STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES最新文献

{"title":"Cultivating masculinity: self-fashioning and the expression of a masculine identity in Cardinal Ippolito II’s Renaissance Garden at Villa d’Este, 1550-72","authors":"Ellen Sharman","doi":"10.1080/14601176.2023.2282202","DOIUrl":"https://doi.org/10.1080/14601176.2023.2282202","url":null,"abstract":"In 1550, Cardinal Ippolito II d’Este (one of the wealthiest men in Early Modern Rome) was appointed governor of Tivoli. Here, he commissioned the famous humanist Pirro Ligorio to design a magnifice...","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138547398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Special issue on Chinese gardens and landscapes","authors":"Ron Henderson, Hong Wu","doi":"10.1080/14601176.2023.2289792","DOIUrl":"https://doi.org/10.1080/14601176.2023.2289792","url":null,"abstract":"","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"34 1","pages":"251 - 253"},"PeriodicalIF":0.1,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139324242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A milestone in the history of Chinese modern landscape design: the Fangta Park in Shanghai","authors":"Guangsi Lin","doi":"10.1080/14601176.2023.2275977","DOIUrl":"https://doi.org/10.1080/14601176.2023.2275977","url":null,"abstract":"Abstract Fangta Park in Shanghai is a widely admired Chinese modern park and a representative work by Professor Feng Jizhong. A literature review is first used to explain the construction process of Fangta Park, its design philosophy, master plan, and detailed design, followed by an analysis of the park’s design. Previous studies have shown how Feng Jizhong ‘deconstructed’ Western architectural forms using traditional Chinese space concepts, thus generating novel Chinese architectural forms underpinned by Western construction concepts. He adapted rhetorical devices of Chinese traditional poetry and used them in the spatial arrangement and landscape design of Fangta Park, a modern landscape and architectural masterpiece with distinctive Chinese characteristics. Feng Jizhong promoted blending Chinese culture with modern landscape design and illustrated the process of ‘space-time transformation’ with ‘conative space’. Through the design of Fangta Park, he exhibited his individuality and profound scholarship, charting a unique course for modern landscape architecture in China.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"43 1","pages":"319 - 333"},"PeriodicalIF":0.1,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139324557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bamboo in the gardens of China","authors":"Duncan M. Campbell","doi":"10.1080/14601176.2023.2270363","DOIUrl":"https://doi.org/10.1080/14601176.2023.2270363","url":null,"abstract":"Abstract It seems inconceivable for a garden in China (or a Chinese garden elsewhere) not to feature bamboo, serving a variety of aesthetic, practical, and metaphoric purposes. This paper offers both a translation of a set of some of the most famous celebrations of the bamboo, in prose and poetry, from the Book of Odes (Shijing 詩經) down to the late imperial period, and a discussion of the role of this particular plant in the design and life of the Chinese garden and the levels of symbolic meaning it brings to these gardens.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"7 1","pages":"352 - 363"},"PeriodicalIF":0.1,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139324189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Exploring 1800 years of ecosystem services from West Lake, Hangzhou, China","authors":"Xin Wang, Hong Wu, L.J. Gorenflo, Chengzhao Wu","doi":"10.1080/14601176.2023.2267375","DOIUrl":"https://doi.org/10.1080/14601176.2023.2267375","url":null,"abstract":"Abstract The UNESCO World Heritage Site of West Lake, in Hangzhou, China, also is a human-made lake managed since the ninth century CE to maintain selected ecological functions and visual integrity. Using perspectives of cultural and political ecology to examine historical data, we explore the ecosystem services of West Lake and management strategies to maintain these services at different governance levels over five broad periods. Results indicate that West Lake provided varying key ecosystem services to Hangzhou over time. Cultural services, such as recreation and tourism, began to replace provisional services and today are the most important contributions of the site. National, regional, and local policies directly and indirectly enhanced and undermined different ecosystem services over time. The perspectives of cultural and political ecology help understand strategies of creating and guiding long-term change of a managed landscape, providing important implications for sustaining future ecosystem services.