ESPRIT CREATEUR最新文献

{"title":"Relier l'arrière-plan : Le réseau des figurants dans le roman de type réaliste du XIXe siècle","authors":"Eva Le Saux","doi":"10.1353/esp.2023.a906708","DOIUrl":"https://doi.org/10.1353/esp.2023.a906708","url":null,"abstract":"Abstract: Le roman du XIXe siècle regorge de figurants apparemment peu intégrés au récit. Anonymes, peu caractérisés, ils évoluent à l'arrière-plan de l'intrigue et constituent le décor. S'ils semblent dispensables, leur présence contribue pourtant à créer de nombreux liens. Ils attachent les personnages principaux et secondaires au milieu dans lequel ils évoluent et créent des liens entre les personnages, amoindrissant ainsi la dimension hasardeuse de certains événements. Les figurants participent en outre de la dimension réaliste des récits en permettant aux lecteurs et lectrices de retrouver dans les romans une expérience familière, celle de l'anonymat.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introduction: Characters in/as Connection","authors":"Rebecca Grenouilleau-Loescher, Kathryn A. Haklin","doi":"10.1353/esp.2023.a906705","DOIUrl":"https://doi.org/10.1353/esp.2023.a906705","url":null,"abstract":"Abstract: This introduction to the special issue \"Connecting Characters in Modern and Contemporary French-language Fiction\" offers a critical context for studying character networks and interdependency. Through the lens of Glissant's concept of \"Relation\" and in dialogue with Jagoda's notion of \"network aesthetics,\" the issue examines what connects characters in fictional works, how these links shape narrative meaning within and across texts, and how character interdependency reflects diverse social, political, and historical contexts. From the nineteenth-century novel to the multi-perspectival fictions of today, the issue attests to a shift in our critical understanding of characters, from a focus on individual centrality to movement within community.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135298899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Relational Character Constellations: Maryse Condé's Traversée de la mangrove and Maylis de Kerangal's Réparer les vivants","authors":"Rebecca Grenouilleau-Loescher","doi":"10.1353/esp.2023.a906713","DOIUrl":"https://doi.org/10.1353/esp.2023.a906713","url":null,"abstract":"Abstract: This article examines the character constellations of Maryse Condé's Traversée de la mangrove (1989) and Maylis de Kerangal's Réparer les vivants (2014) as a vector for relational thought. Largely undifferentiated and non-hierarchical, both novels draw out a matrix of intersecting points in plot as viewed through the experiences and perspective of each character. This design, I argue, allows the reader to construct a cohesive, albeit incomplete, view of each story world, ultimately positing a vision for community grounded in the notion of relationality: a plethora of crossing paths intermittently all together, yet altogether elsewhere, all at once.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135300067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Écrire comme marchent les mouettes : Écologie et sociologie du geste chez Marcel Proust","authors":"Lancelot Stücklin","doi":"10.1353/esp.2023.a906709","DOIUrl":"https://doi.org/10.1353/esp.2023.a906709","url":null,"abstract":"Abstract: Dans le roman À l'ombre des jeunes filles en fleurs , la saison estivale et la vie au bord de mer provoquent un relâchement des mœurs au travers duquel les distinctions traditionnelles de la société fin-de-siècle s'allègent et s'assouplissent. Entre les personnages qui se promènent le long de la mer et constituent une communauté en perpétuelle évolution, gestes, postures, degré de tonicité corporelle s'associent pour renverser les anciennes hiérarchies sociales. Cet article vise à mettre en lumière la valeur intersubjective, politique et sociale de la description des gestes du corps chez Marcel Proust ainsi que la participation active de la part du lecteur qui en résulte.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Déjà lu ?: On Rachid Boudjedra's Recurring Jewish-Muslim Figure","authors":"Rebecca Glasberg","doi":"10.1353/esp.2023.a906704","DOIUrl":"https://doi.org/10.1353/esp.2023.a906704","url":null,"abstract":"Abstract: This article examines the recurring figure of Henriette Gozlan, a Jewish-Muslim seamstress who (re)appears in multiple novels by Algerian author Rachid Boudjedra. Through a close reading of the particularities of Henriette's relationship to and place in the protagonist's family in La répudiation (1969), La macération (1984), and La dépossession (2017), I demonstrate how Boudjedra's œuvre challenges both colonial-era French discourse that sought to divide Algerian Jews and Muslims into distinct ethno-racial and political groups, and the postcolonial Algerian national narrative that ironically relied upon these artificial productions to construct a national religious and cultural identity.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135300071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mise(ère)-en-scène : Transposition and the Child in Hugo's and Ly's Les misérables","authors":"Amber Patrice Sweat","doi":"10.1353/esp.2023.a906710","DOIUrl":"https://doi.org/10.1353/esp.2023.a906710","url":null,"abstract":"Abstract: This article explores the relationship between Victor Hugo's novel and Ladj Ly's film, both titled Les misérables , focusing on their shared themes of marginality and societal injustice in the banlieues of Paris. This article further examines how the film transposes Hugo's work, highlighting the continuity of misery and social hierarchies in the banlieue across generations. The article also delves into the representation of children in both works, revealing how they are both victimized by and implicated in systems of violence and prejudice. Lastly, it discusses Ly's use of filmmaking techniques to challenge power dynamics and provide marginalized communities with agency and visibility, both on-screen and in lived experiences.