{"title":"Introduction","authors":"Stephen J. Roddy","doi":"10.1215/23290048-9681124","DOIUrl":"https://doi.org/10.1215/23290048-9681124","url":null,"abstract":"This special issue of the Journal of Chinese Literature and Culture has brought an exceptionally accomplished group of scholars together to reflect on the impact of theoretical and methodological trends on our field. Surveying the past achievements, current state, and future prospects of the study of premodern Chinese literature from broadly cosmopolitan theoretical and comparative perspectives, these scholars address, inter alia, the following questions: What place do works written in aWestern language and/or from perspectives informed substantially by non-Chinese scholarship occupywithin the full ambit of Chinese literary studies? If scholarship written in English or other Western languages is for the most part pitched primarily to non-Chinese audiences, what are its strengths and weaknesses for native-speaking readers? And, how has theoretically informed work complemented and drawn upon the rapidly expanding body of Chineseand other East Asian–language research in these fields? Finally, what is the current state of the dialogue between scholarship on Chinese literature— whether in Western languages or not—and that of other literatures? Has it resulted in any significant impacts on the latter, or on the literary field as awhole? Each of the nine articles in this issue takes a slightly different tack in treating their respective genres, fields, or texts. While the first four engage primarily in retrospective surveys of previous scholarship, the remaining five introduce and apply relatively novel conceptual and interpretive models to Chinese examples. Although this division is far from absolute—all of the articles engage to some degree in both of these exercises—we have organized the chapters into two sections to reflect their relative differences in emphasis. In aggregate, all nine authors both argue for and demonstrate the value of the","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"1 - 7"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42760020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and the Lisao 離騷","authors":"M. Kern","doi":"10.1215/23290048-9681189","DOIUrl":"https://doi.org/10.1215/23290048-9681189","url":null,"abstract":"Abstract:The present essay combines the theory of Cultural Memory with ideas about textual repertoires, composite text, and distributed authorship that in recent years have been advanced in studies of early and medieval Chinese literature. In its first part, the essay introduces in detail the historical development and key features of Cultural Memory theory. In its second part, it applies this theory to the study of Qu Yuan 屈原 and the Lisao 離騷, the greatest poem of early China. Through detailed philological analysis, the Lisao is described not as a single text by a single author but as a composite, authorless artifact that participates in a larger Qu Yuan discourse distributed across multiple texts in both prose and poetry. This distributed \"Qu Yuan Epic\" is an anthology of distinct characteristics attributed to the quasi-mythological Qu Yuan persona—a persona that itself emerges as a composite textual configuration into which are inscribed the nostalgic ideals and shifting aspirations of Han imperial literati. This Han social imaginaire recollects the noble exemplar of the old Chu aristocracy; the dual prophecy of the fall of Chu to Qin and of Qin's subsequent collapse; the religious, historical, mythological, and literary traditions of Chu; the embodied paradigm of the ruler-minister relationship; and the gradual formation of the ideal of authorship through the transformation of poetic hero into heroic poet.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"131 - 169"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49270048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Decentering Sinas: Poststructuralism and Sinology","authors":"L. Klein","doi":"10.1215/23290048-9681163","DOIUrl":"https://doi.org/10.1215/23290048-9681163","url":null,"abstract":"Abstract:In Of Grammatology Jacques Derrida describes the \"necessary decentering\" that took place in Western philosophy following \"the becoming-legible of non-Western scripts,\" when the European intellectual tradition was forced to confront its civilizational others. Derrida positions himself as contributing to this decentering, displacing the value-laden binary opposition central to structuralism. But as Derrida explained, the \"first decentering limits itself\" by \"recenter[ing] itself upon\" what he calls \"the 'Chinese' prejudice: all the philosophical projects of a universal script and of a universal language [which] encouraged seeing in the recently discovered Chinese script a model of the philosophical language thus removed from history.\" How has the approach to Chinese language and literature of that decentering known as poststructuralism limited itself or recentered itself, and how has sinology responded to the influence of poststructuralism? Insofar as the Chinese term for the Sinae (China) at the root of sinology is itself \"middle\" or \"central\" (中), how susceptible to decentering can sinology be? This article begins with a survey of poststructuralist writings about China by renowned post-structuralists, alongside responses to their work by sinologists and comparatists, arguing that poststructuralist writings tend to recenter themselves on a binary opposition between China and the West. The author then addresses the influence of poststructuralism on Chinese literary studies, to argue that the most successful poststructural decentering occurs in sinology when sinologists disseminate their decentering through a dissipated poststructuralism.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"104 - 79"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42048218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theories of Spatiality and the Study of Medieval China","authors":"Manling Luo","doi":"10.1215/23290048-9681215","DOIUrl":"https://doi.org/10.1215/23290048-9681215","url":null,"abstract":"Abstract:Space is a ubiquitous and essential dimension of human existence, so much so that it is often taken for granted. In what has been dubbed the \"spatial turn,\" Western scholars in geography, philosophy, history, literature, and other disciplines have tried to reorient critical perspectives in order to account for the importance of space to humanity. Meanwhile, space/place has been a fairly prominent subject in the study of medieval China. This essay contrasts Western general and local theories and Sinological studies to show their divergent and overlapping concerns. The juxtaposition illustrates how Western theories of spatiality can help open up new possibilities for Sinological studies of medieval China. Meanwhile, such engagements can also enhance the relevance of Sinological studies of medieval China to the developments in broader academia and beyond.