Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.18

Constantin Manolache

引用次数: 0

The problem of authenticity in the repertoire of the “Folclor” orchestra: institutional policies of the Moldovan Broadcasting, and reflections in the Soviet press from the 1970s-1980s Folclor "管弦乐团曲目的真实性问题：摩尔多瓦广播电台的体制政策以及 1970-1980 年代苏联新闻界的反映

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.03

Vasile Chiseliţă

引用次数: 0

Hypostases of the adaptation of psalter Melos to the prosody and topic of the Romanian language in the first half of the 19th century 19 世纪上半叶根据罗马尼亚语的旋律和主题对《梅洛斯》诗篇进行改编的假说

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.02

Violina Galaicu

引用次数: 0

The war on the Dniester in 1992 in the contemporary drama of Moldova 摩尔多瓦当代戏剧中的 1992 年德涅斯特河战争

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.08

Dorina Khalil-Butucioc

{"title":"The war on the Dniester in 1992 in the contemporary drama of Moldova","authors":"Dorina Khalil-Butucioc","doi":"10.52603/arta.2023.32-2.08","DOIUrl":"https://doi.org/10.52603/arta.2023.32-2.08","url":null,"abstract":"Bessarabian playwrights, at the turn of the centuries, addressed several taboo subjects, such as it was and still is the Dniester War of 1992. However, the evocation of this event that has already become history served as the pre/subtext of the following dramatic texts: Saxofonul cu frunze roşii/Saxophone with red leaves by Val Butnaru, staged at ”Luceafărul” Theater (1998); the plays by C. Cheianu Noi/We, staged at ”Luceafărul” Theater (1994), and Ţara asta a uitat de Noi…/This country has forgotten us…, at the National Theater ”Satiricus I. L. Caragiale” (2011); Fata cea mută a început să vorbească/The dumb girl started talking by D. Crudu, Teatrul Radiofonic România (2013); Tără(z)boi by Mariana Starciuc staged in Satu Mare, Iasi, Piatra Neamţ (2018); Valsul Tancurilor/Tanks’ Waltz by Irina Nechit staged at the National Theater ”Satiricus I.L. Caragiale” (2020). The scenes of the texts, written in different registers, alternate from deep drama to overwhelming tragedy, the amalgam of realism and fiction being, however, nuanced. Of an overwhelming topicality, these dramatic works are not only chronicles, but also open files in which the characters play the role of participants, witnesses, prosecutors, lawyers, executors. Thus, these plays are a true history lesson provoking the touching of sensitive chords and reviving the memory of present and future generations.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"31 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139025824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Emil Loteanu’s personal myth of the reunited Carpathians: confessional hypostases 埃米尔-洛泰努关于统一的喀尔巴阡山脉的个人神话：忏悔的假象

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.12

Ana-Maria Plamadeala

{"title":"Emil Loteanu’s personal myth of the reunited Carpathians: confessional hypostases","authors":"Ana-Maria Plamadeala","doi":"10.52603/arta.2023.32-2.12","DOIUrl":"https://doi.org/10.52603/arta.2023.32-2.12","url":null,"abstract":"The originality of Emil Loteanu’s talent in the cinematographic sphere is strengthened by the consonance of the conception of Nature in the ideal and confessional hypostases propelled by the grand romantics, with Romanian patterns of nature-centric parentage. The article discusses the phenomenon of crystallization of the personal Myth of the Carpathians reintegrated as a philosophical-aesthetic and genuine-stylistic binder, which interpenetrates all the poetic and cinematic creation of the artist. This myth of the filmmaker’s myths simultaneously contains the cardiography of the turbulent history of the nation, but also of the personal life of the filmmaker-orphaned by his father and by both homelands of his childhood, who took refuge in the catharsis of the splendors of the Carpathians, bringing back in his inspired films the estranged Bucovina into a spiritual, aesthetic, civic whole. In the paper, Emil Loteanu’s creation is related to the sacred monsters of the world film, especially O. Welles, F. Fellini, I. Bergman, A. Tarkovski, who also through their personal myths revealed their unconscious personality to mankind, but also the hierarchies of spiritual values of world images.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"450 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139026174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Relations of dance culture and social structure in a Moldavian rural community 摩尔达维亚农村社区舞蹈文化与社会结构的关系

