ESPRIT CREATEUR最新文献

{"title":"Publier, le faire, le dire : L'Encyclopédie des guerres de Jean-Yves Jouannais","authors":"A. Chassain","doi":"10.1353/esp.2022.0003","DOIUrl":"https://doi.org/10.1353/esp.2022.0003","url":null,"abstract":"Abstract:Cette étude porte attention aux discours qui publient la publication. Quel est le dire de la publication? que publie-t-il, que recèle-t-il lui-même? Comment le champ littéraire se représente-t-il la façon dont il produit, distribue, hiérarchise et aussi bien barre ou compromet la visibilité et la destination des œuvres dans l'espace social? Pour investir ce questionnement, l'article s'appuie sur L'Encyclopédie des guerres de Jean-Yves Jouannais, œuvre transmédiale dont la forme principale consiste en une série de conférences-performances mensuelles, accueillies depuis 2008 au Centre Pompidou. Si cette œuvre illustre le passage \"d'un imaginaire du littéraire centré sur un objet-support, le livre à un imaginaire du littéraire centré sur une action et une pratique: la publication\" (Ruffel), encore faut-il confronter les discours aux pratiques qu'ils interprètent, en établissant notamment le rôle matériel et symbolique du livre dans cette littérature réputée biblioclaste.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"40 - 54"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43073605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Inapproprié de l'appropriation : Poétique de l'espace corporate","authors":"A. Deneuville","doi":"10.1353/esp.2022.0005","DOIUrl":"https://doi.org/10.1353/esp.2022.0005","url":null,"abstract":"Abstract:Cet article traitant des pratiques poétiques récupérant des contenus générés par les utilisateurs (CGU), s'interroge sur un potentiel \"inapproprié\" de cette appropriation. Nous proposons de dépasser une conception courante des réseaux socionumériques comme \"espace public\" lui préférant celle d'espace \"corporate\" qui permet de mettre en avant la privatisation des contenus au profit d'entreprises américaines. Les pratiques poétiques de déplacement deviennent alors des \"republications\" qui ne peuvent se faire sans certaines précautions éthiques. Nous utilisons les travaux d'Axel Honneth pour nous interroger sur la façon de republier ces contenus de manière éthique.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"69 - 82"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49333251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Thinking at the Limit of Poetry: Anne-James Chaton, Social Media, and the Post-Public","authors":"Nathalie Wourm","doi":"10.1353/esp.2022.0002","DOIUrl":"https://doi.org/10.1353/esp.2022.0002","url":null,"abstract":"Abstract:This article considers ways in which the public can relate to contemporary French poetry outside the book, when all usual markers that help define an artifact as art are absent. Taking the case of Anne-James Chaton, who publishes some of his works on social media, the question is whether poetry is still poetry if not identified as such by the public. While Chaton continues to publish books, he is also part of a double movement in French poetic practice, the movement away from the customary setting of literature – the book page – and the deconstruction of the essentialist view of poetry.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"29 - 39"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44831334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Le public des poètes est-il le seul problème public des poètes ? Sociologies autochtones et allégories politiques de la poésie","authors":"Florent Coste, Justine Huppe","doi":"10.1353/esp.2022.0001","DOIUrl":"https://doi.org/10.1353/esp.2022.0001","url":null,"abstract":"Abstract:Les réflexions de la poésie contemporaine française sur son public (réduit et marginal), irréductibles à une simple valeur documentaire, témoignent d'une réflexivité riche d'une portée politique dont le présent article cherche à prendre la mesure. Maurizio Lazzarato a considéré la grève des intermittents du spectacle comme un révélateur d'une administration du travail par l'exploitation des inégalités et la pulvérisation des solidarités. À cette lumière, il est possible de considérer les productions poétiques qui nous intéressent (Christophe Hanna, Sylvain Courtoux, Cyrille Martinez, Patrick Beurard-Valdoye) comme des tentatives de réarticulation de publics que les politiques néolibérales cherchent à atomiser et à démobiliser.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"11 - 28"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48878877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduction: Poetic Practice and the Public","authors":"Jeff Barda, Eric S. Lynch","doi":"10.1353/esp.2022.0000","DOIUrl":"https://doi.org/10.1353/esp.2022.0000","url":null,"abstract":"Abstract:From the 1990s to today, poetic practices in France engage with the forms and languages of public life. These works focus on representations and discourses circulating within the public sphere. Poetic practices turn to public problems, issues that seem to surpass available theoretical tools and demand new conceptual and artistic approaches. In an age of \"médiarchie\" (Yves Citton), the question of poetic practices and the public raises several lines of inquiry: How does poetry generate new performative modes and forms, and how do poets situate themselves before their public? What are the political stakes of poetry's turn toward the public sphere?","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":" ","pages":"1 - 10"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48439094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Interview avec Emmanuelle Pireyre","authors":"E. Pireyre, Jeff Barda, Eric Lynch","doi":"10.1353/esp.2022.0009","DOIUrl":"https://doi.org/10.1353/esp.2022.0009","url":null,"abstract":"Abstract:In this interview with Jeff Barda and Eric Lynch, Emmanuelle Pireyre discusses her poetic practice in relation to the issue of the public. She stresses how performance and experimentation with other fields of knowledge are key to investigating and addressing public issues. The importance of the audience and the question of form are also addressed, as are ideas concerning literary action in the contemporary period.