布拉赫

IF 0.1 4区文学 0 LITERATURE, ROMANCE

ESPRIT CREATEUR Pub Date : 2022-03-01 DOI:10.4016/24528.01

Yasser Elhariry

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引用次数: 0

摘要

摘要:本文以禁锢和封锁为切入点，考察当代诗歌是如何背弃大众的。我诊断出诗歌的风景被一种无聊的情况所淹没，然后把我的注意力转向阿曼丁·安德罗、安德罗萨·法蒂玛·图阿姆和莉莉安娜·吉劳东的新诗和近诗。这三位诗人回顾了诗歌的递归历史、惯例和统治，就像处置词与法语诗歌话语的关系。阅读图阿姆、安德列、吉劳敦时的超级装置和原始配置表明，通过最简单的话语或口头姿态，倦怠和接近但不完全投降找到了他们的实现。等等等等。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Blah

Abstract:This article takes confinements and lockdowns as a point of departure for examining how contemporary poetry turns its back on the public. I diagnose the poetic landscape as overrun by a case of the blahs, and turn my attention to new and recent poetry by Amandine André, Andréa-Fatima Touam, and Liliane Giraudon. The three poets fold back over poetry's recursive history, conventions, and dominations, like the dispositif in relationship to poetic discourse in french. The super-apparatus, the archi-dispositif of reading Touam, André, and Giraudon alongside each other suggests that lassitude and near-but-not-quite surrender find their realization through the simplest of utterances or verbal gestures. Blah.

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来源期刊

ESPRIT CREATEUR LITERATURE, ROMANCE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： For more than forty years, L"Esprit Créateur has published studies on French and Francophone literature, film, criticism, and culture. The journal features articles representing a variety of methodologies and critical approaches. Exploring all periods of French literature and thought, L"Esprit Créateur focuses on topics that define French and Francophone Studies today.