Shakespeare’s Macbeth and Shelley’s The Cenci: Versification

IF 0.4 0 LANGUAGE & LINGUISTICS
M. Tarlinskaja
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引用次数: 0

Abstract

The article describes the development of English iambic pentameter during 260 years, 1561–1821. The evolution of the versification went in waves: strict (Renaissance) – loose (Baroque) – strict (Classicism) – loose (Romanticism); the periods developed “over the head” of adjacent periods. The similarity of the Renaissance and Classicism vs. Baroque and Romanticism was probably rhythmical homonymy rather than imitation. The article reveals the versification similarity of Shakespeare’s Macbeth and Shelley’s The Cenci. The similarity of versification added to the noticed earlier similarity of motifs, phraseology and vocabulary.
莎士比亚的《麦克白》和雪莱的《仙契》:诗化
本文描述了英语抑扬格五音步在1561-1821年间的发展。诗歌的演变是波浪式的:严格(文艺复兴时期)-宽松(巴洛克时期)-严格(古典主义)-宽松(浪漫主义);这些时期在相邻时期的“头顶”上发展。文艺复兴和古典主义与巴洛克和浪漫主义的相似之处可能是节奏上的谐音而不是模仿。本文揭示了莎士比亚的《麦克白》和雪莱的《仙契》在文体上的相似性。诗体的相似性增加了先前注意到的母题、短语和词汇的相似性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studia Metrica et Poetica
Studia Metrica et Poetica LANGUAGE & LINGUISTICS-
CiteScore
0.60
自引率
16.70%
发文量
6
审稿时长
16 weeks
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