{"title":"(新)《法西斯主义:传染、社区、神话》,Nidesh Lawtoo著(综述)","authors":"B. Chaouat","doi":"10.1353/esp.2021.0056","DOIUrl":null,"url":null,"abstract":"Expanding on his La condition handicapée (2017), as well as numerous other publications, Henri-Jacques Stiker clarifies disability as a condition in existentialist terms and locates its significance in current social justice concerns. Drawing extensively on personal narratives and methodologies from philosophy, psychoanalysis, history, sociology, and anthropology, Stiker meticulously defines and evaluates the stakes of this conversation. Stiker qualifies the disabled condition as a stigmatized experience that is the Other to ‘normal’ embodiment but shared among diverse groups of individuals. In Chapter One, Stiker relies on Pap Ndiaye’s studies of black identities to define disability as a prescribed identity that may become self-appropriated. The firsthand narratives he employs in Chapters Two and Three describe the importance of the disabling event that fractures disabled lived experience. In Chapter 4, he concludes that this simultaneous remembered past, current struggle, and imagined future is experienced as a haunted life, a palimpsest. In Chapter 5, Stiker recounts the history of the gradually expanding legal definitions of “handicapé,” a term with which he and his sources struggle. He considers various terms for “disabled,” landing ultimately on the Québécois term, “personnes avec des incapacités,” which implies other capacities. In Chapter 6, he affirms that a cultural shift needs to be made to focus on individuals’ capabilities. Despite its current stigmatized status, Stiker notes that people living with la condition handicapée overwhelmingly reject pity, categorization, commodification or a socially prescribed identity. In Chapter 7, he instead explores the value of knowledge production based on the narratives of disabled people or their loved ones. As a methodology, critical disability studies can be a useful lens for any scholar, disabled or not, with an inclusive “attitude d’esprit” (78). Nonetheless, the disabled condition is marginalized, requiring a movement towards social inclusion that Stiker asks in Chapter 8 his readers to begin immediately. He argues that it is a grave injustice that disabled people are effectively denied full citizenship and participation in society. All members of society must be recognized as unique and equal, with identities that cannot be broken down into bodies, minds or other fragmented pieces. What Stiker is calling for is thus nothing less than a paradigm shift, philosophically and socially, in mainstream conceptions of humanity and justice. His call for this “Quiet Revolution” seems especially significant in the context of COVID19, due to the virus’s heightened threat to some disabled individuals and many individuals’ deepened understanding of isolation and lack of economic productivity. At stake is not only the integration of marginalized members of society but the recognition of everyone’s individual humanity, outside of their seeming productive value. Stiker’s short work approaches the borderline between activism and scholarship. Given the evident urgency of addressing social injustice, his work will interest scholars interested in questions of identity, social justice, and the interdisciplinarity of critical disability studies. SALLY M. 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Stiker qualifies the disabled condition as a stigmatized experience that is the Other to ‘normal’ embodiment but shared among diverse groups of individuals. In Chapter One, Stiker relies on Pap Ndiaye’s studies of black identities to define disability as a prescribed identity that may become self-appropriated. The firsthand narratives he employs in Chapters Two and Three describe the importance of the disabling event that fractures disabled lived experience. In Chapter 4, he concludes that this simultaneous remembered past, current struggle, and imagined future is experienced as a haunted life, a palimpsest. In Chapter 5, Stiker recounts the history of the gradually expanding legal definitions of “handicapé,” a term with which he and his sources struggle. He considers various terms for “disabled,” landing ultimately on the Québécois term, “personnes avec des incapacités,” which implies other capacities. In Chapter 6, he affirms that a cultural shift needs to be made to focus on individuals’ capabilities. Despite its current stigmatized status, Stiker notes that people living with la condition handicapée overwhelmingly reject pity, categorization, commodification or a socially prescribed identity. In Chapter 7, he instead explores the value of knowledge production based on the narratives of disabled people or their loved ones. As a methodology, critical disability studies can be a useful lens for any scholar, disabled or not, with an inclusive “attitude d’esprit” (78). Nonetheless, the disabled condition is marginalized, requiring a movement towards social inclusion that Stiker asks in Chapter 8 his readers to begin immediately. He argues that it is a grave injustice that disabled people are effectively denied full citizenship and participation in society. All members of society must be recognized as unique and equal, with identities that cannot be broken down into bodies, minds or other fragmented pieces. What Stiker is calling for is thus nothing less than a paradigm shift, philosophically and socially, in mainstream conceptions of humanity and justice. His call for this “Quiet Revolution” seems especially significant in the context of COVID19, due to the virus’s heightened threat to some disabled individuals and many individuals’ deepened understanding of isolation and lack of economic productivity. At stake is not only the integration of marginalized members of society but the recognition of everyone’s individual humanity, outside of their seeming productive value. Stiker’s short work approaches the borderline between activism and scholarship. 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引用次数: 0
