Alliteration as a Rhythmic Device in Latin Literature: General Clarifications and Proposal for a New Vertical Variant, Alliteration Before or After the Caesura
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引用次数: 1
Abstract
In this article, two types of alliteration in Latin are analyzed: the one that occurs horizontally in the verse (Saepe Solet Scintilla Suos Se Spargere…, Lucr. 4.606) and the one that develops vertically in successive verses (Aurea … || Asper… || Arboris…, Lucr. 5.32–34 or … Annis || … hAbendo, || … ARatri || … ARuis, Lucr. 1.311–314). We propose a vertical variant that has not been studied to date and that we have called alliteration before or after caesura, insofar as it takes place between terms placed immediately before or after the caesura of two or more contiguous verses (…Manus |… ||… Memores |… ||… Musis |…, Claud. 26.5–7; or … | Palantia… || … | PRaeclara … || … | PRimum …, Lucr. 2.1029–1031); This article shows that both horizontal and vertical alliteration constitutes an element of delimitation and cohesion of contiguous hemistichs or verses.
在本文中,分析了拉丁语头韵的两种类型:在韵文中水平出现的头韵(Saepe Solet Scintilla Suos Se Spargere…,Lucr.4.606)和在连续韵文中垂直发展的头韵到目前为止,我们称头韵在凯撒之前或之后,只要它发生在两个或多个连续诗句的凯撒之前或后面的词之间(…马努斯|…||…记忆|…||..穆西斯|…,克劳德26.5-7;或…|Palantia…||…|PRaeclara…||…| PRimum…,勒克尔2.1029-1031);这篇文章表明,水平头韵和垂直头韵都构成了相邻半体或诗句的划界和衔接元素。