The manipulative essence of visual media: from man-made images to generative deepfakes

Q4 Arts and Humanities
Arta Pub Date : 2023-12-01 DOI:10.52603/arta.2023.32-2.17
N. Krivulya
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引用次数: 0

Abstract

The paper explores the problems of manipulation and reliability of information in the visual media. Manipulation is part of their essence. Distortions in the message arise from a shift in attention from reality as such to how it’s seen by others or who and how it’s represented. The objective vision is replaced by a presentation of the vision of others in visual media. This opens up the possibility of manipulation and becomes the reason for the creation of visual falsifications. Modernity has become the era of post-truth. Visual media are increasingly shifting towards total falsification with the development of digital technologies, artificial intelligence. The generated image turns out to be more real and reliable than reality itself. This paper uses the classification of visual media images based on how they are created. An attempt is made to identify the causes of distortions in the representation of reality at different stages of the development of visual media. The article analyzes how the technologies of creating visual images affect the development of manipulative and falsifying practices that undermine the credibility of the visual message.
视觉媒体的操纵本质:从人造图像到生成式深度伪造
本文探讨了视觉媒体中信息的操纵性和可靠性问题。操纵是其本质的一部分。信息的失真源于注意力从现实本身转移到他人如何看待现实,或者是谁以及如何表现现实。客观视觉被视觉媒体中他人视觉的呈现所取代。这就为操纵提供了可能,并成为制造视觉假象的原因。现代性已成为后真相时代。随着数字技术和人工智能的发展,视觉媒体正日益转向完全伪造。生成的图像比现实本身更加真实可靠。本文根据视觉媒体图像的生成方式对其进行分类。本文试图找出在视觉媒体发展的不同阶段现实表现失真的原因。文章分析了创建视觉图像的技术如何影响操纵和伪造做法的发展,从而破坏视觉信息的可信度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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