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"83 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bruno Dumont ou le cinéma des Z'humains dir. by Alain Brossat et Joachim Daniel Dupuis (review)","authors":"","doi":"10.1353/esp.2023.a906706","DOIUrl":"https://doi.org/10.1353/esp.2023.a906706","url":null,"abstract":"Reviewed by: Bruno Dumont ou le cinéma des Z'humains dir. by Alain Brossat et Joachim Daniel Dupuis Anne Cirella-Urrutia Alain Brossat et Joachim Daniel Dupuis, dir. Bruno Dumont ou le cinéma des Z'humains. Paris: L'Harmattan, 2021. Pp. 247. € 27 Dans cet excellent collectif, les auteurs présentent des articles jamais traduits et remarquent que le cinéma de Dumont s'éloigne le plus des points de vue de la classe moyenne qui donne le ton dans le cinéma français depuis les trois dernières décennies. La première partie examine des thèmes majeurs de l'œuvre filmique singulière du cinéaste et comment ils manifestent leur rapport à l'événementialité. Luc Vancheri développe une hypothèse mystique dans La Vie de Jésus (1997) et Camille Claudel 1915 (2013) qui trouve confirmation définitive dans Jeanne (2019) adapté de Charles Péguy où inexorablement les personnages se rapprochent tous de Dieu. Corro Penjean et Domínguez Jiménez interrogent l'agencement visuel du territoire dumontien et les espaces dérivés de l'influence esthétique et idéologique de Pasolini. Alors que les dialogues deviennent minimalistes, la longue durée des plans et des séquences dans Hors Satan (2011) permettent d'envisager les espaces comme des lieux de sainteté et de revendiquer une « axiographie des marges » (48) propre à Dumont. Alain Brossat explique comment Dumont ne cesse de libérer ses films des acteurs fétiches afin que l'attention du spectateur ne soit captée par ces acteurs vedettes au détriment du film. Comme chez Péguy ou chez Bernanos, Dumont interroge à travers ses personnages la condition des gens ordinaires. Joachim Daniel Dupuis conclut à travers la notion de paysage et le projet de mettre en scène une certaine plèbe qui nous permet d'accéder à une compréhension des personnages. Ces paysages sont successivement ignorés dans Hadewijch (2009), humanisés dans Ma Loute (2016), contrecarrés dans Camille Claudel 1915 (2013), ou intériorisés dans Jeanne (2019). La deuxième partie, outre les films parmi les plus difficiles, inclut des articles sur les séries policières. Nikolaj Lübecker montre, à propos de Twentynine Palms (2003), la manière dont s'établit la corrélation entre transgression et émancipation, telle qu'elle se relève dans l'avantgarde. Ce road movie est une incursion dans le paysage américain qu'il compare au film Zabriskie Point (1970) de Michelangelo Antonioni. Abdel Aouacheria examine ce même film, plus précisément dans le rapport du couple David et Katia et la minéralité du désert californien. Chaque espace se retrouve dans le suivant selon une logique fractale pour montrer les dysfonctionnements du couple. David viole et assassine Katia, avant de mettre fin à ses jours. Gonzalo Aguilar propose une cartographie symbolique du film Flandes (2006) à la lumière du concept de « violence mimétique » de la relation triangulaire. Alain Naze aborde la question du mysticisme dans Hors Satan (2011) avec l'étude du couple « le gars » et « la fille » qu'il associe à Acc","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Deciphering 1848: Repetition and Degradation in Madame Bovary","authors":"Abigail RayAlexander","doi":"10.1353/esp.2023.a906707","DOIUrl":"https://doi.org/10.1353/esp.2023.a906707","url":null,"abstract":"Abstract: A hidden code in Madame Bovary subtly deploys the cypher of 1848 to critique Victor Hugo and, by extension, Napoléon III. This code aligns the novel's characters with historical figures and revolutions and highlights their shared shortcomings. In this way, Madame Bovary ridicules the degradation produced by repetition as well as the resulting gaps between flowery narratives and their less idyllic realities. During its 1857 trial, the novel's censors failed to notice its most concealed and dangerously democratizing political critique, namely, that the powerful are no greater than the humble.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"« Nos solitudes à partager » : Personnages-voix , êtres en relation dans les romans de Laurent Mauvignier","authors":"Laëtitia Deleuze","doi":"10.1353/esp.2023.a906711","DOIUrl":"https://doi.org/10.1353/esp.2023.a906711","url":null,"abstract":"Abstract: Lire les romans de Laurent Mauvignier, c'est plonger dans un espace de personnages-voix , des vies bouleversées et déconnectées par un événement dramatique qui les replie en haute solitude. La blessure signe la rupture du langage entre les personnages, qui cherchent à mettre en mots le manque de l'autre. Pourtant, les voix intérieures sont souvent adressées et aspirent à un lien, même fantasmé. L'écriture puissante creuse au plus près des expériences psychiques et sensorielles. Depuis l'isolement des personnages, la fiction et le réseau étoilé des voix recréent une connexion, et tissent des \"solitudes à partager\" (Glissant): une relation qui se transforme en devenir.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Character Ecologies in Zola's Rougon-Macquart : Beyond Heredity, Beyond Metaphor","authors":"Kathryn A. Haklin","doi":"10.1353/esp.2023.a906712","DOIUrl":"https://doi.org/10.1353/esp.2023.a906712","url":null,"abstract":"Abstract: This article reframes Zola's character networks in the Rougon-Macquart as ecologies. By comparing episodes of transgression in La curée and La faute de l'abbé Mouret , I demonstrate how characters become fused with plants and gardens in each novel, forming a singular, merged entity. Consequently, I argue that narrative setting not merely serves as a location in which a story unfolds, but rather is endowed with a human-like agency. The alliance between character and environment therefore urges a reexamination of the writer's conception of milieu , which expands to include an ecological dimension, alongside the social and hereditary.","PeriodicalId":54063,"journal":{"name":"ESPRIT CREATEUR","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135346598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}