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"126 - 136"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44418623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Blah","authors":"Yasser Elhariry","doi":"10.4016/24528.01","DOIUrl":"https://doi.org/10.4016/24528.01","url":null,"abstract":"Abstract:This article takes confinements and lockdowns as a point of departure for examining how contemporary poetry turns its back on the public. I diagnose the poetic landscape as overrun by a case of the blahs, and turn my attention to new and recent poetry by Amandine André, Andréa-Fatima Touam, and Liliane Giraudon. The three poets fold back over poetry's recursive history, conventions, and dominations, like the dispositif in relationship to poetic discourse in french. The super-apparatus, the archi-dispositif of reading Touam, André, and Giraudon alongside each other suggests that lassitude and near-but-not-quite surrender find their realization through the simplest of utterances or verbal gestures. Blah.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"101 - 83"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48406213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Defamiliarizing and Recycling: The Contemporary Poetic OVNIs and OFNIs of Jérôme Game and Sandra Moussempès","authors":"J. C. Stout","doi":"10.1353/esp.2022.0004","DOIUrl":"https://doi.org/10.1353/esp.2022.0004","url":null,"abstract":"Abstract:Since the 1990s, poetic practices have been revitalized in France through the incorporation of performance and new technologies, leading to the creation of new publics and an altered sense of poetry as a significant social action. The work of Jérôme Game and Sandra Moussempès is representative of this seachange in recent French poetry. Both poets employ strategies of defamiliarizing and recycling to recontextualize, play with, and question the sociopolitical status quo. Through formal and linguistic experimentation, they create \"OVNIs\" (\"objets verbaux non identifies\"). Game's 2017 text Salle d'embarquement and Moussempès's 2021 collection Cassandre à bout portant exemplify this new poetics.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"62 1","pages":"55 - 68"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45277163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Troubles dans la communication, recréer la possibilité du dialogue dans les situations de handicap où la fonction du langage est perturbée","authors":"A. Chabert","doi":"10.1353/esp.2021.0044","DOIUrl":"https://doi.org/10.1353/esp.2021.0044","url":null,"abstract":"","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"61 1","pages":"15 - 31"},"PeriodicalIF":0.2,"publicationDate":"2022-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42221624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"(New) Fascism: Contagion, Community, Myth by Nidesh Lawtoo (review)","authors":"B. Chaouat","doi":"10.1353/esp.2021.0056","DOIUrl":"https://doi.org/10.1353/esp.2021.0056","url":null,"abstract":"Expanding on his La condition handicapée (2017), as well as numerous other publications, Henri-Jacques Stiker clarifies disability as a condition in existentialist terms and locates its significance in current social justice concerns. Drawing extensively on personal narratives and methodologies from philosophy, psychoanalysis, history, sociology, and anthropology, Stiker meticulously defines and evaluates the stakes of this conversation. Stiker qualifies the disabled condition as a stigmatized experience that is the Other to ‘normal’ embodiment but shared among diverse groups of individuals. In Chapter One, Stiker relies on Pap Ndiaye’s studies of black identities to define disability as a prescribed identity that may become self-appropriated. The firsthand narratives he employs in Chapters Two and Three describe the importance of the disabling event that fractures disabled lived experience. In Chapter 4, he concludes that this simultaneous remembered past, current struggle, and imagined future is experienced as a haunted life, a palimpsest. In Chapter 5, Stiker recounts the history of the gradually expanding legal definitions of “handicapé,” a term with which he and his sources struggle. He considers various terms for “disabled,” landing ultimately on the Québécois term, “personnes avec des incapacités,” which implies other capacities. In Chapter 6, he affirms that a cultural shift needs to be made to focus on individuals’ capabilities. Despite its current stigmatized status, Stiker notes that people living with la condition handicapée overwhelmingly reject pity, categorization, commodification or a socially prescribed identity. In Chapter 7, he instead explores the value of knowledge production based on the narratives of disabled people or their loved ones. As a methodology, critical disability studies can be a useful lens for any scholar, disabled or not, with an inclusive “attitude d’esprit” (78). Nonetheless, the disabled condition is marginalized, requiring a movement towards social inclusion that Stiker asks in Chapter 8 his readers to begin immediately. He argues that it is a grave injustice that disabled people are effectively denied full citizenship and participation in society. All members of society must be recognized as unique and equal, with identities that cannot be broken down into bodies, minds or other fragmented pieces. What Stiker is calling for is thus nothing less than a paradigm shift, philosophically and socially, in mainstream conceptions of humanity and justice. His call for this “Quiet Revolution” seems especially significant in the context of COVID19, due to the virus’s heightened threat to some disabled individuals and many individuals’ deepened understanding of isolation and lack of economic productivity. At stake is not only the integration of marginalized members of society but the recognition of everyone’s individual humanity, outside of their seeming productive value. Stiker’s short work approaches the borderline","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"61 1","pages":"171 - 172"},"PeriodicalIF":0.2,"publicationDate":"2022-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46855588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}