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"14 1","pages":"279 - 297"},"PeriodicalIF":0.1,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139324836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Revealing sites: three post-industrial landscapes of Zhu Yufan","authors":"Fang Wei, Ron Henderson","doi":"10.1080/14601176.2023.2292466","DOIUrl":"https://doi.org/10.1080/14601176.2023.2292466","url":null,"abstract":"Abstract The landscape architect Zhu Yufan interrogates the legacy of Chinese painting and historic garden design in the context of twenty-first-century post-industrial sites, material culture, and human experiences. This paper examines three projects completed in the past 15 years that extend traditional scholarly principles into contemporary public landscapes. At the Qinghai Atomic Memorial, Zhu explores multiple attributes of ‘threshold’ among other topics. At Chenshan Quarry Garden, he explores shanshui principles, including ‘near and far’ (proximity and distance) and ‘spirit resonance’. At Shougang Qunming Lake Park, he draws from the horizontal unfolding and interstitial spaces of hand scrolls. In these three projects, Zhu challenges a designer’s a priori projections onto a site with a conceptual framework for design that, conversely, expresses the landscape through reading the site. Beauty arrives not only by virtue of painterly space or analytical rationality but also from the agency that the site itself reveals.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"9 1","pages":"334 - 342"},"PeriodicalIF":0.1,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139324750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pilgrimaging mountains and rivers: the spatial layout of ancient Chinese settlements and their environments","authors":"Jie Zhang","doi":"10.1080/14601176.2023.2284615","DOIUrl":"https://doi.org/10.1080/14601176.2023.2284615","url":null,"abstract":"Abstract Ancient Chinese civilization was deeply rooted in a profound understanding of the environment. This understanding formed the primitive worship and unique culture of mountains and rivers, which found expression in both official and folk contexts. This essay delves into the significant influence of mountains and rivers on the site selection, positioning, and composition of ancient Chinese settlements. Through an in-depth analysis of cases, this study demonstrates that iconic mountain and river elements served as the foundation for determining the spatial locations of ancient Chinese settlements and the core references for designed landscapes. The settlement and surrounding mountains and rivers form a well-conceived integrated spatial composition, which threads the whole planning and construction process. As the determining factors for the spatial axes and forms of settlements, mountains and rivers also became the central objects of the feng shui theory. Therefore, the human geography of ancient China is not only a reflection of functions but also the result of the builders’ diligent pursuit of spatial and cultural layouts. The study of the cultural genes allows for a deeper understanding of the cultural landscape of ancient China, leading to a commitment to protecting traditional settlements and their intact environmental systems.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"258 1","pages":"254 - 278"},"PeriodicalIF":0.1,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139324389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A late 16th century garden in Ponte dell’Elce (Viterbo, Italy): research improvement and conservation issues","authors":"Marilisa Biscione, Federica Gaspari, Giuseppe Romagnoli, Nicola Masini","doi":"10.1080/14601176.2023.2231772","DOIUrl":"https://doi.org/10.1080/14601176.2023.2231772","url":null,"abstract":"The Ponte dell’Elce site has a long and interesting history. Its peculiarities are the continuous exploitation of the natural resources and the significant changes of use since the Middle Ages. Compared to previous studies, this research has improved the study of the topographic-archaeological context of the entire site and the study of the historical artistic and vegetational/botanical aspects of the historical garden. Finally, the state of abandonment and degradation and the exposure to thefts and damages of the architectural and sculptural heritage require us to reflect on the conservation issues.