Journal of Chinese Literature and Culture最新文献_第2页

"She Whistles Freely Shunning Companions": The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century “她轻语轻伴”：十八世纪诗画家王亮的嵌入与超越

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362405

J. Theiss

{"title":"\"She Whistles Freely Shunning Companions\": The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century","authors":"J. Theiss","doi":"10.1215/23290048-10362405","DOIUrl":"https://doi.org/10.1215/23290048-10362405","url":null,"abstract":"Abstract:This article examines the unusual life of the poet and painter Wang Liang (ca. 1720–1790). Granddaughter of a prominent Jiaxing bibliophile and collector, she lost her father in infancy and married into a respected Huzhou family of officials only to witness their demise amidst a very public sex and corruption scandal in 1740, which also implicated her own wealthy merchant family. In the wake of this disaster, she and her husband severed their family ties and lived out their years in genteel poverty, childless. Surviving her husband by over twenty-five years, she fashioned an independent life and a self-image, echoed by observers, of Daoist detachment from the proverbial dust of the world while cultivating relationships with prominent male mentors and female artists across Jiangnan. As poet, painter, and player of the zither and the game of Go, Wang Liang at times articulated a vision of explicitly ungendered artistic perfection resembling aspects of the androgynous ideal associated with the culture of the Ming-Qing transition. Yet she was also poignantly aware that she was still embedded in relationships that pulled her back into family obligation, gendered hierarchy, and social exchange. I delve into her extant poetry and commentary about her to present her life and art as a contrapuntal play between embedded and transcendent modes of identity and expression.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"10 1","pages":"108 - 136"},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47691858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Agency and Strategy: Chastity Exemplars in an Early Qing Anthology 代理与策略：清初选集中贞洁的典范

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362444

J. Moyer

{"title":"Agency and Strategy: Chastity Exemplars in an Early Qing Anthology","authors":"J. Moyer","doi":"10.1215/23290048-10362444","DOIUrl":"https://doi.org/10.1215/23290048-10362444","url":null,"abstract":"Abstract:This article reads exemplary biographies of chaste widows and women who committed suicide to preserve their chastity in the 1656 Yuding Nei ze yanyi 御定内則衍義 (Imperially Commissioned Expanded Meaning of the \"Inner Standards\") by Fu Yijian 傅以漸 (1609–1665, jinshi 1646). In this anthology commissioned by the Shunzhi emperor on behalf of his mother, Fu's commentary emphasizes both the agency of individual women and the mutual resonance of personal virtue and political order. He not only praises the exemplars' virtue but also their agency, intelligence, and strategy. He explicitly acknowledges the different factors that could make chastity more difficult and states that in some situations, multiple courses of action were possible. He comments both on his heroines' political ability and on the political importance of recognizing chastity. Finally, in a context where women's chastity was often linked to political loyalism to the fallen Ming, Fu uses these biographies in a very different way: he presents chastity exemplars of conquered dynasties as foils to the decadent society around them. His commentary is thus recognizably tailored to his audience's circumstances as Manchu and Mongolian imperial women and his own as a Chinese male scholar at the beginning of the Qing.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"10 1","pages":"195 - 220"},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48716046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling 内室之外：徐兆华和她的老师毛启玲

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362353

E. Widmer

引用次数: 0

Rethinking Authorship and Agency: Women and Gender in Late Imperial China 对作者与代理的再思考：中国帝国后期的女性与性别

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362340

G. Fong, Guojun Wang

引用次数: 0

Contributors 贡献者

3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10365902

{"title":"Contributors","authors":"","doi":"10.1215/23290048-10365902","DOIUrl":"https://doi.org/10.1215/23290048-10365902","url":null,"abstract":"Other| April 01 2023 Contributors Journal of Chinese Literature and Culture (2023) 10 (1): 294–296. https://doi.org/10.1215/23290048-10365902 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Contributors. Journal of Chinese Literature and Culture 1 April 2023; 10 (1): 294–296. doi: https://doi.org/10.1215/23290048-10365902 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Chinese Literature and Culture Search Advanced Search LARA C. W. BLANCHARD is Luce Professor of East Asian Art and Lloyd Wright Professor in Conservative Studies at Hobart and William Smith Colleges, Geneva, New York. Her interdisciplinary research interests include Chinese arts and literature, particularly gendered images, women artists, women patrons, text-image relationships, and theories of representation. She has published articles about pictorial arts—painting, woodblock printmaking, photography, and video—from the Song dynasty (960–1279) through the contemporary era. She is the author of Song Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry (2018).MARAM EPSTEIN is a professor of late imperial Chinese literature at the University of Oregon. Her primary interests are xiaoshuo aesthetics, representations of gender, and histories of emotion. She is the author of Competing Discourses: Orthodoxy, Authenticity, and Engendered Meanings in Late Imperial Chinese Fiction (2001) and Orthodox Passions: Narrating Filial Love during the High Qing (2019). She is currently... You do not currently have access to this content.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"259 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135672141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Virtue and Women's Authorship in Chinese Art History: A Study of Yutai huashi (History of Painting from Jade Terrace) 中国美术史上的德性与女性创作——以《玉台画史》为例

