{"title":"对作者与代理的再思考：中国帝国后期的女性与性别","authors":"G. Fong, Guojun Wang","doi":"10.1215/23290048-10362340","DOIUrl":null,"url":null,"abstract":"dynasty rescued the concubine character from oblivion and imbued her with multivalent types of agency — as a concubine, a knight-errant, a loyal subject of the state, and a god-dess. This study examines the relationships among multiple types of authorship: literati authorship of chuanqi dramas, collective authorship of folk opera","PeriodicalId":53810,"journal":{"name":"Journal of Chinese Literature and Culture","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rethinking Authorship and Agency: Women and Gender in Late Imperial China\",\"authors\":\"G. Fong, Guojun Wang\",\"doi\":\"10.1215/23290048-10362340\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"dynasty rescued the concubine character from oblivion and imbued her with multivalent types of agency — as a concubine, a knight-errant, a loyal subject of the state, and a god-dess. This study examines the relationships among multiple types of authorship: literati authorship of chuanqi dramas, collective authorship of folk opera\",\"PeriodicalId\":53810,\"journal\":{\"name\":\"Journal of Chinese Literature and Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Chinese Literature and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/23290048-10362340\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Literature and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/23290048-10362340","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
Rethinking Authorship and Agency: Women and Gender in Late Imperial China
dynasty rescued the concubine character from oblivion and imbued her with multivalent types of agency — as a concubine, a knight-errant, a loyal subject of the state, and a god-dess. This study examines the relationships among multiple types of authorship: literati authorship of chuanqi dramas, collective authorship of folk opera
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