Rivista di Estetica最新文献_第4页

Schelling’s Dante 谢林的但丁

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-08-01 DOI: 10.4000/ESTETICA.7046

Massimo Cacciari

引用次数: 0

Goethe, Schelling and the Melancholy of Nature 歌德、谢林与自然的忧郁

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-08-01 DOI: 10.4000/ESTETICA.7128

Federico Vercellone

引用次数: 0

Entanglement, Agency and Phenomena. Quantum Physics and Philosophy after Schelling 纠缠、代理和现象。谢林之后的量子物理学与哲学

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-08-01 DOI: 10.4000/ESTETICA.7579

G. Pareti

引用次数: 0

Who is Schelling’s Bruno? 谁是谢林的布鲁诺？

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-08-01 DOI: 10.4000/ESTETICA.7106

J. Wirth

引用次数: 0

The Paradox of the Living: Jonas and Schelling on the Organism’s Autonomy 生命的悖论:乔纳斯和谢林论有机体的自主性

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-08-01 DOI: 10.4000/ESTETICA.7101

F. Michelini

引用次数: 3

Hysteresis - Metaphysics of the Web 迟滞——网络的形而上学

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-08-01 DOI: 10.4000/ESTETICA.7070

M. Ferraris

{"title":"Hysteresis - Metaphysics of the Web","authors":"M. Ferraris","doi":"10.4000/ESTETICA.7070","DOIUrl":"https://doi.org/10.4000/ESTETICA.7070","url":null,"abstract":"For some decades now, a transformation has been underway that is no less dramatic than the Industrial Revolution, and that just like the latter requires time to be conceptualized. When one seeks to capture the essence of an unprecedented phenomenon, one always uses several, partial, esoteric names: virtuality, Collective Intelligence, Internet, web, big data, artificial intelligence, game… In short, we are all unwittingly drafting a new Visnusahasranāma: a collective poem made up of books, essays, articles, debates, and posts that sings about the thousand names of our Visnu, whose essence however remains unknown. Trying to find a name for this hidden god, I will start from an examination of the current revolution, trying to grasp its specificity, and consequently also its essential differences from the Industrial Revolution; secondly, I will focus on the metaphysical revelation made possible by this revolution (which, like any revolution, does not really transform the world, but rather manifests essential structures that were already present in it, in a hidden or only hinted form); finally, I will devote myself to speculation as to the decisions we must take with respect to the future and the political goals to be pursued with respect to this new world we are living in.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"74 1","pages":"60-90"},"PeriodicalIF":0.3,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46174755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Pietro Montani, Dario Cecchi, Martino Feyles, Ambienti mediali Pietro Montani, Dario Cecchi, Martino Feyles，媒体

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-04-01 DOI: 10.4000/ESTETICA.6836

Filomena Diodato

引用次数: 0

Towards an ontology of digital arts. Media environments, interactive processes and effects of presence 走向数字艺术本体论。媒体环境，互动过程和存在的影响

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-04-01 DOI: 10.4000/ESTETICA.6715

A. Giomi

{"title":"Towards an ontology of digital arts. Media environments, interactive processes and effects of presence","authors":"A. Giomi","doi":"10.4000/ESTETICA.6715","DOIUrl":"https://doi.org/10.4000/ESTETICA.6715","url":null,"abstract":"During the Nineties, the diffusion of information and communication technologies allowed a dramatic transformation in art practices. Radically new aesthetic experiences, such as tele-presence, immersivity, responsivity, hyper-mediacy and multimediality, emerge in the framework of the digital arts and call into question not only the traditional status of the work of art but also the fundamental relation with the beholder. The aim of this paper is to define a conceptual framework for the ontology of digital arts by identifying some ontological features that are distinctive to digital idioms. Such an analysis tries to outline how aesthetic and technical innovations affect our cognitive and sensorial relationship with technological artifacts. In the first part, the relation between technogenesis and ontology, as well as the key topics of the ontology of digital arts are discussed. The second part deals with the notion of presence. Despite traditional understandings of digital arts, mainly focused on immateriality, simulation and mediation, my analysis demonstrate how the notion of presence can provide an original perspective in order to understand the ontological status of the mediatized artistic practices. In the last three decades the generalisation of information and telecommunication technologies has played a major role in the transformation of the arts, opening the field to important experiments in the domain of computer graphics, digital audio, robotics and motion capture systems… (Dixon 2007). Peculiar forms of aesthetic experience such as tele-presence, immersivity, responsivity, hyper-mediation and multimediality, progressively arise from digital arts and question not only the status of artwork but also, more generally, the foundational relationship between this latter and the recipient.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"73 1","pages":"47-65"},"PeriodicalIF":0.3,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47317405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Paul Ricœur’s hermeneutics as a bridge between aesthetics and ontology 保罗的解释学是美学与本体论的桥梁

