Revealing sites: three post-industrial landscapes of Zhu Yufan

IF 0.1 3区 艺术学 0 ARCHITECTURE
Fang Wei, Ron Henderson
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引用次数: 0

Abstract

Abstract The landscape architect Zhu Yufan interrogates the legacy of Chinese painting and historic garden design in the context of twenty-first-century post-industrial sites, material culture, and human experiences. This paper examines three projects completed in the past 15 years that extend traditional scholarly principles into contemporary public landscapes. At the Qinghai Atomic Memorial, Zhu explores multiple attributes of ‘threshold’ among other topics. At Chenshan Quarry Garden, he explores shanshui principles, including ‘near and far’ (proximity and distance) and ‘spirit resonance’. At Shougang Qunming Lake Park, he draws from the horizontal unfolding and interstitial spaces of hand scrolls. In these three projects, Zhu challenges a designer’s a priori projections onto a site with a conceptual framework for design that, conversely, expresses the landscape through reading the site. Beauty arrives not only by virtue of painterly space or analytical rationality but also from the agency that the site itself reveals.
揭示遗址:朱羽凡的三处后工业景观
摘要 景观建筑师朱育帆在二十一世纪后工业遗址、物质文化和人类经验的背景下,对中国绘画和历史园林设计的遗产进行了审视。本文探讨了过去 15 年中完成的三个项目,这些项目将传统的学术原则延伸到当代公共景观中。在青海原子纪念馆,朱晓明探索了 "门槛 "的多重属性及其他主题。在辰山采石苑,他探索了山水原则,包括 "远近"(近距离和远距离)和 "精神共鸣"。在首钢群明湖公园,他借鉴了手卷的横向展开和间隙空间。在这三个项目中,朱德群用一个设计概念框架挑战了设计师对场地的先验投射,反过来,通过阅读场地来表达景观。美不仅来自于绘画空间或分析理性,还来自于场地本身所揭示的能动性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Studies in the History of Gardens & Designed Landscapes addresses itself to readers with a serious interest in the subject, and is now established as the main place in which to publish scholarly work on all aspects of garden history. The journal"s main emphasis is on detailed and documentary analysis of specific sites in all parts of the world, with focus on both design and reception. The journal is also specifically interested in garden and landscape history as part of wider contexts such as social and cultural history and geography, aesthetics, technology, (most obviously horticulture), presentation and conservation.
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