泰缅诗歌韵律的比较描写

IF 0.4 0 LANGUAGE & LINGUISTICS
I. Sarkisov
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引用次数: 0

摘要

本文对泰国和缅甸诗歌中使用的韵律进行了分析和分类。尽管这两种诗歌传统都有丰富的文学遗产和先进的诗歌韵律,但它们的结构特征并没有得到学术界的重视。在总结已有学术研究的基础上,本文对泰国传统诗歌中使用的韵律及其类型分类进行了描述。缅甸诗歌中的韵律分析是基于帕德萨亚扎18世纪的长篇戏剧《玛尼基特》以及一本缅甸古典短诗集。本文对泰国古典诗歌中的五米(klon、chan、khlong、kap和rai)进行了描述和分类。缅甸传统诗歌使用一个或两个音节韵律以及其他韵律,这些韵律尚未在学术文献中分类。文章最后对泰国和缅甸诗歌中的韵律进行了比较分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Comparative Description of Meters in Thai and Burmese Poetries
The article analyzes and classifies the meters used in Thai and Burmese poetry. Though both poetic traditions have a rich literary heritage and an advanced repertoire of poetic meters, their structural properties have not received significant scholarly attention. Along with summarizing preexisting scholarly research on the subject, the article provides description of meters used in traditional Thai poetry and their typological classification. The analysis of meters in Burmese poetry is based on the 18th century long drama “Maniket” by Padethayaza as well as on a collection of short Burmese classical poems. The article describes and classifies the five meters of Thai classical poetry (klon, chan, khlong, kap and rai). Burmese traditional poetry used one or two syllabic meters as well as other meters, which have not yet been classified in the scholarly literature. The article concludes with a comparative analysis of rhyme in Thai and Burmese poetry.
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来源期刊
Studia Metrica et Poetica
Studia Metrica et Poetica LANGUAGE & LINGUISTICS-
CiteScore
0.60
自引率
16.70%
发文量
6
审稿时长
16 weeks
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