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-04-01 DOI: 10.4000/ESTETICA.6738

S. Ivic

{"title":"Paul Ricœur’s hermeneutics as a bridge between aesthetics and ontology","authors":"S. Ivic","doi":"10.4000/ESTETICA.6738","DOIUrl":"https://doi.org/10.4000/ESTETICA.6738","url":null,"abstract":"Paul Ricœur’s ontology of art is derived from his hermeneutics, and Ricœur’s hermeneutics bridges his idea of aesthetics and ontology. Paul Ricœur’s ontology of art (in which the concept of refiguration plays a central role) sheds a new light in understanding and experiencing works of art. Ricœur discusses the metaphorical reference of poetic texts that opens up the realm of possible worlds. This idea of metaphoric reference can be extended to works of art as well. Both fictional narratives and artworks may be defined by the formula seeing as, and this formula represents their ontological status that may be defined as being as. Paul Ricœur argues that non-linguistic symbolic systems such as gestures, sounds and pictures also have the power to make and remake the world. Ricœur’s narrative theory can be applied to both to literature and visual arts as it identifies narrative capacity of artworks. Ricœur introduces the concept of refiguration that includes the transformation of reality, which is first prefigured in the consciousness of the author (mimesis 1). It is then configured in the artwork (mimesis 2), and finally into the experience of the viewer or listener of the artwork (mimesis 3), which leads to comprehension.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"1 1","pages":"66-78"},"PeriodicalIF":0.3,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49499694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Vincoli biologici e regole fenomenologiche. Osservazioni sulla percezione del suono 生物约束和现象学规则。关于声音感知的观察

IF 0.3 4区哲学

Rivista di Estetica Pub Date : 2020-04-01 DOI: 10.4000/ESTETICA.6826

Nicola Di Stefano

{"title":"Vincoli biologici e regole fenomenologiche. Osservazioni sulla percezione del suono","authors":"Nicola Di Stefano","doi":"10.4000/ESTETICA.6826","DOIUrl":"https://doi.org/10.4000/ESTETICA.6826","url":null,"abstract":"Over the last few decades, research on auditory perception has increased a great deal, treating a wide range of topics from different perspectives. Empirical research has provided a detailed account of sound perception in neurobiological terms. From a different perspective, the phenomenology of music has focused on the experience of auditory perception, highlighting the conditions that allow for the perception of sounds. Starting from the work by Giovanni Piana, I argue that sound perception is rooted in the experiential, from which arise the biological and cultural structures that allow for it, with no priority of one structure over another, but rather interconnections and reciprocal conditioning. I then introduce ‘biological constraints’ and ‘phenomenological rules’, as the key notions that any conceptual investigation on sound perception should focus on in order to achieve a more comprehensive understanding of musical listening. Biological constraints are ‘a priori’ conditions and are mainly due to the biology of the human perceiving system. Phenomenological rules emerge from the constitution of the auditory object according to subjective experience. Combining knowledge from neurosciences and phenomenology, my work aims also at fostering an innovative approach to the aesthetics of music that takes advantage of empirical progress in current research on auditory perception.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"73 1","pages":"152-165"},"PeriodicalIF":0.3,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47835865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0