陌生化与循环：Jérôme Game和Sandra Moussempès的当代诗意OVNI和OFNI

IF 0.1 4区文学 0 LITERATURE, ROMANCE

ESPRIT CREATEUR Pub Date : 2022-03-01 DOI:10.1353/esp.2022.0004

J. C. Stout

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引用次数: 0

摘要

摘要：自20世纪90年代以来，通过表演和新技术的结合，法国的诗歌实践得到了振兴，创造了新的公众，并改变了诗歌作为一种重要社会行动的意义。Jérôme Game和Sandra Moussempès的作品是近期法国诗歌中这种变化的代表。两位诗人都采用陌生化和循环利用的策略来重新文本化、玩弄和质疑社会政治现状。通过形式和语言实验，他们创造了“OVNIs”（“obgets verbaux non-identifications”）。Game 2017年的文本Salle d‘embaquement和Moussempès 2021年的合集Cassandreàbout重要地体现了这一新诗学。

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Defamiliarizing and Recycling: The Contemporary Poetic OVNIs and OFNIs of Jérôme Game and Sandra Moussempès

Abstract:Since the 1990s, poetic practices have been revitalized in France through the incorporation of performance and new technologies, leading to the creation of new publics and an altered sense of poetry as a significant social action. The work of Jérôme Game and Sandra Moussempès is representative of this seachange in recent French poetry. Both poets employ strategies of defamiliarizing and recycling to recontextualize, play with, and question the sociopolitical status quo. Through formal and linguistic experimentation, they create "OVNIs" ("objets verbaux non identifies"). Game's 2017 text Salle d'embarquement and Moussempès's 2021 collection Cassandre à bout portant exemplify this new poetics.

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来源期刊

ESPRIT CREATEUR LITERATURE, ROMANCE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： For more than forty years, L"Esprit Créateur has published studies on French and Francophone literature, film, criticism, and culture. The journal features articles representing a variety of methodologies and critical approaches. Exploring all periods of French literature and thought, L"Esprit Créateur focuses on topics that define French and Francophone Studies today.