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"195 - 224"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44432450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Secret Laid Bare: Close Reading of Chinese Poetry","authors":"Xinda Lian","doi":"10.1215/23290048-9681150","DOIUrl":"https://doi.org/10.1215/23290048-9681150","url":null,"abstract":"Abstract:In the most exciting results of linguistic criticism of poetic function in classical Chinese poetry, one sees an ideal integration of microattention to texts and macroinvestigation of grammars of Chinese poetics. The greatest contribution of this close reading of the sinologist brand is the laying bare—in plain analytical language—of the mechanism of Chinese poetics, long grudgingly guarded as some ineffable (zhike yihui buke yanchuan 只可意會不可言傳) secret.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"47 - 78"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43837700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater","authors":"P. Sieber","doi":"10.1215/23290048-9681228","DOIUrl":"https://doi.org/10.1215/23290048-9681228","url":null,"abstract":"Abstract:The essay provides a brief review of how certain approaches to theatricality evolved in response to particular theatrical archives or repertoires in non-Chinese contexts. It then considers a number of recent studies of Chinese drama and theater in light of the following issues: the nature of theatrical language, the emergence and uses of fictionality, and the reconstruction of performance aesthetics. In focusing on these particular areas, the essay seeks to show how such research can contribute toward countering entrenched characterizations of xiqu as \"non-drama,\" \"spectacle,\" or \"pure heritage.\" The final section of the article proposes some future avenues of inquiry in order to deepen the dialogue between Sinology and theater studies while providing tools for sustaining the practice of xiqu and fostering broader appreciation of traditional Chinese theater in Anglophone, Chinese-speaking, and other contexts.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"225 - 255"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41646302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Inward Turns, Then and Now","authors":"Alexander Des Forges","doi":"10.1215/23290048-9681241","DOIUrl":"https://doi.org/10.1215/23290048-9681241","url":null,"abstract":"Abstract:The term involution has been used to characterize economic development and state formation in eighteenth- through twentieth-century China; more recently, it has seen unprecedented popularity in Chinese-language social media as a representation of the lived experience of individuals in the contemporary era. In each of these cases, the trope of involution implies a judgment on the productivity of labor and resources invested and is often tied to discourses of \"Chinese uniqueness.\" In Sinological circles as in social media, however, the dynamics that involution claims to represent are better explained through Malthusian approaches to the problem of population increase and Marxist understandings of the relationship between capital and labor: the dynamics in question are not unique to China but typical of broader movements in the world system. I argue nonetheless that the rhetoric of involution deserves closer investigation, and focus particular attention on involution's origins in the field of aesthetics and the rise of involutionary parallelism in the Ming-Qing examination essay. It is here that the dynamics of cultural capital that dominate in the Ming and Qing anticipate the effects of surveillance capital in the twenty-first century. When a so-called eight-legged essay folds back into its own prose both literally and figuratively, can we simply dismiss the complex interiority that results? Or does it speak as well to our contemporary anxieties about individual identity in the age of algorithms?","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"256 - 272"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48756304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium","authors":"Christopher M. B. Nugent","doi":"10.1215/23290048-9681202","DOIUrl":"https://doi.org/10.1215/23290048-9681202","url":null,"abstract":"Abstract:This essay applies the approaches of the \"new medievalism,\" mouvance or \"mutability\" in particular, to medieval textual materials purporting to contain parts of the classics, focusing on Lunyu 論語 (Analects), Shangshu 尚書 (Documents), and Xiaojing 孝經 (Classic of Filial Piety). Using Dunhuang manuscripts of the florilegium titled Xinji wenci jiujing chao 新集文詞九經抄 (New Compilation of Phrases Excerpted from the Nine Classics), the essay shows that the texts of these classics presented by such compilations differed substantially from the \"official\" texts of the time as represented by the versions carved in stone during the Kaicheng reign period (836–841). The essay further argues that such florilegia as Xinji wenci jiujing chao were likely widely used, implying that many readers in the period may have had a different conception of the contents of the classics from what we might assume they had. This has implications for our understanding of intertextuality in literary works from the period.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"170 - 194"},"PeriodicalIF":0.2,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46895293","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gender Performativity and ideology in the movie 《My dear》","authors":"Byoungmin Lee","doi":"10.31985/jcl.86.5","DOIUrl":"https://doi.org/10.31985/jcl.86.5","url":null,"abstract":"","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"23 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82655348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The current status of the KONGZI(孔子) Academy in Korea and the summary of the textbooks used","authors":"Kanghun Joo","doi":"10.31985/jcl.86.8","DOIUrl":"https://doi.org/10.31985/jcl.86.8","url":null,"abstract":"","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91350154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}