埃斯特雷拉传统Kakataibo圣歌中的头韵

IF 0.4 0 LANGUAGE & LINGUISTICS
Alejandro Augusto Prieto Mendoza
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引用次数: 0

摘要

本文研究了当代最重要的Kakataibo sabios之一Emilio Estrella Logía的传统Kakataimo圣歌中的头韵和押韵。对于头韵和押韵,能够根据Kakataibo音节结构处于尾段位置的辅音起着核心作用。头韵是零星的,基于不确定长度的段落中摩擦辅音的重复。它出现在音节起始处,在一行内和跨行自由出现,后者通过邻接出现。Kakataibo韵也是零星的,它的域是该行的最后一个音节和它的核;只有鼻辅音/n/可以占据尾行音节的尾段。Kakataibo真正的押韵,与通过重复或语义平行创建的列表中的押韵相反,是通过邻接和在长度不确定的元音段落中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Alliteration and Rhyme in the Traditional Kakataibo Chants of Emilio Estrella
This paper studies alliteration and rhyme in the traditional Kakataibo chants of Emilio Estrella Logía, one of the most important Kakataibo sabios of the present era. For alliteration and rhyme, consonants which are able to be in coda position according to Kakataibo syllable structure play a central role. Alliteration is sporadic and based on the repetition of fricative consonants in passages of indeterminate length. It occurs in syllable onset and freely within a line and across lines, the latter by adjacency. Kakataibo rhyme is also sporadic, its domain is the final syllable of the line and the nucleus of it; only the nasal consonant /n/ can occupy coda in end-line syllables. Kakataibo true rhyme, as opposed to rhyme in lists created by repetition or semantic parallelism, is by adjacency and within vowel passages of indeterminate length.
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来源期刊
Studia Metrica et Poetica
Studia Metrica et Poetica LANGUAGE & LINGUISTICS-
CiteScore
0.60
自引率
16.70%
发文量
6
审稿时长
16 weeks
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