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.10

Vivien Bondea

引用次数: 0

The Dramatic Model of the 19th Century French Novel 19 世纪法国小说的戏剧模式

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.09

E. Prus

{"title":"The Dramatic Model of the 19th Century French Novel","authors":"E. Prus","doi":"10.52603/arta.2023.32-2.09","DOIUrl":"https://doi.org/10.52603/arta.2023.32-2.09","url":null,"abstract":"The dramatic model is associated with the entire generation at the end of the 19th century, a time of “generalized staging” with a predisposition for the spectacular. The city is perceived as a scenic place. A true phantasmagorical space, the urban space dramatizes the inhabitants who are transformed, in turn, into actors. Paris, in the 19th century, was not only the place of famous world exhibitions, it became itself an object of exhibition, thus spreading its influence over people and things. All the French novelists of the 19th century experienced theatrical training, having launched certain dramatic projects (Balzac, Baudelaire, Flaubert, Zola, Daudet, Flaubert, and Goncourt). The novel of the studied period has a visible organization, dramatic pattern, and vision associated with a time that presupposes a generalized dramatization of society. The theatrical metaphor appears frequently in the 19th century novel to denounce the hypocrisy of society which hides dubious things under honest appearances. This is the leitmotif of the realist/naturalist novel, which aims at revealing and develop realities in profusion. Social relations, places, behaviors are placed under the sign of appearance, of the mask. The itinerary of the characters consists in learning the scenic regularities behind the scenes of the sets, as well as the techniques, which precede the performance. The success of the hero is largely based on his skills to play the role. The drama of the novel speaks of the fragile boundary between genres in the 19th century and characterizes the new poetics of the novel.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"87 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138992597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The manipulative essence of visual media: from man-made images to generative deepfakes 视觉媒体的操纵本质：从人造图像到生成式深度伪造

Arta Pub Date : 2023-12-01 DOI: 10.52603/arta.2023.32-2.17

N. Krivulya

引用次数: 0

Artistic tapestry from the Republic of Moldova in the period 2021-2023 2021-2023 年期间摩尔多瓦共和国的艺术挂毯

Arta Pub Date : 2023-09-01 DOI: 10.52603/arta.2023.32-1.15

C. Spînu

{"title":"Artistic tapestry from the Republic of Moldova in the period 2021-2023","authors":"C. Spînu","doi":"10.52603/arta.2023.32-1.15","DOIUrl":"https://doi.org/10.52603/arta.2023.32-1.15","url":null,"abstract":"The artistic tapestry from the first years of the third decade of the 21st century, highlights a series of particularities and valuable aesthetic valences that confirm the ascending character of the creation in the mentioned field. The natural processes of supplementing the creative potential with representatives of the new generations of plastic artists had a beneficial influence on the diversification of the thematic repertoire, the syntactic register and the methods of technological realization of textile works. As a result of some creative morphological-syntactic and technological experiments undertaken by plastic artists, the works of textile art of the examined period were endowed with aesthetic expressions and messages that mirror the areas of artistic interest and themes towards which the creators directed their attention at the time. The aesthetic values promoted by the smooth weaving technology, widely practiced by plastic artists in the previous decades, were accompanied in a new way by values coming from the symbiosis of the mentioned technology with the technique of felting, embroidery and crocheting, as a result of which, the mixed techniques of creating the image found a prominent plastic promotion in the period in question. In turn, the semantic allure generated by the textile works in the given period was ensured, on the one hand, by the stylistic-compositional, textural and chromatic way of creating the image and, on the other hand, by the associative values and the metaphorical-symbolic substrate of the work .","PeriodicalId":55785,"journal":{"name":"Arta","volume":"69 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139345426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Implementation of V.A. Vatagin’s method in moldovan animalistic sculture 在摩尔多瓦畜牧业中实施 V.A. Vatagin 方法

Arta Pub Date : 2023-09-01 DOI: 10.52603/arta.2023.32-1.10

Ana Marian

{"title":"Implementation of V.A. Vatagin’s method in moldovan animalistic sculture","authors":"Ana Marian","doi":"10.52603/arta.2023.32-1.10","DOIUrl":"https://doi.org/10.52603/arta.2023.32-1.10","url":null,"abstract":"People’s Artist of the Russian Federation, member of the Academy of Arts of the USSR, laureate of state prizes, animal sculptor Vasilii Alexeevich Vatagin (1884-1969) followed a complex and controversial creative path. His drawings and sketches, which reflect the world of animals, are especially interesting and convincing in terms of their plasticity. Two characteristics of V.A. Vatagin’s drawings emerge clearly: the harmonious compositional distribution of images on the sheet and the sketches made in a fluid line, with thickening and thinning, as well as the use of tone. V.A. Vatagin positions the appearances of animals on the same level with a person’s, assigning them the same palette of emotions. Thus, the initial period of development of the animalistic genre in the works of the sculptors of the Moldavian SSR, Naum Epelbaum and Nikolae Gabzulin, coincides with the “majestic decline” of the creativity of Vasilii Alexeevich Vatagin, and this fact suggests the familiarization of Moldavian sculptors with his creative activity. The various plastic techniques used by the sculptor V.A. Vatagin, who oscillated between realism and stylization, led to a great stylistic diversity in his creativity. His manner of modeling and study from nature became classic and were taken over by artists of the USSR, and nowadays by other world artists. The contribution of the Russian sculptor V. A. Vatagin to the development of the animalistic genre in the Republic of Moldova is undeniable, significant and invaluable.","PeriodicalId":55785,"journal":{"name":"Arta","volume":"102 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139345664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

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