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362457

Lara C. W. Blanchard

{"title":"Virtue and Women's Authorship in Chinese Art History: A Study of Yutai huashi (History of Painting from Jade Terrace)","authors":"Lara C. W. Blanchard","doi":"10.1215/23290048-10362457","DOIUrl":"https://doi.org/10.1215/23290048-10362457","url":null,"abstract":"Abstract:Yutai huashi (History of Painting from Jade Terrace), published in 1837, is rare among Chinese art-historical texts, not only for its focus on women painters of the imperial period but also for its female authorship. While the text preserves information on women who painted, its acknowledged author, Tang Shuyu, draws connections between women authors (defined broadly here to include both artists and writers) and virtuous women. First, her organization of the text's first five chapters foregrounds the social identities of women painters—a system that hints at their virtue. Second, biographies of women painters who are filial, chaste, and/or faithful appear throughout, but these qualities are emphasized in the \"Separate Record\" at the book's end, the only section with significant amounts of new writing. Third, the text positions Tang Shuyu as a woman of virtue herself. Tang compiled materials for her book with contributions from her husband, Wang Yuansun, and she establishes herself as a figure deferential to authority, a woman who begins most passages with a source citation and never develops a clear editorial voice. Scholars of the history of Chinese art increasingly use gender as a category of analysis to understand the accomplishments of women artists and patrons as well as representations of female figures. This article analyzes Yutai huashi's gendered subjects and discussions of gender roles as a means of examining both the contributions of women authors and the priorities of Chinese art-historical writers.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"10 1","pages":"221 - 243"},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43987776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Where Have All the Guixiu Gone? Chinese "Women of Talent" at the Turn of the Twentieth Century 桂秀都到哪里去了?20世纪之交的中国“才女”

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362392

Xiaorong Li

引用次数: 0

Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature 性别与暴力:中国帝国晚期文学中一个被吃掉的妃子的多重声音

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-04-01 DOI: 10.1215/23290048-10362483

Guojun Wang, Guo Yingde

{"title":"Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature","authors":"Guojun Wang, Guo Yingde","doi":"10.1215/23290048-10362483","DOIUrl":"https://doi.org/10.1215/23290048-10362483","url":null,"abstract":"Abstract:Recent studies of Chinese history and literature have revealed the important role of violence—actual and representational—in constructing gendered subjectivities in late imperial China. This article investigates the relationship between violence and female agency through a case study of literary representations of a concubine who was cannibalized during the defense of Suiyang amid the An Lushan Rebellion (755–763) in the Tang dynasty. As a result of that event, the ethically questionable act of cannibalism engendered an assortment of writings down through late imperial China. Although historical writings before the Ming dynasty frequently praise the concubine's husband for sacrificing her, a series of dramatic works starting in the Ming feature the concubine character in contention with her husband. This paper parses those materials to reveal vastly different characterizations of the cannibalized woman—as a loyal concubine, a female knight-errant, an independent state subject, and a maternal deity. We suggest that authorship, generic traditions, family-state dynamics, ethnic relations, and religions together influenced the representations of the concubine. In particular, moving further away from the literati writing tradition, literature and performance derived from the story ascribed increasingly potent agency to the concubine character in late imperial China.","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":"10 1","pages":"267 - 293"},"PeriodicalIF":0.2,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42175936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The study on the teaching method of ‘Chinese characters and language’Ⅳ ―The study targets 上, 大, 子《汉字与语言》教学方法的研究Ⅳ——研究对象

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-02-28 DOI: 10.31985/jcl.90.7

Byung-chang Yeou

引用次数: 0

Wang Hui's Perception of Modernity and the Challenges of Alternative Modernity Theory 王辉的现代性感知与另类现代性理论的挑战

IF 0.2 3区文学

Journal of Chinese Literature and Culture Pub Date : 2023-02-28 DOI: 10.31985/jcl.90.4

Minho Park

引用次数: 0