections to early eastern and southern song cultures are highlighted.","PeriodicalId":55924,"journal":{"name":"Studia Metrica et Poetica","volume":"1 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66673633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}