{"title":"谁是谢林的布鲁诺?","authors":"J. Wirth","doi":"10.4000/ESTETICA.7106","DOIUrl":null,"url":null,"abstract":"Schelling argued that early modern science had discarded the ancient teaching of matter – the world soul (die Weltseele or anima mundi, the unity of soul and body, eternity and time, absolute possibility and existence) – «into the common grave they dug for nature and have brought about the death of all science». In order to put science on a more philosophical tract, Schelling retrieved the work of Giordano Bruno as part of his «handful» of thinkers who in a contemporary context appear on the border between an ancient but still vital sense of philosophy and the emerging scientific study of nature.","PeriodicalId":53954,"journal":{"name":"Rivista di Estetica","volume":"74 1","pages":"181-190"},"PeriodicalIF":0.1000,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Who is Schelling’s Bruno?\",\"authors\":\"J. Wirth\",\"doi\":\"10.4000/ESTETICA.7106\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Schelling argued that early modern science had discarded the ancient teaching of matter – the world soul (die Weltseele or anima mundi, the unity of soul and body, eternity and time, absolute possibility and existence) – «into the common grave they dug for nature and have brought about the death of all science». In order to put science on a more philosophical tract, Schelling retrieved the work of Giordano Bruno as part of his «handful» of thinkers who in a contemporary context appear on the border between an ancient but still vital sense of philosophy and the emerging scientific study of nature.\",\"PeriodicalId\":53954,\"journal\":{\"name\":\"Rivista di Estetica\",\"volume\":\"74 1\",\"pages\":\"181-190\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rivista di Estetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/ESTETICA.7106\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rivista di Estetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/ESTETICA.7106","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
Schelling argued that early modern science had discarded the ancient teaching of matter – the world soul (die Weltseele or anima mundi, the unity of soul and body, eternity and time, absolute possibility and existence) – «into the common grave they dug for nature and have brought about the death of all science». In order to put science on a more philosophical tract, Schelling retrieved the work of Giordano Bruno as part of his «handful» of thinkers who in a contemporary context appear on the border between an ancient but still vital sense of philosophy and the emerging scientific study of nature.