Journal of Chinese Literature and Culture最新文献_第4页

Experimental discussion on the development of high school "Reading Chinese Classics" subject - Focusing on Chinese Classical Prose Texts - 高中“阅读中国经典”课程发展的实验探讨——以中国古典散文文本为中心

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-12-12 DOI: 10.31985/jcl.89.3

Ho-woong Kim

引用次数: 0

Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play by Jiushan Shuhui (review) 顶尖毕业生张燮：九山书会最早的南戏（评论）

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965723

Ying Wang

引用次数: 1

Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo Runse hongye:汉书文本德星城禹早启传博

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965738

Xu Jianwei, H. Stewart

引用次数: 0

Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China by Suyoung Son (review) 《为印刷而写作：出版与中国帝国后期文本权威的形成》，孙著（综述）

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965697

Ling Hon Lam

引用次数: 1

Zhonggu wenxue zhong de shi yu shi 中谷文学

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965751

I. Yue

引用次数: 2

Languages, Scripts, and Chinese Texts in East Asia by Peter Francis Kornicki (review) 彼得·弗朗西斯·科尔尼基《东亚的语言、文字和中文文本》(书评)

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965684

Minghui Hu

{"title":"Languages, Scripts, and Chinese Texts in East Asia by Peter Francis Kornicki (review)","authors":"Minghui Hu","doi":"10.1215/23290048-9965684","DOIUrl":"https://doi.org/10.1215/23290048-9965684","url":null,"abstract":"The linguistic turn was a significant development in the early twentieth century. The essential characteristic was an intellectual reorientation toward the relations among language, language users, and the world. Early pioneers, such as Ludwig Wittgenstein, Bertrand Russell, and Ferdinand de Saussure, remain influential in specific academic fields. During nearly a century of reflection and study on language, mind, and society, however, critics, thinkers, and historians rarely ventured outside the scope of the Indo-European languages. Of course, there had been a long tradition of studying classical Chinese and Sanskrit in Europe, but Sinology and Indology belonged to old-fashioned philology, not to the modern linguistic turn. More recently, the postcolonial critic Sheldon I. Pollock has conceptualized Sanskrit as a cosmopolitan language amid South Asia’s wide diversity of spoken languages, and many scholars consider Pollock an exceptional critic of the Western canon. In any event, a genuinely global analysis of human experience should undoubtedly include East Asia, and the disjunction between the studies of Indo-European languages and the rest could not be more obvious. Peter Kornicki’s Languages, Scripts, and Chinese Texts in East Asia, a systematic treatise that tackles the main textual tradition outside the system of Indo-European languages, is a welcome addition to contemporary efforts to engage with such theoretical issues. What defines the geographical scope of Kornicki’s book? The independent emergence of agriculture occurred in only nine locations in the prehistorical world. Of these nine, only four developed into large states in Eurasia.The earliest agriculture in Southwest Asia (the Fertile Crescent) arose around 8000 BCE. Within the east-west extension of Eurasia (as opposed to the vertical extension","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"458 - 465"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48883249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

"In the Mountain Forest I Lose My Self": The Experience of No-Self in Wang Wei's Short Landscape Poems “山林中失我”:王维山水短诗中的无我体验

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965632

Tero Tähtinen

引用次数: 0

The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission by Li Ling (review) 湖南长沙紫丹库楚帛手稿。第一卷：李玲的发现与传播（综述）

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965710

Michael Nylan

引用次数: 0

Wang Anshi and Song Poetic Culture 王安石与宋代诗歌文化

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965764

Y. Zhang

引用次数: 0

The Boundary of Chinese Music: A Cultural and Aesthetic Comparison between Pipa and Guqin 中国音乐的边界——琵琶与古琴的文化美学比较

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2022-11-01 DOI: 10.1215/23290048-9965671

Ivan Yifan Zou, Y. Tsai, William S.-Y. Wang

{"title":"The Boundary of Chinese Music: A Cultural and Aesthetic Comparison between Pipa and Guqin","authors":"Ivan Yifan Zou, Y. Tsai, William S.-Y. Wang","doi":"10.1215/23290048-9965671","DOIUrl":"https://doi.org/10.1215/23290048-9965671","url":null,"abstract":"Abstract:Reform and innovation toward the Western standards have been a perennial theme in the modern history of Chinese music. However, reformers can be easily overwhelmed by various details, to the point that the most fundamental question, What is Chinese music?, is often obscured. In a sense, we have to define the boundary of Chinese music to determine what new elements should be integrated and what traditional features should be preserved. Chinese music is a highly diverse and complex system, yet traditional Chinese culture emphasizes the importance of homogeneity over heterogeneity due to the constant need for political unity and demand of a single market. However, cultural identity cannot be constructed by homogeneity alone since the boundary of culture can only be best identified when examining its heterogeneity. Pipa and guqin, which represent Chinese musical cultures under significant and little Western influence, respectively, provide an ideal window through which the boundary of Chinese music might be delineated. By discussing the aesthetic pursuits and evolutionary paths that are distinct between the two instruments, the article aims to initiate a small step toward a better understanding of how Chinese music is indeed a highly complex and heterogeneous system in which various musical cultures, despite their distinct origins, can come into contact, interact, fuse, and eventually achieve the state of \"unity in diversity.\"","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"9 1","pages":"425 - 457"},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46173587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2