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135717881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘Seeing forms and hearing sounds’ in Japanese garden design","authors":"Michael Fowler","doi":"10.1080/14601176.2023.2247276","DOIUrl":"https://doi.org/10.1080/14601176.2023.2247276","url":null,"abstract":"The landscape features of the karetaki or dry waterfall, and karesansui or dry garden style have been well codified in Japanese garden design since at least the appearance of the 11th century treatise Sakuteiki (Records of garden making) by Tachibana Toshitsuna (1028–1094). Numerous contemporary scholars have suggested how encounters with these features literally evoke the sound of water even though they exist in the absence of water and are constructed primarily from carefully selected stones and gravel. In this article, I develop an interpretive semantics of these features by drawing on the influence of Buddhist philosophy on Japanese garden design. This semantic framework emerges from a non-canonic utilization of the logic of the catuṣkoṭi (Jp. shiku) or tetralemma — a series of four propositions that is most famously associated to the Mahāyāna Buddhist thinker Nāgārjuna (c. 150–c. 250 CE). I introduce examples in Zen discourses on sound and then use the catuṣkoṭi as a novel reasoning tool to investigate the ontology of sound as it pertains to the relationship between sound-images and landscape forms in the karetaki and karesansui.","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135717880","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"<i>A Botanical Beehive of poetry and belief in Philadelphian gardens. A radical refiguring of garden culture in colonial Pennsylvania before 1719</i>","authors":"Miranda Mote","doi":"10.1080/14601176.2023.2255499","DOIUrl":"https://doi.org/10.1080/14601176.2023.2255499","url":null,"abstract":"AbstractBotanical Beehive describes and interprets an example of a relationship between belief, imagination, reading, writing, and the art of gardening in colonial Pennsylvania. The religious symbolism and poetic significance of a garden and plants in the day-to-day lives of many German and Dutch immigrants in Pennsylvania was distinct from English, Quaker, garden design. A poetic botanical language evolved from the confluence of multiple European languages, German early modern botany, and German Pietist beliefs of Germantown colonists. This language was a basis of an art of gardening that influenced the ordering and meaning of ornamental and productive garden culture in Germantown. Evidence of this art can be found in the writings and botanical illuminations of Germantown settler Francis Pastorius. His writing documents a garden of over two hundred and twenty species of exotic, ornamental, culinary, and medicinal plants that he cultivated in his garden, orchard, vineyard, and fields. This art influenced the development of the botanical fractur typography and illuminations of the monastic brothers and sisters of Ephrata Cloister. What you will find in this art is an imaginative and productive relationship with plants and language that formed a foundation of Philadelphia’s 18th-century transatlantic horticultural influence.Keywords: Botanypoetrynature printingpietism AcknowledgmentsI would like to acknowledge the invaluable contributions of many people in the development of this this article: Sonja Dümpelmann, Chantel White, Meredith Hacking, John Pollack, Peter Stallybrass, James Duffin, Joel Fry, and Mandy Katz of Bartram’s Garden. The garden, which is the subject of this article, was made on traditional territory of the Lenni-Lenape, called “Lenapehoking.” The Lenape People lived in harmony with one another upon Pennsylvania territory for thousands of years. During the colonial era and early federal period, many were removed west and north. I honor the Lenni-Lenape as the original people of Germantown and Pennsylvania, their continuing relationship with their territory, and everlasting presence and influence in the making of gardens in North America.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. Pastorius, ‘Beehive, Bee-Stock’, 140–141, V1.2. His manuscripts and letters are held in the collections of the Historical Society of Pennsylvania, Library Company of Philadelphia and Kislak Center for Special Collections, Rare Books and Manuscripts at University of Pennsylvania.3. Witt was Pastorius’ neighbor, a member of the Women of the Wilderness Pietist group, physician, and active gardener who regularly corresponded with John Bartram and Peter Collinson. Pastorius taught Zachary philosophy, language, and nature printing. Zachary later practiced as a physician and was a founder of Pennsylvania Hospital and University of Pennsylvania.4. For more about Witt, see: Hocker, Edward W. A Doctor of Colonial Germa","PeriodicalId":53992,"journal":{"name":"STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES","volume":"274 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135718381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}