摘要
在他的La condition handicap(2017)以及许多其他出版物的基础上,亨利-雅克·斯蒂克(Henri-Jacques Stiker)将残疾澄清为存在主义术语中的一种条件,并定位其在当前社会正义问题中的重要性。从哲学、精神分析、历史、社会学和人类学中广泛引用个人叙述和方法,斯蒂克一丝不苟地定义和评估了这次对话的利害关系。Stiker将残疾状况定性为一种被污名化的经历,它是“正常”的体现,但在不同的个人群体中共享。在第一章中,斯蒂克依靠Pap Ndiaye对黑人身份的研究,将残疾定义为一种可能成为自我占有的规定身份。他在第二章和第三章中使用的第一手叙述描述了使生活经历破碎的残疾事件的重要性。在第四章中,他总结说,这种同时被记忆的过去,当前的挣扎,和想象的未来是一种困扰的生活,一种重写。在第五章中,斯蒂克叙述了“残障人士”的法律定义逐渐扩大的历史,这是他和他的资料来源一直在努力解决的一个术语。他考虑了“残疾”的各种说法,最终选择了quacimbsamcois这个词,“persones avec des incapacitsamis”,这意味着其他能力。在第6章中,他确认需要进行文化转变,以关注个人能力。Stiker指出,尽管目前残障人士的身份被污名化,但他们绝大多数拒绝同情、分类、商品化或社会规定的身份。在第七章中,他转而从残疾人及其亲人的叙述出发,探讨了知识生产的价值。作为一种方法论,批判性残疾研究对于任何学者,无论是否残疾,都是一个有用的视角,具有包容性的“精神态度”(78)。尽管如此,残疾人的状况还是被边缘化了,需要一场社会包容的运动,斯蒂克在第8章中要求他的读者立即开始。他认为,残疾人实际上被剥夺了充分的公民身份和参与社会的权利,这是一种严重的不公正。必须承认所有社会成员都是独特和平等的,其身份不能被分解为身体、思想或其他碎片。因此,斯蒂克所呼吁的,无非是在哲学和社会上,在主流的人性和正义概念中进行范式转变。在2019冠状病毒病的背景下,他对“安静革命”的呼吁显得尤为重要,因为该病毒对一些残疾人的威胁加剧,许多人对孤立和缺乏经济生产力的理解加深。利害攸关的不仅是社会边缘成员的融合,而且是对每个人在其表面上的生产价值之外的个人人性的承认。斯蒂克的简短作品接近激进主义和学术之间的界限。鉴于解决社会不公正问题的明显紧迫性,他的工作将引起对身份、社会正义和批判性残疾研究的跨学科问题感兴趣的学者的兴趣。SALLY M. KESSLER明尼苏达大学双城分校
(New) Fascism: Contagion, Community, Myth by Nidesh Lawtoo (review)
Expanding on his La condition handicapée (2017), as well as numerous other publications, Henri-Jacques Stiker clarifies disability as a condition in existentialist terms and locates its significance in current social justice concerns. Drawing extensively on personal narratives and methodologies from philosophy, psychoanalysis, history, sociology, and anthropology, Stiker meticulously defines and evaluates the stakes of this conversation. Stiker qualifies the disabled condition as a stigmatized experience that is the Other to ‘normal’ embodiment but shared among diverse groups of individuals. In Chapter One, Stiker relies on Pap Ndiaye’s studies of black identities to define disability as a prescribed identity that may become self-appropriated. The firsthand narratives he employs in Chapters Two and Three describe the importance of the disabling event that fractures disabled lived experience. In Chapter 4, he concludes that this simultaneous remembered past, current struggle, and imagined future is experienced as a haunted life, a palimpsest. In Chapter 5, Stiker recounts the history of the gradually expanding legal definitions of “handicapé,” a term with which he and his sources struggle. He considers various terms for “disabled,” landing ultimately on the Québécois term, “personnes avec des incapacités,” which implies other capacities. In Chapter 6, he affirms that a cultural shift needs to be made to focus on individuals’ capabilities. Despite its current stigmatized status, Stiker notes that people living with la condition handicapée overwhelmingly reject pity, categorization, commodification or a socially prescribed identity. In Chapter 7, he instead explores the value of knowledge production based on the narratives of disabled people or their loved ones. As a methodology, critical disability studies can be a useful lens for any scholar, disabled or not, with an inclusive “attitude d’esprit” (78). Nonetheless, the disabled condition is marginalized, requiring a movement towards social inclusion that Stiker asks in Chapter 8 his readers to begin immediately. He argues that it is a grave injustice that disabled people are effectively denied full citizenship and participation in society. All members of society must be recognized as unique and equal, with identities that cannot be broken down into bodies, minds or other fragmented pieces. What Stiker is calling for is thus nothing less than a paradigm shift, philosophically and socially, in mainstream conceptions of humanity and justice. His call for this “Quiet Revolution” seems especially significant in the context of COVID19, due to the virus’s heightened threat to some disabled individuals and many individuals’ deepened understanding of isolation and lack of economic productivity. At stake is not only the integration of marginalized members of society but the recognition of everyone’s individual humanity, outside of their seeming productive value. Stiker’s short work approaches the borderline between activism and scholarship. Given the evident urgency of addressing social injustice, his work will interest scholars interested in questions of identity, social justice, and the interdisciplinarity of critical disability studies. SALLY M. KESSLER University of Minnesota,Twin Cities
期刊介绍:
For more than forty years, L"Esprit Créateur has published studies on French and Francophone literature, film, criticism, and culture. The journal features articles representing a variety of methodologies and critical approaches. Exploring all periods of French literature and thought, L"Esprit Créateur focuses on topics that define French and Francophone Studies today.